Franco Zeffirelli and Baz Luhrmann's Romeo and Juliet Sex, drugs, and violence are usually a potent combination, and only William Shakespeare could develop them into a masterful, poetic, and elegant story. In the play, "The Tragedy of Romeo and Juliet," all these aspects of teenage life absorb the reader or watcher. It is understood that Hollywood would try to imitate this masterpiece on screen, and it has done so in two films: Franco Zeffirelli's 1968 "Romeo and Juliet" and Baz Luhrmann's
stage or on screen has been the aspiration of many actors. William Shakespeare’s Hamlet has been the focus on various accounts throughout the 20th Century, each actor attempting to bring something unique and unmarked to the focal character. Franco Zeffirelli and Kenneth Branagh, both film directors, introduce varying levels of success on the screen through downright differences in ways of translation and original ideas. Zeffirelli’s much shorter interpretation of the film is able to convey the importance
Two directors, (Franco Zeffirelli and Baz Luhrmann), alike in dignity, forge a motion picture of splendid taste. One ancient view of love to one modern, from Shakespearean play it is based. From forth these remarkable lines, they say, is the moment true love is on display. The two star-crossed lovers make their haste, to say the words that in public disgrace. But, both these directors have their own view, on what they want love to mean to just you. Comparing, contrasting, how they differ, these films
sight. Act II Scene II the balcony scene displays that romantic notion perfectly. “The most filmed of all plays, ‘Romeo and Juliet’, with its universal themes… remains uniquely adaptable for any time period,” (Botnick, 2002). Directors Franco Zeffirelli (1968) and Baz Luhrman (1996) provide examples of the plays adaption to suit the teenage generation of their time. Identifying the key elements of each version: the directors intentions, time/place, pace, symbols, language and human context is one
Kenneth Branagh (1996) and Franco Zeffirelli (1990), bring forth two different analyses and versions of Shakespeare’s script. Though, they are similar in the storyline and the themes, conflicts, both editions represent intense and dramatic dissimilarities with creative ways of portraying many ideas. The most obvious differences were the setting including time period, how characters were portrayed in terms of both personality and social class and costumes. Franco Zeffirelli created a Shakespeare Hamlet
Comparing the Luhrmann and Zeffirelli Versions of Romeo and Juliet Romeo and Juliet is a play by Shakespeare written in the sixteen century. It is a play of passion, lover and anger. Both the Luhrmann and the Zeffirelli versions of the Shakespearian play, “Romeo and Juliet”, have common scenes. The following essay will compare and contrast one particular scene that from both the movies. It will juxtapose many different
Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespreare's Romeo and Juliet “Romeo and Juliet” is a famous love story written by William Shakespeare. Two interpretations were made of this text into a film by the two directors, Baz Luhrmann (1996) and Franco Zeffirelli (1968). The films use different types of media to portray the characters and the overall context of Shakespeare’s play. I will be focusing on Act two Scene ii (the balcony scene) where
script begins immediately. Rather than opening with the traditional sequence involving the first sighting of the ghost of Hamlet's father, Zeffirelli instead opens with a funeral sequence of his own design. In this scene the director establishes Hamlet's distrust of Claudius as well Claudius' desire to act as a father figure to Hamlet. To fully display this, Zeffirelli plucks these lines from a later scene, "think of us as of a father; for let the world take note you are the most immediate to our throne
Intriguing Camera Work in Zeffirelli’s Film, Hamlet The three-dimensional camera work of Zeffirelli in Hamlet emphasizes the surveillance methods and intrigues carried out by the forces of good and of evil. In the opening scene, Elsinore Castle looms over the soldiers and people standing outside. The camera angle forces one to look up at the dark castle; then the camera surveys the people, revealing that the evil from witnhin the castle is not self-contained but looms over and affects everyone
timeless and has proven to remain perhaps the most popular story of tragic love. In 1968, 373 years after the play was originally written, a new movie was released and hailed as a new and futuristic Romeo and Juliet. This film is directed by Franco Zeffirelli and stars Leonard Whiting as Romeo and Olivia Hussey as Juliet. Then, in 1996, a mere 401 years after Shakespeare’s original production, Baz Luhrmann directed a new Romeo and Juliet that features Leonardo Dicaprio as Romeo and Claire Danes