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sophocles political views in antigone
sophocles political views in antigone
creon throughout antigone
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Wiz Khalifa once said, “Never make permanent decisions on temporary feelings.” Some students may believe that Antigone was the tragic hero in the story, but the real tragic hero is actually Creon for many reasons. Some describe a tragic hero by whether they are heroic or born into nobility, but in the story he is portrayed as the antagonist. In the novel, “Antigone” written by Sophocles, Creon becomes the tragic hero by forbidding the burial of Polyneices, imprisoning Antigone for his own good and believing that he is the only one that can control the law. One character trait that all tragic heroes have is that he is responsible for his own fate by forbidding the proper burial for Polyneices. To begin, when He first passed the law on the burial …show more content…
Creon believes that he has the upper hand when it comes on making major decisions. When Creon commands some of the guards to take Ismene and Antigone away, “You, there, take them away and guard them well:For they are but women, and even brave men run When they seen Death coming”(1039,L164,S2.) This is the beginning of Creon’s error in judgement. He believes that Antigone is the enemy of Thebes because she is going against his authority, but in reality he is the enemy by making false judgement. The next example of Creon being doomed to make a serious error in judgement is when Creon discusses the plans for Antigone’s fate with Choragus after Haemon leaves, “I will carry her far away, Out there in the wilderness , and lock her Living in a vault of stone. She shall have food, As the custom is, to absolve the state of her death(1045,S3L142.) This is another starting point on the error of Creon’s judgment by adding Haemon into this conflict. Haemon tries his best to protect Antigone from Creon, but still fails because her imprisonment leads to her and Haemon’s death. This event not only kills Antigone and Haemon, but also Eurydice his wife. Creon’s decision in the story causes him to make a serious error in …show more content…
Many of the characters in the story have affected the audience with pity and fear. One example is Haemon affecting the audience with pity when Antigone hanged herself in her jail cell. When Creon and Haemon were arguing about Antigone, “I swear, by all the gods in heaven above us, You’ll watch it; I swear you shall”(1045,S3,L129!) This part of the story affected the audience the most is because it is when Creon becomes the most fearful out of all the characters. The fact that he said he swears twice shows the audience he is actually for serious about Antigone. He even involves the gods into this scene, not to mention all of them. Creon not only creates fear towards the audience, but also pity. When Creon finds out that his wife, Eurydice, is dead, “ Oh pity! All true, all true, and more than I can bear! O my wife, my son”(1060,Exo,L109!) Creon is affecting pity towards the audience by making the audience feel bad for him. He has lost his son, his wife, not to mention his niece. Even more pity is affected towards the audience when Creon blames himself, “It is right that it should be. I alone am guilty. I know it, and I say it. Lead me in, Quickly, friends.I have neither life nor substance”(1060,Exo,L121.) The fact that Creon blames himself for the death of Haemon,Eurydice, and Antigone, shows that he is affecting pity towards the audience. He also says that he does not have
Another essential component of a tragic hero is that of the tragic flaw, the one attribute that causes the inevitable downfall of the character. A case could be made for Antigone’s hamartia being obduracy. She is called stubbornly wild in the play by both Creon— “Th...
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Antigone is a great Greek tragedy by Sophocles. The story is about a young woman who has buried her brother by breaking king’s decree, and now she is punished for obeying God’s law. There are many arguments about who is the tragic hero in Sophocles’ Antigone. Some believe that it is Creon because he also has the characteristics of a tragic hero. Others believe that it is Antigone because the play bears her name. Antigone is the perfect hero, to exemplify the meaning of a tragic hero. In order to determine whether Antigone is the tragic hero, one will have to answer the question, what is a tragic hero? According to Aristotle, “The tragic hero is a character of noble stature and has greatness, he/she is not perfect, the hero's downfall and it is partially his/her own fault, and the hero's misfortunate is not wholly deserved.” (Aristotle) Antigone is a tragic hero because she has a high social standing in Thebes, she neither good nor bad, and her suffering appears to be unjust and unfair to the audience.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
In Antigone Creon reveals his obstinate nature and how even someone as important as a king is not invulnerable to the problems such a character flaw causes. In the beginning of Antigone the townspeople of Thebes rejoice in their new leader, “Creon,” they call, “the new man for the new day” (174). The repetition of ‘new’ shows how the city is ready to welcome Creon with open arms; this outright praise of Creon shows how highly he is regarded by his people. “You cannot know a man completely…his sense of judgment, not till he’s shown his colors…making laws” (194-197). Here Sophocles is showing the reader not to trust Creon absolutely because even if it seems that it is a new age is dawning, Creon may not be a good leader. In this passage Creon seems determined to prove that he is as strong as Oedipus and Laius to whom Thebes was extremely loyal even through tough times, he is so desperate to prove himself that soon after he sentences Antigone to death. Later, after Antigone has been captured, Creon’s own son, Haemon, comes to him saying, “don’t please, be quite so single-minded” (789). At this point Creon is being directly told of what he is doing. Haemon is someone Creon shou...
He chooses to lock up Antigone for her crimes against the state. His prophet Teiresias then tries to warn him that he’s made a mistake, “Then take this, and take it to heart... corpse for corpse, flesh of your own flesh... you have thrust the child of this world into living night” he chooses to disregard him. (Antigone, 5. 75-76, 79-82). However, when the Choragos tells him that Teiresias has correctly prophesied what will happen and he's made a mistake in locking away Antigone and leaving her fate up to the Gods, Creon gets his epiphany and states “My mind misgives- The laws of the gods are mighty, and a man must serve them to the last day of his life” (Antigone, 5.
In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong. Creon so harshly yells Stop right there, before I am gorged with rage! (Page 12). The personality trait of being unyieldingly stubborn is one a majority can of people relate to. Therefore the audience might have felt sympathy towards him during that moment. Often the audience relates well to the tragic and can ...
“They say of all women here, she least deserves the worst of deaths for her most glorious act.” (Lines 787-788) This is what Haemon said to Creon when he was telling him what the people were mumbling. He also said that they are whispering this because they don’t want Antigone’s fate, too. Haemon‘s words, actions, and ideas contrast with Creon’s character to the point of these two characters having conflicting motivations. These conflicting motivations cause the characteristics of loyalty, love, and foolishness to be highlighted within Creon’s character.
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
During the last play, Antigone, Creon has finally obtained the title he had desired the entire time. Creon has all the power, and has created himself as the stable King of Thebes. Oedipus is out of the equation, and Creon doesn’t have any worries in the world. The audience, during Antigone, still sees Creon as the greedy power seeker, until Creon starts making mistakes as ruler. He doesn’t listen to the oracle’s advice, and eventually starts losing control. He doesn’t believe in himself, and the city of Thebes starts becoming a city without a ruler. Towards the end of Antigone, the audience starts to pity the powerless ruler Creon, because of how helpless he seems to himself and
Creon in the play of Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy.