John Ford directed many well-known western films that brought back the vibrancy of that era. One of which is, The Man Who Shot Liberty Valance. Back in 1962, when the film was made, many dismissed it as a petty, disappointing work. Much of the criticism leveled against The Man Who Shot Liberty Valance focused on its look. The majority of films were done in color that gave it a bright, upbeat tone that the public loved. The “look” present in Liberty Valance was black and white, which went against
Traditional Western and Disney Ideals as Seen in Mulan Fairy tales have been a long tradition in almost all cultures, starting as oral traditions to and gradually evolving into written texts intended for future generations to enjoy. Today, a common medium for relaying these ancient stories is through animation. The Walt Disney Company is probably the most well known for its animated portrayals of many classic fairy tales. These fairy tales are considered, by fairy tale researcher Justyna Deszcz
the Western Wing One of China’s most popular love comedies, The Story of the Western Wing (Xixiang Ji) by Wang Shifu (1250-1300) dramatizes a scholar-and-beauty romance. Zhang Sheng, a promising student, and Cui Yingying, a beautiful maiden, meet in a temple, fall in love at first sight and after a series of thwarted attempts, they end up happily marrying each other, after the student has passed the civil exam as the top one, of course. Among the five books of The Story of the Western Wing
Traditions in Chinese culture are long-rooted and are taken very seriously from generation to generation. However, there must always be room for modern change in order for society to grow and strive across the globe. In Bound Feet and Western Dress the conflict between Chinese traditions and modern change arises. With this conflict it is important to discuss the different meanings of liberation for men and women and they way in which Chang Yu-I was able to obtain liberation throughout her life
The Good, The Bad and The Ugly Western films are the major defining genre of the American film industry, a eulogy to the early days of the expansive American frontier. They are one of the oldest, most enduring and flexible genres and one of the most characteristically American genres in their mythic origins - they focus on the West - in North America. Western films have also been called the horse opera, the oater (quickly-made, short western films which became as common place as oats for horses)
Spaghetti Westerns in the 1960’s. Eastwood iconic Man with No Name in the “Dollar Trilogies” made him an international star, and it is only fitting that he would resurrect his career in a film of this genre. “Unforgiven” was directed, produced, and stared in by Clint Eastwood and received an Oscar for Best Supporting Actor, Best Director, Best Film Editing, and Best Picture in 1993. It is often credited as the best western made in the last twenty years, and for reinvigorating the western genre. Clint
America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and
The Western Subjectivity Thought Since modern times subjectivity thought has been one of the fundamental contents and the significant achievements of western philosophy. It is faced with many difficulties in its development process and has been declared to "have died", but I think that it indeed still has bright prospects of development. 1. Historical Development of Western Subjectivity Thought The word "subject" comes from the Latin word " subjectum ", which means something in front,
of the western landscape in which their narratives unfold.All of these three traits are present in the figures of Rob Roy and William Wallace--especially their insistence on conducting themselves according to a purely personal definition of honor--which would seem to suggest that the films built around them and their exploits could be read as transplanted westerns.However, the transplantation is the problem for, while the protagonists of these films want to be figures from a classic western, the landscape
The Matrix, The “Western” Never Known As stated by the title, there is great reason why the Matrix should be treated in the same context, although not identified, as a western. This film genre is steeped in tradition and lore. There are many definitions abound as to what may constitute a “Western film.” The main goal is to see whether or not this paper can illustrate the genre be pushed towards the future. Whether it means the 20th century, the 21st century or the distant future. This genre can
decision for them, since they generally didn’t know whether they would be able to support themselves at their new place. Many Wild West movies are set in the latter half of the 1900s. A “Western Film” is a film genre dedicated to this period in time, where Cowboys, Indians and Outlaws ran wild. The very first Western films showed in the 1890’s, these were; Annie Oakley, Bucking Broncho, Buffalo Bill, Buffalo Dance and Sioux Ghost Dance. They were trying to show audiences the “heroics” and the “bravery”
In 1938, Jed Buell was a movie producer who was well known for his black and white musical westerns, but all of his movies took on an odd twist. Jed Buell was known for his westerns with singing cowboys and he produced about twelve within a four year period. He was known to produce some unique and obscure movies, but he may be best known for his comical musical cult western; The Terror of Tiny Town (O 'Connor and Rollins 65). This movie is the world’s first and only know movie to feature an all
Clint Eastwood’s Unforgiven falls into the western genre because of its untamed frontier setting, hero and villain characters, and iconic climatic ending. Unforgiven tells the story of William Munny, a retired Old West outlaw who, with the help of an old friend and a young gunslinger, returns to his old ways with one last job. The movie starts with a group of prostitutes in Big Whiskey, Wyoming offering a reward for someone to kill two cowboys who assaulted one of their own when local authorities
The Man Who Shot Liberty Valance (1962) and The Wild Bunch (1962) are both critically acclaimed western films, regarded as some of the best in their genre. They are both different however in their portrayal of the western myth and the characters therein. This essay will compare and contrast these movies focusing on firstly their depiction of the national identity and mythology of the old west. Secondly, it will look at the differences of the portrayal of different character types, with specific reference
A movie with larger than life characters directed by one of the most famous men in film history, John Wayne had an immense expectation of greatness. Ninety-five million dollars and the placement of John Wayne as a lead character: Davey Crockett helped “The Alamo” reach the greatness expected. Although largely fictionalized, the film not only helped future Americans “Remember the Alamo,” but brought about another feat of nationalism popular in the movies during this era. The movie was a magnificent
Westerns have been around for many years. Some would consider westerns to be American classics because they describe early life in a mostly undiscovered America. In class two western films were watched and discussed. These two westerns were High Noon and Shane. On the surface, these movies are categorized as the same genre and look very similar but after further inspection it can be determined that the movies have a lot of differences. Of course, both movies share the same central theme of law versus
characters by a typical threatening showdown over the claim of cheating at cards. The predictability quickly gets turned around as Butch tries to smooth the rising tensions in order to avoid conflict; this scenario is completely at odds with past western movies in which the outlaw is always trying to cause trouble at every turn. Several unorthodox characteristic are given to Butch that despite the fact that he robs people, he is still portrayed as considerate. For instance once
In Clint Eastwood’s film, The Outlaw Josey Wales, horses are extremely prevalent. Whether it’s Josey’s horse or the Union soldiers’ horses, they are seen everywhere throughout the film. Horses are not frequent in the film just because it is an old western film; they are frequent in the film because they hold a great amount of symbolism. The most prominent horse in the film is clearly Josey’s horse, and it symbolizes a lot of things. Typically, a horse symbolizes ideas such as the spirit, freedom, or
Western movies have always been attempted and have strived for perfection. There has been a few that really captured the motion picture, history, and of course the actual story itself; but of course only one can take the cake. The movie, Tombstone is an action-filled film that is sure to entertain no matter what audience. Based on true events, the movie does an excellent job of portraying the correct history about the events that went on in Tombstone, Arizona. Everything from wardrobe, slang, props
‘Unbreakable’ is a Superhero/ villain origin story directed by M. Night Shyamalan. Throughout this film many technical aspects such as framing, colour and reflections to provide links to greater ideas within the film. Specific camera angles and framing are techniques used frequently throughout the film. A number of scenes have been shot from a high angle looking down at the action. These shots can feel like they are alienating the action and characters within the scene. This style of shot mimics