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twelfth night gender role of shakespeare's time
twelfth night gender role of shakespeare's time
Gender relation in twelfth night
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William Shakespeare’s early play, Twelfth Night, or What You Will is a classic romantic comedy placed in a Christian-Pagan environment. By comparing and contrasting Twelfth Night with the movie She’s the Man, I am arguing that discrimination of the female gender in Twelfth Night is still relevant today.
Shakespeare plays are known as being universal; his plots and characters are just as alive as they were in the late sixteenth centuries. By 1601, Shakespeare had already written A Midsummer Night’s Dream, Much Ado About Nothing, and As You Like It. Though Twelfth Night was written 400 years earlier, the female gender role is still characterized or portrayed as the weakest one. The main character Viola from Twelfth Night disguises herself, through voice, costume, and manners into a young man after surviving a shipwreck that separates her from her twin brother (Greenblatt 1077). Why does Viola disguise herself as a man? She states the reason why she disguises herself as man is in order to buy some time and figure things out, but she could have stayed
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A male having multiple sex partners is considered “masculine,” On the other hand, a female would be labeled as promiscuous women, committing the same action (Chipe “Women’s’ discrimination”). For example, in She’s the Man, Duke is portrayed as the hottest guy in the school. He is well-known for being skilled with soccer and women, which is considered good. However, Olivia is portrayed like the “typical” blond girl who likes to party and only dates athletic guys. She is portrayed as a materialistic and promiscuous than her play counterpart. For example, when Olivia says, “girls with butt like mine do not talk to guys with faces like yours.” Women, like men, have the same desires; however, women are still portrayed as materialistic, gold diggers, and promiscuous when committing the same actions
The movie She's the Man shows much of the general idea of the original Shakespearean book, the twelfth night. It also, illustrates the change in feminine roles in the community and society at large, the main theme of the movie being feminism. In Shakespearean era and time, the important, recognizable and powerful positions in the society were taken by men and therefore Viola in the twelfth night disguises herself as a eunuch in order to get close to the Olivia, the countess and the
Twelfth Night shows a woman's value is based on her position in society and does so
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
There have been strict gender roles set in place for men and women to follow, throughout history. During Shakespearean times, The females were viewed as this weak, emotionally and physically. Women were expected to always listen and obey their husbands, father or male when demanded. Women were never in positions to make the rules. Men on the other hand, were expected to be the head of their households, strong, and wise. In “A Midsummer Night's Dream” written by Shakespeare, you may notice a lot of “gender roles” being played. Oberon and Titania characters are the only couple in the play who have been married for a while in the play. That makes them an important role in “A Midsummer Night's Dream”.The other couples are just starting out
The play Twelfth Night, or What You Will by William Shakespeare is a 1601 comedy that has proven to be the source of experimentation in gender casting in the early twenty-first century due to its portrayal of gender in love and identity. The play centrally revolves around the love triangle between Orsino, Olivia, and Viola. However, Olivia and Orsino both believe Viola is a boy named Cesario. Ironically, only male actors were on the stage in Shakespeare’s time. This means that Olivia, Viola, and other female characters were played by young boys who still had voices at higher pitches than older males.
The movie takes on a very different approach to the story line changing Shakespeare’s underlining issues. She’s the Man uses sex appeal to its advantage to grab the viewers’ attention and keep them engaged. This paper will cover the different ways She’s the Man uses sex appeal in the story line, whereas Shakespeare uses more of a romance story line. The sex appeal in She’s the Man is a more modern day attention grabber than what is observed in Twelfth
Shakespeare is debatably the greatest poet and writer of all time. However, that does not mean that these plays adapt to the changing times. In Shakespeare’s, Othello, gender plays a large role in understanding the culture of the time and makes the play out of date, if not used properly. Understanding the gender roles and how they are defined in Shakespeare’s culture, looking at each individual women in the play, and the way Shakespeare should be taught today in order to adapt to the times allows readers a deeper appreciation of Shakespeare’s work. Shakespeare is a wonderful artist and writer. Used properly, students today can learn thousands of lessons and insightful ways to insult one another from the great play writer. “Students have trouble
Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)
Malcolmson, Christina. “’What You Will’: Social Mobility and Gender in Twelfth Night” in Twelfth Night. New York: St. Martin’s Press, 1996.
Gender roles are one of the most controversial topics in the history of humanity. Some people approve of them, while others disagree with them. Gender roles are defined as “the behavior learned by a person as appropriate to their gender, determined by the prevailing cultural norms”. There are times throughout history where gender roles were very unfair. However, some individuals still defied them in both open and discreet ways. One of these individuals was the famous literary figure, William Shakespeare. Although Shakespeare may have defied gender roles in some of his other literary works, the scope of this essay will be limited to his stellar play, Macbeth. In Macbeth, Shakespeare mostly uses three characters to defy gender roles: The Three
Jajja, Muhammad Ayub. "Women In Shakespearean Comedies: A Feministic Perspective." Journal Of Educational Research (1027-9776) 16.1 (2013): 112-119. Education Research Complete. Web. 13 Apr. 2014.
Society in the16th century was highly structured. Women of the upper class were expected to be trophies for their husbands. The men were required to hunt, lead, and go into battle. If one chose not to follow these dictates, the rest of society would question, look down on, or even punish the deviant. The prominent author, William Shakespeare, placed this subject into comedy and tragedy plays with dramatically different outcomes. In Macbeth and Much Ado About Nothing, William Shakespeare makes fun of stereotypical gender roles by establishing Beatrice and Lady Macbeth as the dominant characters over Benedick and Macbeth through imagery, dialogue, and character personalities.
In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello. From a careful analysis of the story, tragedy in Othello is result of violating expected gender roles, gender performance by Desdemona and Othello, and the result of Iago’s inability to tolerate these violations.
... Critical Interpretations, ed. Harold Bloom (New York: Chelsea House Publishers, 1987) 43. For further discussion on renaissance gender performance and identity politics among Shakespeare's cross-dressed heroines, see Michael Shapiro's Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: The University of MIchigan Press, 1994).
Within many Shakespearian plays, roles of women often focus on their intelligence, strength, and perseverance. This may indicate Shakespeare’s understanding that women should be treated equal to men and receive equal opportunities like that of men and pose the possibility of Shakespeare himself being a feminist.