When considering Aristotle’s criteria for a tragic hero, titular character, Othello, executes all four traits. Sympathizing with Othello, the audience feels sorry for him, being a virtuous nobleman and renowned military hero, as his good reputation tumbles downward because of Iago’s manipulation. Given the context, Othello’s character is realistic enough to be relevant to audiences. While he is a noble Venetian and an exemplary warrior, he is dark-skinned Moor, seen as an outcast, and he is extremely jealous and indignant. Another required criterion, Othello’s behavior fits his station in life. A successful commander, Othello is a bold and strong hero, having witnessed many military battles, and regularly throughout the play, characters acknowledge his courage and combative skills. The final feature, singularly goal driven, is seen as Othello plans to kill Desdemona. After he believes that ...
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...ne and at Iago, who feels no guilt or emotion for the deaths, and who does not justify or admit his selfish reason for exploiting Othello.
Written with themes of jealousy and betrayal, Shakespeare’s Othello is still relevant to a contemporary audience. As a result of his fear of losing his wife and denting his reputation, he commits the ultimate crime of passion, driven only by Iago’s manipulation and capitalization of Othello’s insecurity. In modern day, events like these are common. Atrocities occur through miscommunication and misunderstanding, much like the events between Cassio, Desdemona, and Othello. These are the lessons that Shakespeare, who had a mind beyond his time, tries to convey through all his works. This is what makes him the greatest playwright in history; his writings give insight to the human condition that can be studied in a span of centuries.
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