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Pschoanalytic theory of play
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The Oedipus is essentially a tragic analysis. Everything is already there, so it needs only to be extricated. Schiller to Goethe, 1797 We all know that Oedipus killed his father and slept with his mother, and that when he discovered who he had killed and who he had married, he blinded himself. But Sophocles’ tragedy Oedipus Rex does not show us the killing or the wedding. It shows us only the process by which Oedipus discovers “who he is” and it then reports two actions consequent upon that discovery: Oedipus’ mother/wife Jocasta hangs herself and Oedipus stabs out his eyes. In addition to the killing and the marrying, two other less familiar parts of Oedipus’ story form part of the background of Sophocles’ play – Oedipus’ victory over …show more content…
Freud first mentioned Oedipus in 1897, in a letter to his friend Wilhelm Fliess. There he wrote that it had occurred to him that the reason audiences were so stirred by Oedipus Rex is that “the Greek saga seizes upon a compulsion which everyone recognizes because they perceive his existence in themselves. Every member of the audience was once a budding Oedipus in fantasy.” (Hillman, 96) Freud’s focus in that remark is on Oedipal desires and conflicts. But Freud went on to talk about Oedipus in The Interpretation of Dreams, and there he noted that the play proceeds in a manner similar to psychoanalysis: “The action of the play consists simply in the disclosure, approached step by step and artistically delayed (and comparable to the work of a psychoanalysis) that Oedipus himself is the murderer of Laius.” (Hillman, 92) Indeed, as a clinician, it is hard to read Oedipus Rex without being reminded of a psychoanalysis, with Oedipus as the patient. We see Oedipus’ omnipotence and grandiosity, his resistance and denial, his interest in a quick fix and his demand for the answer, his bullying of the seer Tiresias and the old herdsman who knows …show more content…
In the passion of her grief she made fast a noose for herself from the lofty roof-beam; and for Oedipus she left behind such endless woes as a mother’s avenging spirits brings. (134) In the passion of her rageful grief, her grief for Laius, her husband, killed as she now knows by Oedipus, and her rage (we may imagine) the son who has violated her and destroyed the façade of their current life, Jocasta enacts a violence that redounds upon Oedipus. Oedipus runs after her in a rage and breaks down the door to her rooms. But when he sees her dead, he takes her body down gently and stabs his eyes out with the pins that held her gown – pins reminiscent of course of the pins that pierced his ankles. “No more!” he cries to his eyes as he stabs them. “You will look no more at the pain I have suffered, the horrors that are my doing!” In this act, Oedipus takes upon himself not only his own violence but also the violence of his parents toward him, and he becomes the scapegoat for the city. Oedipus the grandiose savior of Thebes had no self apart from the city. Now he assures the Chorus that they need have no fear of touching him, because he is bearing all the guilt himself. Nor does he now have a self apart from his parents’ murderous wishes for him. As scapegoat, his earnest wish is to be expelled from the city. And where does he want to go? To Citheron, the mountain where
In Sophocles’ Oedipus the King, the reader finds Oedipus as an overzealous king, but one that cares deeply for the people who are under his rule. After solving the mystery of the Sphinx and under the belief that he has escaped the prophecy of killing his father and marrying his mother, Oedipus’ self-confidence goes into over drive. His compassion, for the pain and suffering his people are under, causes him to pronounce a curse on the murderer of Laius. Unknown to the king, he is condemning himself for the crime he committed years ago.
Oedipus is cursed by a terrible change in fortune when he goes from believing that his “father’s death has lightened up the scene” (52) to realizing that Polybus is not his father and, in reality, he has killed his father and then that he has had children with his mother. Oedipus goes from believing he is finally free from his cursed fate to suddenly realizing his treachery; this dramatic turn of fortune leads Oedipus in undergoing a severe transfiguration. In his transformation, Oedipus who was once supremely prideful and confident becomes a man “deluded, lost and damned” (60), “that deepest damned and god-detested man” (73). Oedipus sees himself as a “monster” (73) and blinds himself in shame. Oedipus is changed from a revered king to a sinful outcast. The audience fears this impending change of fortune and pities Oedipus after his grotesque transformation. Instead of blaming his actions on ignorance, which would likely have been a somewhat acceptable response to his people, he self-inflicts a punishment that is far too severe. In blinding and condemning himself an abominable exile, Oedipus impacts the audience and his country by evoking a sense of pity within them. “Oh, the pity and the horror!” (71) the Chorus cries, summarizing the emotions that Oedipus’ turmoil
The story Oedipus Rex is a ghastly, heartrending story of three people who are being controlled by fate. Jocasta, Laius, and Oedipus try their hardest to avoid their fate that will ultimately destroy them. In the end Laius dies by the hand of his own son, Jocasta kills herself because she can’t bear the embarrassment that she slept with her son, and Oedipus becomes blind because of a curse and is left to wander his days waiting for death. Their destiny won and they are left dealing with the consequences.
Explores how "turning a blind eye" operates in the drama of Oedipus and how it can be recognized in clinical work. The story of the play is recounted, and P. Vellacott's (1971) study of Sophocles and Oedipus is used to suggest that both the play and the Oedipus complex need to be understood at 2 levels simultaneously. In the classical view, Oedipus is a victim of fate and bravery. Freud likened this to the course of an analysis where the unconscious is gradually revealed to the patient. It is contended that, at the same time, Sophocles wanted the reader to understand that the chief characters in the play must have been aware of Oedipus' identity, realized that he had committed parricide and incest, and may have, for their own reasons, turned
In the play Oedipus Rex, Oedipus learns things that make him realize that he is not who he thinks he is. His past is slowly unavailing throughout the play from where he came from to why it happened and he is determined to learn the truth. This play is based on tragedy and some say that Oedipus himself is to be held responsible for what happens to him towards the end. As Oedipus seeks out the truth behind the prophecy going on about killing his father and marrying his mother, Jocasta realizes the truth before Oedipus does and tries to prevent him from pursuing the knowledge.
Oedipus is the main character in the play Oedipus the King. Oedipus is thought of as a tragic figure because he was doomed from birth. Tiresias, an old blind prophet, told Oedipus' parents about Oedipus' fate. He told them that Oedipus would kill his father and sleep with his mother. So, his parents decided to have him killed, only it did not happen that way. He was passed off by two shepherds and finally to the King and Queen of Corinth, Polybus and Merope to raise him as their own. Oedipus finds his way back to Thebes and on the way kills his father, but Oedipus did not know that one of the men he killed was his real father. This is the beginning of the prophecy coming true. In short Oedipus obtains the throne, Marries his mother and has kids with her. Oedipus' fate has come together without him even realizing what is going on. Eventually he is told what has happened and asks to be banished by his uncle/brother-in-law Creon. The tragedy in Oedipus' life began with his birth and the realization by his parents that his whole life was doomed.
Oedipus took great pride in saving people and being seen a hero. He wanted the death of Laius to be avenged and he had to be the one to find the murderer and punish him. "I'll fight for him, I'll leave no means untried, to cach the one who did it with his hand..." (Literature, Oedipus the King, Ln. 270-271, page 1081) He did not want to let the people of Thebes down, and he wanted to show that he would be a true hero once again.
In the beginning of the text, an explanation is presented of how Thebes must “drive out a killer” in order to purge the city of the plague (99). Oedipus sets on a quest that includes Tiresias’s baffling words. Tiresias confronts Oedipus with [Oedipus’s] truth by revealing he is the murderer of Laius and “pollutes the land” (352). Oedipus is also bound by Apollo’s prophecy; his [Oedipus] fate is sealed (377). Oedipus displays his denial by refusing that he is the murderer and placing the blame on Creon.
The play centers on Oedipus, a man of great compassion and intelligence who was also a man of great pride. Through his intelligence, he managed to solve a riddle no one else had been able to solve. This resulted in freeing Thebes from the sphinx that had been oppressing the land and securing for Oedipus both the kingship of Thebes and Jocasta, the late king Laius's widow, for his wife. "Thus Oedipus's intelligence, a trait that brings Oedipus closer to the gods, is what causes him to commit the most heinous of all possible sins. In killing the Sphinx, Oedipus is the city's savior, but in killing Laius (and marrying Jocasta), he is the scourg...
In “Oedipus the King” by Sophocles, Oedipus, the king of Thebes finds out that he kills his father and that his wife is his mother. Oedipus is very concerned for his kingdom and his people. He wants to “drive the corruption from the land” (Sophocles 109) by finding Laius’s murderer and killing him. Through his curiosity, Oedipus finds out that the man he kills long ago is Laius, who is his father, and that his wife is his mother—all in accordance with Oedipus’ prophecy. After coming on this realization as well, Jocasta, Oedipus’ wife, commits suicide, and Oedipus gouges out his eyes as a result of this. In his search for the murderer, Oedipus strives to be a fair king. Ironically, he often is not fair to the people he sees or things that are essential to him. This play demonstrates the theme of justice through Oedipus’ denial of justice in three situations—Oedipus’ meeting with Tiresias, Oedipus’ gouging out of his eyes, and Creon’s asking of Oedipus to adjudicate fairly
As the play draws to a close, it is shown how Oedipus learns the true nature of things. Oedipus remains blind to the truth until he can deny it no longer. After hearing the testimony of the herdsman it is perfectly clear to Oedipus that he has fulfilled the prophecy by killing his father and marrying his mother, in turn bringing the great misfortune about the city of Thebes. Upon discovering the truth, along with discovering Jocasta’s dead body, Oedipus blinds himself with the pins on her dress and shouts that his eyes “would no longer see the evils he had suffered or had done, see in the dark those he should not have seen.” (1280-1282).
For Oedipus, prophecy is not the main source of his fall towards society; rather, his hubris blinds himself from recognizing his personal sin in the world, thus leading to his demise. Sophocles even skillfully uses a metaphor through the words “ as led by a guide” to further explain the “supernatural being” that ultimately decides the tragic fate of the family of Oedipus. In addition, through the death of Jocasta, the reader is immediately attuned of Oedipus’ raging moment of violence and will be petrified by the overwhelming power of the gods, thus realizing the importance of being cautious before making a final choice. Indeed, after an individual settles on a decision, the gods take control of the person’s fate, hurling numerous consequences to him if he makes the wrong decision. Moreover, as Oedipus suddenly becomes the unintended victim of the gods through his sinful decision to execute Laius, he is forced to relinquish his predominate impetus for pridefulness in exchange for a heart of deep realization and forgiveness. At the end of the play, Oedipus sacrifices everything in order to remove his guilt through the consequences of his atrocious actions witnessed by the gods. After Oedipus realizes the astringent fate he was destined to encounter through his sinful murder of Laius, he immediately attempts to take responsibility for his
Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his escape, he marries the widowed queen of Thebes, his mother Jocasta. Many events in the story should lead to suspicion of their marriage, but out of pride and ignorance Oedipus stubbornly refuses to accept his fate. Together, these sins represent the highest taboos of Greek society, revealed by Socphocles’s depiction of the already pervasive story. Before the Thebian plays, the myth centered more around Oedipus’s journey of self-awareness; meanwhile, Sophocles shows Oedipus’s struggles with his inevitable desire toward his mother throughout these stages of psychological development.
The play Oedipus the King by Sophocles has often been described as the story of a “tragic hero.” This story is indeed tragic; however, Oedipus is not the only character stricken by tragedy. Equally stricken may be the character of Jocasta. She, as well as Oedipus, suffers many tragedies throughout the story. Shifting the story to a different perspective quite possibly may increase how we view it. The point is not to denounce Oedipus’ role as a tragic hero, but to denounce his role as the only tragic character.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.