Many people are villainous in the way they act, and their villainous acts may be rooted in the desire to destroy others, or in the hopes of elevating themselves. Many people may only act "villainous" in reaction to the way they have been treated in the past. Shylock the Jew is the villain or antagonist in the play The Merchant of Venice. Shylock mistreats Antonio the Christian, his daughter, Jessica and Launcelot. The first person Shylock mistreats, is Launcelot. He mistreats this servant
Iago’s Use of Language and Villainous Behavior in Shakespeare’s Othello In Othello, Shakespeare forms the villainous character, Iago through his complex language. Iago shows his evil nature towards Roderigo through his use of demeaning animal imagery. Iago also uses an extended metaphor to try and trick the ignorant Roderigo and (unknowingly to Roderigo), insults him. Lastly, Iago uses repetition to beguile Roderigo to keep paying him. Iago’s slyness is clearly seen through his deceiving language
Evil Within and Evil External in Richard III, Titus, and Romeo and Juliet Shakespeare's villains seem to fall into one of two categories: those who are villainous of heart (inherently and genuinely evil or Machiavellian) and those who are circumstantially turned antagonists. Richard III's carefully plotted plans to usurp the throne contrast heavily against Aaron's (of Titus Andronicus) rambling which contrasts with Aaron's lack of action. The motivations of these two characters are different
its wildness: " 'Wuthering' being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed to" (10). The innards of Wuthering Heights "lay bare to the inquiring eye?Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and by way of ornament, three gaudily painted canisters disposed along its ledge?the chairs, high-backed, primitive structures, painted green; one or two heavy black ones lurking in the shade" (11). Both
characters, his decision to make a black man a tragic hero, at this time this was bold and original, by accent tradition blackness was associated with sin and death. Any play that preceded Othello at this time, the black character’s were generally villainous. The main characters of this tragic story are a Moor of Venice (Othello), his Venetian wife (Desdemona. Shakespeare also invented several other characters, including Rogerigo, a young disappointed suitor of Desdemona, and Brabanzio, Desdemona’s
The Message of Homer's Iliad In Homer's Iliad, Homer shows his views on heroes, villains, and war. He shows that heroes have great qualities to them and that villains have evil qualities to them. He also shows that even heroes have villainous qualities. Homer also tries to convey that all warriors have a choice between a life of war and a life of peace. Homer's view of a hero displays bravery, martial skills, and even friendship. Hector is portrayed as the perfect hero in The Iliad
Red Rock Community College’s adaptation of Christopher Durang’s play Baby with the Bathwater, directed by James O’Leary, concluded its 8-show run with a sold out finale performance on Sunday April 23rd, 2014. When the lights came up on the bassinet in the otherwise darkness of the stage, the image more or less stands for everything that follows – childhood, loneliness and abandonment. It seems that an icon of the entire human experience, not just the implied infancy, is being presented. When the
physical descriptions and abilities. The witches in MacBeth are representations of those described in Scot's book. In the play, Shakespeare describes authentic witches in their physical appearance and behavior and MacBeth's character is made more villainous through his association with these terrifying figures. Scot describes witches as being "women which be commonly old, lame, blearie-eied, pale, fowle, and full of wrinkles...They are leane and deformed, shewing melancholie in their faces
q=VILLAIN). Austen description of both men as power-hungry, easily upset, and manipulative follows this definition. She introduces both characters in separate parts of the book, however simultaneously she delivers a stunning example of their identical villainous personalities. Through the portrayal of John Thorpe and General Tilney as villains, Austen comments on the male supremacy that permeates through her time. In the first half of the novel, John Thorpe stands out as the villain of the novel. He is
Scene III Verona. A churchyard; the monument of the Capulets. Enter Romeo and Paris. Paris This is that banished haughty Montague, That murdered my love’s cousin, with which grief It is supposed that fair creature died, And here is come to do some villainous shame To the dead bodies. I will apprehend him. Stop thy unhallowed toil vile Montague. Can vengance be pursued further than death? Condemned villian, I do apprehend thee. Obey and go with me, for thou must die. Romeo I must indeed, and therefor
of the serial killer. First of all, the movie would have never been made if Hopkins, had not agreed to do the sequel (Sterritt). Second, even though Hopkins, has taken on numerous roles, his memorable roles (besides as Hannibal Lecter) are not so villainous such as his characters in "Remains of the Day or "Shadowlands. In relation to this ethnography of the audience viewing the film, Hannibal's ethos is directly tied to Hopkins, ethos and it shows in audience reactions. Movie makers know the power
Brutus as the Tragic Hero of Julius Caesar Shakespeare’s tragedy, Julius Caesar, displays Brutus as a tragic hero, blinded loyalty and devotion. Brutus's heroic belief of honor and virtue was so powerful that it drove him to perform villainous actions and lead to his destruction. The tragic hero is "presented as a person neither entirely good nor entirely evil, who is led by some tragic flaw to commit an act that results in suffering and utter defeat." (Morner, Kathleen & Rausch, Ralph. 1991
The Character of Iago The old cliché "One bad apple ruins the bunch" is what enters one's mind when discussing the villainous, deceitful, protagonist Iago in Shakespeare's tragedy "Othello." It is amazing how one person alone can completely destroy, or deteriorate a group of good natured, trusting, loyal peoples' lives in a matter of days- three to be exact. What is the motive behind Iago's heinous, selfish acts, one may ask? A rather obvious theme in the Shakespeare's tragedy, "Othello"
every inch a king, who in his old age brings destruction to himself, certain persons in his own circle, and to his country. “King Lear” is a play which tears off the outer coverings of human character. Pious and innocent-seeming people who are villainous, are revealed in their true nature, and the similar is disclosed for what it is, as it works destruction. This is done in a world in which most men are constantly seeking their own advancement, a court where flatterers are always lurking, and in
Nazi the villain. According to Sylvan Barnet "The Merchant of Venice [shows] the broad outline of a comedy (not merely a play with jests, but a play that ends happily). . . the villain in the comedy must be entirely villainous, or, rather, comically villainous; he cannot for a moment gain the audience's sympathy" (1). Shylock has often been portrayed as the villain in The Merchant of Venice. From being more concerned with his ducats rather than his daughter, to demanding his
Literary Devices used in Macbeth Imagine how dull a Shakespearean play would be without the ingenious literary devices and techniques that contribute so much to the fulfillment of its reader or viewer. Macbeth, by William Shakespeare, is a tragedy that combines fact and legend to tell the story of an eleventh century king. Shakespeare uses numerous types of literary techniques to make this tragic play more appealing. Three literary devices that Shakespeare uses to make Macbeth more interesting
and brave ensign of the great Venetian general Othello, or so it appears. Iago actually possesses all of the typical villainous qualities, however Iago conducts himself with great composure, and by manipulating his counterparts, he makes people believe he is on their side. I find this characteristic to be a very intriguing one that is not easy to perform. It is perhaps Iago's villainous actions throughout this play that lead me to believe that he is the hero rather than the typical villain. In the
Brabanzio[1]. Thus, he makes it clear that he prefers the military atmosphere to the aristocratic civilian one. While Othello has thoroughly internalized his concerns regarding his marriage, shrewd Iago is able to perceive and exploit them. Iago’s villainous brilliance is manifest in his ability to take himself into Othello’s confidence. The relationship that develops between the two is of great significance. Iago is most careful to avoid explicitly accusing Desdemona of adultery until the time is right
forcefully back to face the offenses of their forefathers. The House of the Seven Gables is a tale of loneliness and greed caused by the sin of preceding generations. The opening of the novel is set in puritan times during the Salem witch hunts. The villainous Colonel Pyncheon wrongly accused the innocent Matthew Maule of witchcraft so that the Maule land would fall into the Pyncheon family’s hands. Upon his death, Maule “addressed [Colonel Pyncheon] from the scaffold, and uttered a prophecy...God will
not impossible to find a character in Emily Bronte's Wuthering Heights that is 100% convincing as the hero -- until one applies the qualities of the Byronic hero. When considering Wuthering Heights Heathcliff immediately jumps to mind as the villainous character. Upon his return he wickedly orchestrates Hindley's economic demise and takes control of the Heights. He attempts to win Catherine, now a married woman, back and when that fails takes in marriage Isabelle Linton, Edgar's sister, with