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Compare the way wordsworth deals with nature with coleridge´s
Treatment of nature by wordsworth and coleridge
Wordsworth & Coleridge Comparison
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William Wordsworth and Samuel Taylor Coleridge had vastly different writing styles as well as opinions of the material they treated in their writing. One of the primary differences between the two is how each treats nature in his work. Wordsworth, in his self-proclaimed writing like the common man, often expresses a nostalgic appreciation for nature, as can be seen in “Tintern Abbey”. On the other hand, Coleridge’s character, the mariner from “The Rime of the Ancient Mariner,” scorns nature and only learns to respect it, not necessarily to love it. Coleridge treats the supernatural far more than Wordsworth, and it is debatable as to whether or not his frequent use of opium contributes to this tendency. Overall, it stands to reason that nature is presented as a pure, innocent, and desirable thing to Wordsworth, and Coleridge’s writing deems it unpleasant, albeit powerful. Wordsworth’s “Tintern Abbey” is a poignant view of his return to the Banks of Wye, where he spent much of his youth. He clearly feels favorably toward Nature, which as it seems is the entire focus of the poem. After a description spanning the first 21 line stanza about certain aspects of the Nature he recalls favorably, he calls them “beauteous forms” and says that he experiences “feelings too of unremembered pleasure” because of them (line 22, 30-31). Wordsworth’s mission statement in Lyrical Ballads is essentially to use the language and to recapture the beauty of ordinary men, while still establishing his prowess in poetry. His account of nature in “Tintern Abbey” represents not necessarily the language of ordinary men, but he believes these pure forms of nature upon which he reminisces to be a common good across the lines of class. However, he claim... ... middle of paper ... ...osing Wordsworth and Coleridge’s poems, it can be deduced that Nature must be loved and feared. This might seem reminiscent with traditional views of God, as he is believed to be a beautiful albeit powerful form of power. Thus, Nature is established as an all-encompassing form of power that can govern one’s life. Works Cited 1. Coleridge, Samuel Taylor. “The Rime of the Ancient Mariner.” Norton Anthology of English Literature: The Romantic Period: Volume D, 8th edition. Ed. Greenblatt, Stephen. New York: W.W. Norton & Company, 2006. 430-446. Print. 2. Wordsworth, William. “Lines Composed a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798.” Norton Anthology of English Literature: The Romantic Period: Volume D, 8th edition. Ed. Greenblatt, Stephen. New York: W.W. Norton & Company, 2006. 258-262. Print.
G. Ed. The Norton Anthology of English Literature: The Romantic Period. New York: Norton, 2000. Barth, Robert J. Romanticism and transcendence: Wordsworth, Coleridge, and the Religious Imagination. Columbia: University of Missouri Press, 2003.
Both Muir in his essay The Calypso Borealis and Wordsworth in his poem Wandered lonely as a cloud, evoke emotion
In the poem Tintern Abbey by William Wordsworth nature’s is portrayed to its readers. The speaker says,
In “Lines Written a Few Miles Above Tintern Abbey,” we find the purest expression of Wordsworth’s fascination with friendship.
William Wordsworth is easily understood as a main author whom expresses the element of nature within his work. Wordsworth’s writings unravel the combination of the creation of beauty and sublime within the minds of man, as well as the receiver through naturalism. Wordsworth is known to be self-conscious of his immediate surroundings in the natural world, and to create his experience with it through imagination. It is common to point out Wordsworth speaking with, to, and for nature. Wordsworth had a strong sense of passion of finding ourselves as the individuals that we truly are through nature. Three poems which best agree with Wordsworth’s fascination with nature are: I Wandered as a Lonely Cloud, My Heart leaps up, and Composed upon Westminster Bridge. In I Wandered as a Lonely Cloud, Wordsworth claims that he would rather die than be without nature, because life isn’t life without it, and would be without the true happiness and pleasure nature brings to man. “So be it when I shall grow old, Or let me
Coleridge, like many other romantic writers of his time such as Wordsworth, demonstrated through his works a great interest in nature. Instead of following the philosophy of the eighteenth century which drew the line between man and nature, Coleridge developed a passionate view of the idea that there is just ''one''. He believed that nature was ""the eternal language which God utters"", therefore conecting men, nature and the spiritual together. In his poetry, Coleridge used his philosophy to to explore wider issues through the close observation of images and themes relating to the natural world.
reason to it as well; the purpose of it is to make people get a
Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd.
William Wordsworth and Samuel Taylor Coleridge spearheaded a philosophical writing movement in England in the late 18th and early 19th century. Although Wordsworth and S.T. Coleridge are often considered the fathers of the English Romantic movement, their collective theologies and philosophies were often criticized but rarely taken serious by the pair of writers due to their illustrious prestige as poets. The combined effort in the Lyrical Ballads catapulted their names into the mainstream of writers in 1798 and with this work; they solidified their place in English literature. Although, most people fail to note that the majority of Coleridge's and Wordsworth's work was him simply bending and breaking particular rules of poetry that were in place during his time and in order to fully understand his work, one must fully understand his views of poetry itself.
All in all, throughout all the history of American poetry, we can easily find numerous poems concerning nature from different angles, for nature will never betray a nature-loving heart just as William Wordsworth says.
In William Wordsworth’s poems, the role of nature plays a more reassuring and pivotal r ole within them. To Wordsworth’s poetry, interacting with nature represents the forces of the natural world. Throughout the three poems, Resolution and Independence, Tintern Abbey, and Michael, which will be discussed in this essay, nature is seen prominently as an everlasting- individual figure, which gives his audience as well as Wordsworth, himself, a sense of console. In all three poems, Wordsworth views nature and human beings as complementary elements of a sum of a whole, recognizing that humans are a sum of nature. Therefore, looking at the world as a soothing being of which he is a part of, Wordsworth looks at nature and sees the benevolence of the divinity aspects behind them. For Wordsworth, the world itself, in all its glory, can be a place of suffering, which surely occurs within the world; Wordsworth is still comforted with the belief that all things happen by the hands of the divinity and the just and divine order of nature, itself.
In "Lines Composed a Few Miles Above Tintern Abbey," William Wordsworth explains the impact of Nature from Tintern Abbey in his every day life. "Tintern Abbey" shows the great importance of nature to Wordsworth in his writings, love for life, and religion. The memories he has of Tintern Abbey make even the darkest days full of light.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
Hirsch, E. D. Jr. Wordsworth and Schelling a Typical Study of Romanticism. New Haven: Yale University Press, 1960.
"The Poetry of William Wordsworth." SIRS Renaissance 20 May 2004: n.p. SIRS Renaissance. Web. 06 February 2010.