Turning Pocho
Early in the 20th century, there was a large increase of immigration not only in California, but the whole United states, and according to Dr. Joshua Paddison of Wittenberg University, “One-half million Mexicans migrated, with more than 30 percent setting in California” (Paddison, 1921-present: Modern California). Some of the immigrants’ transition from Mexico and into California be seen in both Ernesto Galarza’s “Barrio Boy”, and Richard Rodriguez’s “Proofs”. While both differentiate by their time period, there are some similar behavior patterns, such as the immigrants crossing over the border and into different states, their work, and their social life. The migration for any the Latinos wasn’t just a simple plane ride from
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Since Galarza grew up in a strong community he was able to experience support from the colonia mexicana in Sacramento, while Rodriguez accounts for Mexican immigrants in various locations in California. Most of the immigrants Rodriguez interviewed or witnessed all had a resemblance to nostalgia. He had saw many drunk and lonely Mexican men, some being only teenagers, and even the men who lived with their families were still homesick. Rodriguez even said that, “the city is evil” (66), while meeting a preacher whose early years were all about drugs, gangs, and being a “junkie”. While most of everything Rodriguez experienced were negative, Galarza had an opposite perspective. It may have be the different locations or time periods that both authors experienced the immigrants lives, but the relations between the Mexicans were more than just the family they had to support, and instead it was the whole community. As Mexicans migrated to the community in Sacramento that Galarza grew up in, they became chicanos, and they were “the name of an unskilled worker born in Mexico and just arrived in the United States” (267). It was so much easier to for the immigrants to make money since the fellow Mexicans provided assistance to those in need of jobs or a place to live, and of it was provided by trusting one another. The community helped keep the Mexican heritage strong and tried avoiding becoming an American by speaking their native language, celebrating holidays they would normally celebrate in Mexico, and by not turning
When Spaniards colonized California, they invaded the native Indians with foreign worldviews, weapons, and diseases. The distinct regional culture that resulted from this union in turn found itself invaded by Anglo-Americans with their peculiar social, legal, and economic ideals. Claiming that differences among these cultures could not be reconciled, Douglas Monroy traces the historical interaction among them in Thrown Among Strangers: The Making of Mexican Culture in Frontier California. Beginning with the missions and ending in the late 1800s, he employs relations of production and labor demands as a framework to explain the domination of some groups and the decay of others and concludes with the notion that ?California would have been, and would be today, a different place indeed if people had done more of their own work.?(276) While this supposition may be true, its economic determinism undermines other important factors on which he eloquently elaborates, such as religion and law. Ironically, in his description of native Californian culture, Monroy becomes victim of the same creation of the ?other? for which he chastises Spanish and Anglo cultures. His unconvincing arguments about Indian life and his reductive adherence to labor analysis ultimately detract from his work; however, he successfully provokes the reader to explore the complexities and contradictions of a particular historical era.
In Sueños Americanos: Barrio Youth Negotiating Social and Cultural Identities, Julio Cammarota studies Latina/o youth who live in El Pueblo, and talks about how Proposition 187, the anti-immigrant law, is affecting Latina/o youth in California (Cammarota, 2008, p. 3). In this book review, I will write about the two main points the author is trying to get across. The two main points I will be writing about are how Proposition 187 is affecting the Latina/o community, and about how Latina/o youth are copping in the El Pueblo barrio. Afterward I write about the two main points the author is trying to get across, I will write a brief description of the author and write about the author’s strengths and weaknesses.
This book as mentioned before is a great addition to academia; Dr., García’s thorough research, and vast amount of statistics, give new light to the Mexican immigration into the United States in the nineteenth century, As well as the many contributions of the Mexican people in this country. Which has many times been overlooked by scholars, who choose to focus on immigration from the other side of the Atlantic, as the greater contributor of talent and greatness in this country. García’s book not only includes the struggle of men but also the struggle of the many women who sacrificed much, and had to endure even more while working as domestics for many racist patronas. Dr., Mario García obtained a PhD. At the University of California in San Diego, and is currently a professor of Chicano/Chicana studies at the University of California in Santa Barbara.
Through visiting La Plaza De Culturas Y Artes, I have learned a lot more interesting, yet, surprising new information about the Chicano history in California. For example, in the 1910’s and on the high immigration of Mexicans and other Chicanos, into coal mines and farms by major corporations, made California one of the richest states in the US. I also learned that most of California 's economy was heavily reliant on immigrants. Immigrants were the preferred worker for major corporations because they didn 't have American rights and were given the harder jobs for less pay.
This nation was relatively stable in the eyes of immigrants though under constant political and economic change. Immigration soon became an outlet by which this nation could thrive yet there was difficulty in the task on conformity. Ethnic groups including Mexicans and Chinese were judged by notions of race, cultural adaptations and neighborhood. Mary Lui’s “The Chinatown Trunk Mystery” and Michael Innis-Jimenez’s “Steel Barrio”, provides a basis by which one may trace the importance of a neighborhood in the immigrant experience explaining the way in which neighborhoods were created, how these lines were crossed and notions of race factored into separating these
The 1959 novel, Pocho, by José Antonio Villarreal is an insightful cultural exposition told primarily from the vantage point of Richard Rubio, the coming-of-age son of immigrant Mexican parents who eventually settle in Santa Clara, California, after many seasons of migrant farm work. Although fiction, the story likely mirrors some of the experiences of the author who was born to migrant laborers in Los Angeles in 1924 and was himself a "pocho" - a child of the depression era Mexican-American transition. ("I am a Pocho," he said, "and we speak like this because here in California we make Castilian words out of English words." p 165)
In the film “Bordertown”, the protagonist, Johnny Ramirez ultimately finds solace, happiness and satisfaction in the aftermath of his own failure. If one were to believe the notion that we are all at a fixed station in both life and society, then the Mexican protagonist’s ambitions and their disastrous outcomes would only serve to bolster this opinion. This is, however, what the film “Bordertown” attempts to convey to its audience. As Johnny Ramirez ambitiously sets out, attempting to acquire material success, in the world outside of his neighborhood, he finds only offers of wickedness and corruption. His final retreat back into his barrio is where he finds goodness and love. This film, then, suggests that not only should Ramirez not have bothered in his undertaking, but that any venture outside of one’s own “station” or “place” would put that person out of his or her natural element. The results of this can be dangerous or disastrous. The film’s message is clear: Stay where you belong.
Mexico is described as tragic-those who are of Mexican descent are often very traditional in thought. Rodriguez’s father held the traditional beliefs that old men are wise, that life is disheartening, and near one’s death is the point where one must look back on their life. However, he also feels that Mexico is a happier place, with sweeter children and more lavish funerals. Perhaps he views Mexico as the tragic place because it represents a lost heritage to him. He, who in his middle age, finds himself agreeing with the Mexican ideals, nevertheless finds himself affected by living in America. Instead of being raised with the ideas of Mexican culture, he was raised with Protestant optimism characteristic of California. He was forced to abandon the way of life of his ancestors, even if only partially. America-more specifically, California, conquered the Mexican ways, and in so doing, lost the opportunity to reconcile the Catholic South and the Protestant North. Thus, Mexico emerged as the tragic hero and California as the laughing victor. California is comedic because it is a place where it is possible to start anew, to defy the traditional.
Weber, David J. Foreigners in Their Native Land: The Historical Roots of Mexican Americans. Albuquerque: University of New Mexico Press, 1973.
I will begin to examine the Mexican American ethnic group, probing the historical circumstances that impelled them to come to America, focusing on the structure and functioning of their family life to determine or, at least, to raise clues about how and why they have been able or unable to maintain an ethnic identification over the generations, and take a brief look ahead to being to speculate what the future endeavors are for this ethnic group and their constitutive families.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Steltzer, Ulli, “The New Americans: Immigrant Life in Southern California.” Kiniry and Rose 346-347. Print.
Traditionally history of the Americas and American population has been taught in a direction heading west from Europe to the California frontier. In Recovering History, Constructing Race, Martha Mencahca locates the origins of the history of the Americas in a floral pattern where migration from Asia, Europe, and Africa both voluntary and forced converge magnetically in Mexico then spreads out again to the north and northeast. By creating this patters she complicates the idea of race, history, and nationality. The term Mexican, which today refers to a specific nationality in Central America, is instead used as a shared historic and cultural identity of a people who spread from Mexico across the southwest United States. To create this shared identity Menchaca carefully constructs the Mexican race from prehistoric records to current battles for Civil Rights. What emerges is a story in which Anglo-Americans become the illegal immigrants crossing the border into Texas and mestizo Mexicans can earn an upgrade in class distinction through heroic military acts. In short what emerges is a sometimes upside down always creative reinvention of history and the creation of the Mexican "race (?)".
In the short reading “Like Mexicans” Gary Soto is undecided about what route he should pursue when moving on into the future. In his early teens his grandmother told him to become a barber and to marry a Mexican girl, Soto’s mother told him this as well. When Soto was in his twenties he ended up falling in love with a Japanese woman named Carolyn. Towards the end of the story Soto realized that the reason his mom wanted him to marry a Mexican girl was because they are in the same social class as him. At the end of the story when Soto is at Carolyn’s house he perceived that her family was different, but they were just like Mexicans because they were poor. Throughout this story Soto crossed three life changes: Culture, food,
Despite having to battle discrimination and poor neighborhoods, second and third generation Mexican-Americans have made a great strife to overcome large obstacles. Mexican-Americans are finally gaining representation in city government representing the 9.6 million Mexican residents of Los Angeles. White politicians can no longer ignore Mexicans in Los Angeles, as former mayor Richard Riordan saw in the elections of 1997, in which his re-election was largely in part to the high turnout of Mexican voters in his favor. Although Capitalism still exists in the greater Los Angeles, its influence is not as great as it was fifty years ago. Los Angeles continues to serve as the breeding grounds for new cultures, ideologies, and alternative lifestyles. The pursuit of the American Dream becomes a reality for most immigrants in LA. LA is a great place to live, party, and be from. I knew little about the history of Los Angeles prior to this course, but now I am well prepared to answer the question of, “What makes Los Angeles, Los Angeles?”