Throughout this story, the Governess often goes off to clear her head or for a walk at night, yet when she gets back she has no idea how long she’s been gone. At first the Governess says her long absences are due to the evening’s beauty as her reason for staying out so late (James 31). She is constantly in deep thought about her supposed encounters with the ghosts that she has no idea to what is actually going on in reality. She admits to staying in her room or going off alone, only to be filled with curiosity and dread of who the first ghost must be. (James 30) This kind of obsessive behavior shows that the Governess is bothered by any little thing that may go on in her life. The fact that she ponders and leaves the children alone for so long that she can not remember definitely calls into question how suitable she really is to take care of Miles and Flora. Why would a newly installed Governess be so concerned with a man that she neglects her priorities.
The Governess develops a reputation with her powerful emotions from start to finish. She plainly admits that she is ...
... middle of paper ...
...he most crude things imaginable, yet in reality they could be less harsh. The possibility that the Governess tells lies of what they are saying is probable because it is evident that the Governess can only see the ghosts in her own mind.
This twisted novel shows the true essence of the insanity that any person can start to create for theirself. The way in which the Governess starts in the story and ends displays the decline of her perception of reality. Her true infatuation with both children battles within her the entire time. She knows it is wrong to have such an attachment that is overbearing to children that are not her own that she makes an entire new reality to makeup for it. She says it was Jessel and Peter who were inappropriate, she blames them and sees them when no one else can. She sees them because she is guilty and the guilt deliberately drives her mad.
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