To begin with, plot is the fundamental principle of tragedy; it is the sequence in which events are presented in. In the film Seven Pounds, the director, Gabriele Muccino, formulates the plot accordingly so that the protagonist, Tim Thomas experiences peripety. Continuing on, in the film Tim Thomas starts off successful since he has the job of his dreams as an aeronautical engineer, a beach house, and a gorgeous wife. However, struck by a drastic change in his life, that being the fatal car accident that takes his wife’s life away in addition to 6 strangers,...
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...evident in the film and deliver the director’s proposal of tragedy effectively.
In conclusion, Seven Pounds by Gabriele Muccino is a film that represents the finest elements of Aristotelian Tragedies making it unanimously a modern tragic movie. Furthermore, with the film having the Aristotelian Tragedy elements, plot, character, melody, and spectacle present throughout the film, a direct consensus can be drawn that correlation is indeed evident between Seven Pounds and Aristotle’s theory on tragedy. Additionally, the indication of Tim Thomas being a tragic hero that goes through peripety further prove Aristotle’s theory and the films correspondence. To end with, Aristotle’s theory on tragedy is noticeable in many modern forms such as movies; the terrible events that occur in those forms that ultimately lead to a hero’s downfall make for an entertaining form of media.
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