The Trailer Of The Film, La Mission Essay

The Trailer Of The Film, La Mission Essay

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Chicanos and Chicanas are often stereotyped by people based on crude and unfair assumptions but at the same time, these stereotypes are often based on the truth. Movie directors are no exception as they attempt to understand and give representation to entire Chicano/a and Latino/a culture in society. The trailer of the film, La Mission, Che seems to be happy with his life until he realizes his son, Jes, is gay. Che then finds himself in a struggle to accept the homosexuality of his son while at the same time, Jes is struggling to find his own identity and to fit into society. The trailer has distinct ways in how it represents and shows the intersection and issues of gender and sexuality, race and ethics, as well as class. The trailer represents several aspects of Chicano culture through the various cultures and themes such as homosexuality, masculinity, and family and peer pressure, from Jes representing the struggles of homosexuals in Chicano society, the struggle of being accepted and one’s own identity, and Che as well as other characters representing the importance of masculinity in Chicano/a and Latino/a culture.
The trailer of La Mission first represents the issues of homosexuality in Chicano society. This is done through the character of Jes. Jes represents the intersection of gender and sexuality through his struggles of finding his own identity after being rejected by his father, Che, for being gay. The trailer reveals that after going to an all male club and dancing with his friend or partner, Jordan, Che discovers a photo of Jes and Jordan at this club. Realizing that his son is gay, Che disowns Jes and tells him he wants him out of his house. According to the week 2 reading of “Saying “Nothin”” by Catherine S. Ram...


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...ten by M. Cristina Alcalde, describes constructions of masculinity as not only “one of dominance over women”, but one that “facilitates violence not only against women who challenge this form of masculinity but also against men who do not satisfy the ideal of the dominant, heterosexual man” (Alcalde 539). This shows the representation of Che in this trailer being a masculine as accurate as Che becomes violent with his response and discovery of Jes’s homosexuality. Alcalde also says, “the centrality of family may ultimately result in parental rejection of and violence against sons who do not conform to heterosexist ideals” (Alcalde 541). This not only further supports the accurate representation of Che, as he rejects and reacts in a violent way towards his son’s homosexuality, but also shows the issue of masculinity is one that is almost more important than family.

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