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character of creon in antigone
essay on creon in antigone
character of creon in antigone
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Aristotle once mentioned, “A man doesn 't become a hero until he can see the root of his own downfall.” Throughout society, tragic heroes are always present within every type of literature. A tragic hero is depicted as someone who makes a judgement which leads to his or her own destruction. They follow the five characteristics in which they are born from nobility, are doomed to make the wrong judgement, possess a tragic flaw, are responsible for their own fate, and lastly convey emotions to the audience. Tragic heroes appear over and over again throughout literature, especially Greek plays, because they serve a purpose to convince the audience to pity and sympathize with them. Tragic heroes have flaws which allow the audience to relate and …show more content…
For example, after Haemon and Antigone’s horrific death, Creon returns to his home and curses, “Whatever my hands have touched has come to nothing. Fate has brought all my pride to a thought of dust” (Exodos, Line 137-138, 1060). Because he chose to save his pride and power rather than making the reasonable decision, Creon became selfish with his power of authority. He made his pride and power his priority instead of maintaining the city’s stable condition. Creon became so corrupted with power that he forgot about his purpose of being the king. As a result, he loses his family and is left with a tragic fate. The acts he caused from the beginning has came back to bring him down and Creon cannot do anything about …show more content…
Creon is a man who came from the nobility. His brother, King Oedipus of Thebes, and his sons, Polyneices and Eteocles, had died recently from a war, leaving him to rule over the city of Thebes. Oedipus is known to have a curse revolving around his family, each having a terrible fate. His daughters, Antigone and Ismene, eventually run into problems with Creon when Antigone decides to go against Creon’s law and buries the body of Polyneices. Antigone is engaged to Haemon, Creon’s son. Throughout the play, Creon and Antigone are in conflict when he decides to sentence her to death for disobeying his
Being in power yields the assumption that everything is possible. In Creon’s case, he states that “never, if I can help it, shall evil triumph over good.” Creon’s pride in his position as King skewed his perception of what is just. He opens his Kingship commenting on this very feature of kingship, that “no other touchstone can test the heart of a man” like that of utmost power. Ironically, Creon reaches this touchstone, only to fail, causing many tragic deaths....
According to Aristotle, tragedy requires an admirable hero with power and in a high state, but more importantly, he or she possesses a tragic flaw that leads to their downfall. This tragic flaw most closely relates to a character’s hubris, excessive pride in themselves or their judgment. But sometimes a character cannot be categorized as tragic, and one can argue whether or not the tragic character violates the requirements. In Sophocles’ Antigone Creon and Antigone serve as tragic characters in the play; however, Creon’s character exemplifies Aristotle’s theory of tragedy.
It is clear that Creon's tragic flaw was his pride, arrogance and beliefs of a leader that cause his downfall. His downfall began when he denied the burial of Polyneices and was firm when he condemned Antigone for her objection to his law. Creon represents the laws of the land and the divine ruler of society. He remains loyal in upholding his laws and trying to overpower the laws of the gods, until the end when he realizes that the divine laws are stronger than his own. His regards for the laws of the city cause him to abandon all other beliefs. He feels that all should obey the rules set forth by him, even if other beliefs, moral or religious, state otherwise. This is proven when he says, "As long as I am King, no traitor is going to be honored with the loyal man. But whoever shows by word and deed that he is on the side of the State-he shall have my respect while he is living and my reverence when he is dead" (40).
To start off, Creon is of noble birth. For anyone who hasn’t read the play Antigone, or its predecessor Oedipus Rex, Creon is the brother of king Oedipus, thus making
According to Aristotle’s definition of a tragic hero, a tragic hero must be born from a high social class and his or her downfall must be caused by a fatal flaw of that character. Aristotle also mentioned that a tragic hero is someone that is between two extremes. Neither good nor bad, just their fatal flaws brining misfortune to themselves. The purpose of a tragic hero is to create catharsis for the audience by empathising with the protagonist. Therefore a proper tragedy
A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of noble stature. Tragic heroes are great, but not perfect. If they were perfect the audience would not be able to identify with the tragic hero. And lastly the hero's downfall is the fault of their own, the result of free choice, not of accident.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
“Now- I’m on my way! Come, each of you, take up axes, make for the high ground, over there, quickly! I and my better judgement have come round to this- I shackled her, I’ll set her free myself. I am afraid… It’s best to keep the established laws to the very day we lie” (Sophocles 117). Ironically, shortly after this decision was made, Antigone, Haemon, and Eurydice all commit suicide, due to his oafish decision. He made up his mind to set his past wrongdoing right, but unfortunately the gods refused to cooperate with him. Finally, his idiotic decision led to this turmoil in the first place. Although he committed only a single wrong action, he was still severely punished. “Ohhh, so senseless, so insane… my crimes, my stubborn, deadly- Look at us, the killer, the killed, father and son, the same blood- the misery! My plans, my mad fanatic heart, my son, cut off so young! Ai, dead, lost to the world, not through your stupidity, no, my own” (Sophocles 124). As Creon came to realize his wrongdoing, he becomes overwhelmed with guilt. The gods punished him, due to his stubborn decision. Therefore, since the gods punished him for only one wrongdoing, Creon must be considered as a tragic
The play “Antigone” by Sophocles, details the death of Oedipus’ two sons, Polyneices and Eteocles in a fight for the crown of Thebes. Creon, now the leader of Thebes learns of the battle and decides to give Eteocles a proper burial while Polyneices is forbidden to be buried believing he is a traitor to his city. Antigone, sister of Polyneices and Eteocles, believes her uncle is wrong and begins to challenge his rule resulting in punishment and deaths throughout the play. Creon’s impulsive actions in this play lead to the death of his family, which weighs on his conscience. In the beginning Creon brings along great ideas but is unable to fulfil them when the time comes leading to him ultimately failing at his job of being the King of Thebes
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
In his classic work "Poetics" Aristotle provided a model of the tragic hero. According to Aristotle, the tragic hero is more admirable than the average person. This results in the tragic hero being admired by the audience. For the audience to accept a tragic ending as just, it is crucial that the tragic hero be responsible for their undoing. At the same time though, they must remain admired and respected. This is achieved by the tragic hero having a fatal flaw that leads to their undoing. One of literature's examples of the tragic hero is Achilles from Homer's The Iliad. However, Achilles is different from the classic tragic hero in one major way - his story does not end tragically. Unlike the usual tragic hero, Achilles is able to change, reverse his downfall, and actually prove himself as a true hero.
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.
A tragic hero can be defined by several different factors; the hero usually has a major flaw that prevents him from seeing the truth that lies in front of him, which contributes to the character’s peripeteia due to mistaken judgement. This mistake then leads to achieving anagnorisis, usually at the end of the play, but is too late to change anything, and results in death.
Aristotle defines a tragic hero as "a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake." When Aristotle states “a great man” the hero is neither a villain nor a perfect citizen but is basically good and decent in his nature. The mistake that is mention is some moral blindness or error that is his/her downfall. Also not that the God’s are also in some sense responsible for this hero’s mistake and inevitability his down fall. Also when it comes to a tragic hero Aristotle states that three main things happen to draw attachment of the audience to the