TPOK Jazz Essays

  • Franco and TPOK Jazz

    1244 Words  | 3 Pages

    of one of the world’s great dance traditions, Congolese rumba. 1953-1979 charts Franco’s progression from hotshot Afro-Cuban guitarist to a master bandleader. 1980-1989 features fluid guitar work and the distinctive fully mature rumba sound of TPOK Jazz (Tout Puissant Orchestra Kinois or all-powerful Kinshanan Orchestra). Both collections include a 48-page booklet filled with photos, recording notes, translations, and biography. Compiler Ken Braun distilled Franco’s vast catalogue down to twenty-eight

  • SING SING SING

    1256 Words  | 3 Pages

    SING SING SING I used to always go over to my grandparent’s house and watch my grandfather go crazy over this “Jazz” music. He explained to me that it wasn’t Jazz unless it swung like the greats. I listened to a song “Sing Sing Sing” the other day from one of my Jazz collections that my grandpa gave to me and realized that their was so much energy and pizzazz in this music. He explained to me that it was all put together by a guy named Benny, and I understood why. Benny Goodman, born Benjamin

  • Death and We Real Cool

    1051 Words  | 3 Pages

    Death and We Real Cool "The sluggard’s craving will be the death of him, because his hands refuse to work" (Proverbs 21:25). The Bible makes a very clear statement in this passage as to how being lazy can be the cause of one’s death. "We Real Cool" is about seven African-American high school dropouts who want everybody else to think that they are cool. These teenagers explain how they stay out late playing pool, fighting, sinning and drinking. Though they think they have everybody else fooled

  • Comparing the Blues in Hughes' The Blues I'm Playing and Baldwin's Sonny's Blues

    622 Words  | 2 Pages

    life's vitality. Life in Oceola sings itself in jazz and blues in Harlem, ignores the artistic East 63rd Street and the rules by which are claims its superiority. There is a closeness between the blues and the life of Oceola as she summarizes her life for her patron. She remembers Mobile's roast pig and the large mouth of Billy Kersands, the minstrel leader who let her as a child place both hands inside it. The relevance of Negro experience to blues and jazz is the point in her recollection that her parents

  • Rock Music and Creativity

    1592 Words  | 4 Pages

    Rock Music and Creativity As the reader may verify by looking at my name, I originate from Cyprus, a Greek island in the Mediterranean Sea. As I grew up in a Greek environment, Greek music predominated in my listenings with a glimpse of classical music added when my studies in the piano encouraged it. My short stay in the States has, apart from many other things, introduced me to rock music. According to Google.com, "rock 'n' roll can be defined as a genre of popular music originating in

  • Music in the Sixties

    1128 Words  | 3 Pages

    Music in the Sixties My topic is Music in the Sixties. In my essay I would like to determine that events that occurred during the 1960’s had a significant effect on some of the music that was produced. I believe that certain music and musical events derived from peoples feelings and views on things that occurred during the 60’s. Some of these events include the Vietnam War, the Civil Rights Movement, politics, and society as a whole. There were many different stereotypes and prejudices. There

  • Kerouac’s Spontaneous Prose and the Post-War Avant-Garde

    3083 Words  | 7 Pages

    47) Kerouac’s “new style for American culture” was the spontaneous prose method he developed in 1952, a dazzling fusion of the colloquial and the literary that utilized stylistic strategies drawn from movies, comic strips, pulp fiction, and jazz. But, fifty years on, Kerouac’s stylistic brilliance has still not been fully recognized. His reputation still rests, unfortunately, on his two most commercial novels, On the Road and The Dharma Bums. Neither of these novels is spontaneous prose

  • Light and Darkness in James Baldwin's Sonny's Blues

    1080 Words  | 3 Pages

    the community of Harlem, where there is little escape from the reality of drugs and crime. The persistent nature of the streets lures adolescents to use drugs as a means of escaping the darkness of their lives. The main character, Sonny, a struggling jazz musician, finds himself addicted to heroin as a way of unleashing the creativity and artistic ability that lies within him. While using music as a way of creating a sort of structure in his life, Sonny attempts to step into the light, a life without

  • Differing Mentalities In Hip Hop And Rock

    787 Words  | 2 Pages

    Some of my friends listen to certain genres of rock music, some listen to hip-hop. Despite our friendship we have differing views upon each genres of music. Having listened to both genres of music at one point in my life I have an understanding of why some rock listeners would be quick to reject hip-hop as meaningful, complex and valid art form. The production of hip-hop music first consisted of two turntables and a microphone. The originators of the music who embraced the essence of spoken word

  • Jazz in Invisible Man

    1453 Words  | 3 Pages

    is why Ellison chooses to illustrate his novel with jazz. Jazz music in Invisible Man gives feelings that Ellison could never explain in words. In Ralph Ellison’s Invisible Man, the narrator’s search for his identity can be compared to the structure of a jazz composition. In order to see the parallel between the novel and jazz, one must first see how Ellison incorporates jazz music in the prologue of the novel. He not only sets the scene with jazz music in the background but also gives the narrator

  • Origins of Jazz

    1614 Words  | 4 Pages

    Origins of Jazz Perhaps the greatest cultural and musical origination in all of American history; jazz offers a unique sincerity and magnetism that has withstood the test of time. From its humble beginnings in New Orleans, jazz quickly spread throughout the United States and soon became an illustrious component of American culture. This art form not only offered a distinct and musically euphonic prospect, but also gave voice to the African American community. The development of jazz tore down

  • Rudeness in Art

    1238 Words  | 3 Pages

    during concerts of any type. With some concerts and performances, it is ok to vocalize, but concert band is not one of them. To help explain this, concert band will be compared to jazz band in its origins, type, and expectations to show why this type of behavior is unacceptable. One of the main things that set jazz from concert band is their origins. Concert band originated hundreds of years ago with major composers such as Mozart and Beethoven. The ensemble originated from a stringed band with

  • Impact of Rhythm and Blues on African-American Culture

    901 Words  | 2 Pages

    and blues" and we hail Ray Charles as "Genius" and Aretha Franklin as "Queen." We came to know of a record label called Stax and a small town called Muscle Shoals, Alabama. (Kahn, 2008). Stax was renowned for its output of African American music like jazz, gospel, funk, and blues. The most frequently used connotation of the term rhythm ... ... middle of paper ... ...e and in their own words. More than just the music of many generations, it was the music that influenced a generation, uplifted them

  • German Influence on Ragtime

    924 Words  | 2 Pages

    southern states that brass and woodwind musicians were being sought out for employment (Moye). Germany was also responsible for the development of the trumpet, trombone, brass saxophone, and tuba, which would later shape ragtime into what is now known as jazz. The dulcimer was a Germanic instrument that was introduced to the south around the 1800’s, and its widespread usage and popularity caused a major shift in 19th Century popular culture (Moye). It should also be noted that the Native American reed

  • Country Music

    932 Words  | 2 Pages

    Country music is one of the most diverse changing genres in music that we have today. Some songs can take you on a beautiful story with a happy ending and some can make you feel heart broken and down in the dumps. Both can be great songs, and deliver powerful messages, but can be done in very different ways. Today, the country music that I know and love can either be a good ole laid back mellow song with nothing but an acoustic guitar, or have an entire band rocking out the whole song like songs

  • George Gershwin's Rhapsody in Blue

    1202 Words  | 3 Pages

    Gershwin was a popular and successful American pianist and composer. He composed music for movies, Broadway musicals, opera and the concert hall. He combined classical music and jazz to create his style and was well known for his composition, “Rhapsody in Blue.” As a result of George Gershwin’s composition which included adding jazz elements to classical music, this classical music became popularized. George Gershwin was born on the 26th of September, 1898 in Brooklyn, New York. His original name was Jacob

  • Jay Chou and his Chinese Pop Style

    1076 Words  | 3 Pages

    Jay Chou and his Chinese Pop Style Stepping into the new century, a name came into people’s ears in mainland China, Jay Chou. Jay is a famous Taiwan musician, whose songs impact the new generation in the recent twelve years all over the world significantly. From young to old, a lot of people can sing his popular songs, or they can hum, whistle some parts of Jay’s songs at least. According to the official statistics, Jay produced his eleven albums that sold an amazing record of 28746167 copies in

  • Jazz historiography

    788 Words  | 2 Pages

    The rapid development of jazz in both the United States and Europe generated a number of diverse musical expressions, including musics that most listeners today would not recognize as “jazz” music. In order to remedy this situation, jazz musicians and critics after 1930 began to codify what “real” jazz encompassed, and more importantly, what “real” jazz did not encompass. This construction of authenticity, often demarcated along racial lines, served to relegate several artists and styles (those outside

  • Claude Debussy: A Musical Genius

    967 Words  | 2 Pages

    Claude Debussy is one of my favorite composers of all time. Claude Debussy’s music has had the ability to alter how I perceive music and, has made me gain a greater appreciation for all types of music. Growing up playing piano my entire life it was always hard for me as a child to follow all of the “rules” of what traditional classic music was interpreted as. Sheet music seemed so dull and boring to me, because I would be playing the piece but certain parts just did not sound appealing to my ear

  • Rock And Roll Music In The 1950s

    1793 Words  | 4 Pages

    a beat that traveled on slave ships from Africa to the colonies in North America (Johnstone 1). • Work songs or spirituals traveled through the vaudeville circuit and morphed into blues gospel and jazz (Johnstone 6). • Various music genres converged at the turn of 1950s and blues country and swing jazz fused and created rhythm and blues. Rhythm and blues took a lyrical style soaked in adolescent concerns and became known as Rock and Roll (Johnstone 2). • Chuck Berry's influence on the musical form