Free Ukiyo-e Essays and Papers

Ukiyo-e Ukiyo-e is the name given to one of the most important art forms in all of Japan. Arriving as a new form of art in the 1700's these prints served as a record of daily life and pleasures in a newly wealthy Japanese society. The Japanese themselves had long regarded pleasure as transient because of their Buddhist heratige, because of this the word Ukiyo-e actually means "pictures of the floating world". These prints were truly art which reflected the whims of the masses. They record popular

HISTORY Development of Ukiyo-e prints in Japan and its influence on European design . Ukiyo-e can be described as the print movement that took place in Edo, Tokyo and thusit has two periods(edo and meiji) the print term is translated as “the floating world” which describes the lifestyle of the classes in japan at that time.Before this period took place the initial origin of ukiyo_had connotations to a Buddhist term which signified “a world of sorrow and grief ”this sudden change of meaning had much

particular emphasis on the intimate bonds between mothers and children. After visiting a large exhibition of Japanese woodblock prints (ukiyo-e) at the École des Beaux-Arts in Paris in April 1890, Mary Cassatt began to experiment with different print techniques. In 1890-1891, Cassatt produced a series of ten colored drypoint and aquatint prints in open admiration of ukiyo-e prints, which became a milestone in graphic art and Impressionist printmaking. With the growing popularity of Japanese woodcuts during

As a child, he would draw when he was bedridden due to health problems. When he was older, he moved to Paris to study with Léon Bonnat... ... middle of paper ... ...s. He would also use framing techniques in his prints that that were from the ukiyo-e prints. Toulouse–Lautrec would alter his color palette to create different lights that he observed in cabarets. Most of his faces were made up of very few lines and a slight bit of color; this is an influence of other Impressionist artist including

Niroshige ll, “Thirty-six views of Tokyo” is done in the style Ukiyo-e which during the Edo period was a way for artisans to mass produce their art work. Ukiyo-e is the technique of woodblock, Ukiyo-e has serval different themes. It consist of Bijin ( beautiful women of the pleasure quarter) Portraits of actors, Famous landscapes, and Asobi-e ( erotica ). The Nihonbasi “Thirty-six views of Tokyo” is done in the Landscape tradition, which is portrayed in the title of the print. Landscape prints normally

Meiji Period 1868-1912 Meiji Period, also known as Meiji restoration, was a turning point for Japan as it created equality amongst all Japanese people. The new Japanese government (after the failure of the Tokugawa government) successfully broke down the boundaries between the social classes, established human rights such as the religious freedom, and took all the land that belonged to the former feudal lords (daimyo) and returned it to the government. With an effort to expand to acquire Western

the 10th May, 1849 in Edo, Japan. He lived during the ukiyo-e period. The Great Wave off Kanagawa is 25.4x35.5 centimetres (10x14 inches). Hokusai has exaggerated the size of the wave to make it look intimidating, raging and menacing to those in the boats below. Although there is so much anger and tension in the front of the print, Mount Fuji is in the background to bring contrast to the print. Mount Fuji is very serene and brings peace

that was developed by artists served as a veil for the publication of woodblock prints that would have otherwise been censored, sparking both creative expression and new genres of printmaking. Later, the heavy hand of Neo-Confucian oppression in ukiyo-e would be lifted, as the previous satirical depictions often found in artists’ designs would be used to unify the Japanese people against external threats, as Japan relinquished its isolationist nature, and the strain between artist and government

The Great Wave or Under the Wave off Kanagawa is one of the most well known pieces of Japanese Art. It was created by Katsushika Hokusai between 1830-1832 during the Edo period. The Great Wave is a polychrome woodblock print measuring 10 ⅛ x 14 15/16 inches. In this critique, we will analyze Hokusai’s processes and use of design for The Great Wave. It is estimated that Hokusai created 30,000 pieces of art during his lifetime. Many artists changed their names a few times during their career, but

Vincent Van Gogh (1853-1890) had traveled to Paris to visit his brother Theo. Theo Van Gogh (1857-1891) made his living as an art dealer and sold paintings by Monet and Degas. It was during this time period where Vincent Van Gogh was introduced to Ukiyo-e and eventually would organize a show of colored woodcuts he had collected. Also, it was during 1887 where Vincent had copied two prints by the late-edo artist Hiroshige. The ...

countries. Many of japans historical artists would usually create illustrations on large scrolls of paper which are called ‘Emakimono’. Paint ceramics, calligraphy on silk or paper, use ink wash to paint vast landscapes. The most popular art form was ukiyo-e. Tawaraya Sotatsu, he popularized the ‘Tarashikomi’ style of painting meaning “Dripping in” the technique is applying a second coat of paint quickly before the first layer is dry, it was mainly used for creating fine detail on water surfaces or flowers

Japanese influence on European artists in the 19th century is revealed in the accommodation of Japanese designs into household objects, decorative designs, the outline of sets, and the numerous influence of different ideas of Japanese origin. Japan began to look outwards after a period of isolation and protectionism, the nation began to trade with the West once more in 1853, with this, Japanese goods soon found their way into Europe. Japanese crafts were well accepted in European countries, particularly

Introduction The following essay aims to analyse three impressionist artists; Vincent Van Gogh, Claude Monet and Edgar degas and identifies the influences that Japanese Art had on their artworks. The Japanese trade had a major impact on Western cultures and put Japan on the map in terms of the art market. Japanese prints, albums, and objects began to arrive in Europe and North America in extraordinary quantities, this brought about a trend for all things Japanese among collectors, artists, and designers

Comparative Formal Analysis; Similar on Account of Distinctions The analysis of a work of art can help the viewer, and the reader of the analysis for that matter, to better understand the relationships of the physical elements of the piece. This kind of analysis can then lead the viewer or reader on the pathway of comprising a richer understanding and appreciation of the mood created through the physical criteria of form. Analyzing two works that both embody a few common characteristics can

In this essay I am going to study two artists, Van Gogh, who today is widely regarded as one of history’s greatest Dutch painters and Scottish painter and print maker, Elizabeth Blackadder. Vincent Van Gogh was born in Holland in 1853 and died in an asylum at saint-Remy in 1890. As his father was a minister he was brought up in very religious and cultured surroundings and was a man of deep religious belief. Van Gogh tried many jobs unsuccessfully and his career as an artist lasted only 10 years

Unkei, Taiga, and Yoshitoshi are all reputable Japanese artists who have the potential to create my ideal portrait. For instance, Unkei used beautiful “gyokugan” eyes and deposited special items inside his statues. However, I decided not to select Unkei to be my artist of choice since I prefer to have my portrait on a two-dimensional surface instead of a three-dimensional statue. The reason for this preference is statues are stand-alone pieces of art and I do not want myself to be the main focus

I chose to compare and contrast Samurai Attacks Woman by Tsukioka Yoshitoshi and a self portrait by Giuseppe Arcimboldo. Similarities in craftsmanship and mediums used drew me to these pieces. First, I will describe the original piece that caught my eye while perusing through the data base Artstor was Tsukioka’s. His piece was created during the Meiji period of Japan, showcasing the popular forms of artwork at the time. Tsuikoka used many beautiful colours alongside ink to create his masterpieces

Rinko Kawauchi was born in 1972 in the Shiga Prefecture, Japan. She lives and works in Tokyo. She studied Graphic Design at Seian College of Art and Design. For her works Utatane (meaning “nap”), Hanabi (meaning “fireworks”), and Hanako (a girl’s name), she received the 27th Ihei Kimura Photography Award. In 2009, she won the 25th International Centre of Photography Infinity Award for Art. Her book Illuminance was published in five countries at once in 2011 and nominated for the 2012 Deutsche Börse

Marilyn Propp, a Chicago-based artist, was born in New York. She holds a Bachelor of Art in University of Pennsylvania and Master of Art in University of Missouri-Kansas City. Among other positions such as the co-founder of Anchor Graphics, Propp is also a current adjunct faculty in the Art and Design Department at Columbia College Chicago. Along with eleven other artists, Propp exhibits her Marine artwork as part of the group Climate of Uncertainty in the DePaul Art Museum at the DePaul University

some aspects of my culture which is related to Buddhism. Bibliography Kinoshita, Kyoko. Ike Taiga and Tokuyama Gyokuran Japanese Masters of the Brush. By Felice Fischer. New Have and London: Philadelphia Museum of Art, 2007. 129+. Web. Mason, Penelope E., and Donald Dinwiddie. History of Japanese Art. 2nd ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2005. Print. Morse, Samuel C. "Impressions: Revealing the Unseen: The Master Sculptor Unkei and the Meaning of Dedicatory Objects in Kamakura-Period