In the comedy Twelfth Night written by William Shakespeare many of the characters experience emotional pain. The pain that a character name Olivia experiences is the death of her brother, causing her to mourn. Malvolio who is Olivia's steward is involved with emotional pain caused by humiliation, which occurs more than once in this play. Lastly, a great deal of characters battle with the feeling of unrequited love. Even though Shakespeare wrote this as a comedy, there was still a mass amount of emotional pain throughout.
Early on in this play Shakespeare introduces us to a character named Olivia. Olivia is an extremely rich countess, who is still heartbroken from losing her brother over the plague.
Sir Toby: “What a plague means my niece to take the death of her brother thus? I am sure cares an enemy of life”. (Act 1, Scene 3, Lines 1-2)
From this line Shakespeare lets the reader/audience know that Sir Toby is her uncle, because he refers to Olivia has his niece. The reader/audience will also gather that Olivia’s brother died from the plague.
Feste: “Good madonna, why mourn’st thou?”
Olivia: “Good fool, for my brothers death”. (Act 1, Scene 5, Lines 59-60)
Feste is a jester her serves Olivia and is brought into this scene to cheer her up, but from this quotes it shows proof she is mourning her brother.
Valentine: “The element of itself, till seven years heat,
Shall not not behold her face at ample view,
But like a cloistress, she will veiled walk,
And water once a day her chamber round
With eye-offending brine: all this to season
A brother’s dead love, which she would keep fresh
And lasting, in her sad remembrance”. (Act 1, Scene 1, 26-32)
Valentine was not aloud to see Olivia, but she was told that Olivia was going to m...
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...ino. Viola is Orsino’s messenger, and has to spend time telling Olivia how much Orsino love her; but in reality she is heartbroken because the man she loves, loves someone else. On many occasions Viola cleverly hints to Orsino she loves him, but he never really understands.
Viola: “Too well what love women to men may owe. In faith, they are as true of heart as we. My father had a daughter loved a man, As it might be, perhaps, were I a woman,I should your lordship” (Act 2, Scene 4, Lines 102-107).
Viola is really saying that she knows the way women can love men. She also says “My father had a daughter who loved a man”, since she is known as Cesario who is a boy Orsino does not realize that the daughter is really her, and the man is Orsino.
Just imagine how much pain these characters are going through. They each love someone and can not be loved back.
that Olivia has emotional power of nobleman Orsino when in Act I Scene I he declares, "O, she
When Hamlet’s mother remarries to Claudius, her husband’s murderer, Hamlet is disgusted that she could move on so quickly. He’s also disturbed over the fact that his Uncle could kill his own brother, and then marry his brother’s widow. This “incestu...
And of the Queen’s punishment as it goes on throughout the play, there can be no doubt either. Her love for Hamlet, her grief, the woes that come so fast that one treads upon the heel of another, her consciousness of wrong-doing, her final dismay are those also of one whose soul has become alienated from God by sin.(146)
All Viola has to do to get what she wants is to tell the truth. Once Viola tells the truth she is able to have a romantic
Viola continues to go back and forth between the Duke and Olivia but Oliva falls in love with Viola’s male alias Cesario. The three go on with this love triangle throughout the book using a romantic feel to keep the viewers engaged. Until the end of the story when Viola’s twin brother shows up, is mistaken for Cesario, and marries Olivia. In the end the Duke finds out the Cesario is actually a women and not a boy and they end up marring each other. Olivia is relieved she married a man and not a woman and they are all happy in the end. Shakespeare never uses sex appeal, but uses romance to appeal to his audience.
actually describes a platonic love between himself and Cesario. This is a hint to the reader that the unveiling of Viola could, in fact, lead to a true love. For instance, Orsino tells Cesario “If ever thou shalt love; in the sweet pangs of it remember me” (2.4.13-14). This is almost ironic, and foreshadows the follies yet to come including the growin...
RISING ACTION: Cesario, which is Viola, was asked by Orsino to court Olivia for him: Once Viola is hired to work for Orsino she automatically falls in love with him. Since Orsino thinks of Viola to be a man, he has no clue she is in love with him. Olivia is not impressed with Orsino’s poetry that Cesario reads to her, yet she is attracted to t...
Viola, alone in a strange land, disguises herself as a man in order to gain access to Duke Orsino's palace. She plays the role of Orsino's servant, Cesario, to be near him for she knows that he is the man who can help her in Illyria. On first hearing Orsino's name, Viola says: "Orsino! I have heard my father name him: He was a bachelor then." This reaction suggests that Viola already respects Orsino as a ruler before she begins to love him.
The play twelfth night, though largely a comedy, has it's fair share of challenges and obstacles which it's characters face throughout the plot. These revolve around love, honour and the death and loss of loved ones. However one character stands out to me as having faced the most difficult and trying of challenges, yet emerged with her pride and dignity intact. She coped well with all the problems that were thrown at her with a quiet resilience far beyond her years, and is worthy of our admiration.
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Cesario is really Viola, or that she has these feelings for him at all, sends Cesario to win over the
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Because of this confusing love triangle, some of the characters seem to view love as a curse. They also claim to suffer painfully from being in love or from the “pangs” of unrequited love. In Act 1 scene 5, Olivia describes love as a “plague” from which she suffers terribly. In Act 1 scene 1, Orsino depicts love dolefully as an “appetite” that he wants to satisfy and cannot. Another example of the characters not “liking” love is in Act 2 scene 2 when Viola says “My state is desperate for my master’s love.” This quote relates to the violence in Act 5 scene 1 when Orsino threatens to kill Cesario because he thin...
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...