In 1967 Caetano Veloso felt that the Brazilian Popular Music after the appearance of Bossa Nova eight years prior had run out of energy and creativity. Velosos’ first idea was to get in contact with some big names in the Brazilian music industry to convince them that Brazilian music was in desperate need of new ideas but to no avail he got little to no support. Veloso then decided to gather a small group of young musicians which encompassed Bahian artists Gilberto Gil, Gal Costa and Tom Zé, the rock band Os Mutantes, poets Torquato Neto and Capinam, and the conductor and orchestral arranger Rogério Duprat, who together would form the nucleus of a new “rebel” movement in Brazilian music (Perrone, Dunn 72-74).
By that point in time the Brazilian music scene was split into two. One side consisted of the traditionalists who were supported by both the conservative establishment as well as the leftist opposition, led by intellectuals, the cultural elite and students. They opposed all foreign influences on Brazilian music. Most artists at the time either supported or followed the “rules” set by the traditionalists. On the other side were those who were fans of English and American music (Perrone, Dunn 96-97).
Contrary to the traditionalists who dominated the Brazilian music scene, Veloso and his friends wanted to “universalize” and modernize Brazilian music, ...
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...eloso, as the other members of the movement went on to work on other projects (Jandovsky 1).
In Brazil tropicalia served as a form of rebellion. It showed the Brazilian people that not everything had to be the traditional way it could be different it could change. The Tropicalia movement was a big part of Brazils’ history not only because of the amazing music, but because of what was occurring in Brazil at the time and how it helped people deal with the military type government they had at the time.
Perrone, Charles A., and Christopher Dunn. Brazilian Popular Music & Globalization. Gainesville: University of Florida, 2001. Print.
Veloso, Caetano, and Barbara Einzig. Tropical Truth: A Story of Music and Revolution in Brazil. Cambridge, MA: Da Capo, 2003. Print.
Jandovsky, Phillip. "Tropicalismo." Great Brazilian Music -. N.p., n.d. Web. 11 Dec. 2013.
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