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    The Sorrows of Young Werther

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    In The Sorrows of Young Werther by Johann Wolfgang Von Goethe, Lotte has been seen as responsible for Werther’s fate. There are many ways through which Lotte’s behavior around Werther fuels his romantic obsession with her. Lotte continuously shows inappropriate affections towards Werther throughout the novel. Examples which show her affection for him are dancing the Waltz, the gift of the pink ribbon, and the bird beak kissing incident. Lotte leads Werther to believe she loves him by touching his

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    The Sorrows of Young Werther, beautifully captures the spirit of the birth of romanticism in Germany. Beauty being essential to the romantics, Kant defined it as “purposefulness without purpose”. Goethe had this same idea when writing, in that aesthetic judgment is different than subjective or cognitive judgment. These aesthetic judgments are concerned with experiencing an object as designed for the emotion they can invoke, not for any particular intention. In his drawings and in The Sorrows of Young

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    Sorrows Of Young Werther

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    WERTHER AND SELF DECEPTION Romanticism was deeply interested in creating art and literature of suffering, pain and self-pity. With poets pining for a love long gone and dead and authors falling for unavailable people, it appears that romantics in literature were primarily concerned with self-injury and delusion. In Goethe's novel "The Sorrows of Young Werther", we find another romantic character fulfilling his tragic destiny by falling victim to extreme self-deception. Werther's story may appear

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    Phoebe Rankin - Professor Wilson - MUS 120 - 23 March 2014 -Werther by Massenet: A Live from the MET broadcast - Mar 15 10:55 a.m. - Cinemark Carefree W 3305 Cinema Point Directed by Richard Eyre, Massenet’s rendition of Werther from the New York Metropolitan Opera stands to impress with a rivetingly emotional and effervescent performance. An adaption of Goethe’s tragedy The Sorrows of Young Werther, the lyric drama tells the story of a love struck and conflicted poet in late 17th century Germany

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    Werther as the Prototypical Romantic in Sorrows of Young Werther In Goethe's Sorrows of Young Werther, the protagonist's characteristics and ideas define him as the prototypical romantic personality.  The Romantic Movement emphasizes emotion over reason, an idea that Werther emulates throughout his life.  Werther loves pastoral settings; in nature, he feels most in touch with his emotions.  He rejects rationality and complexity with the sentiment that life is an adventure to be guided by intuition

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    Death has been the consequent for the main characters in each of the first four novels read for the course. The protagonist in each of the first four novels; Werther, Rafael, Ivan Ilyich, and K., respectively; met their demise on the final page of their respective novels. All four directly or indirectly were the cause of their painful demise. Werther chose suicide over conforming to the ways of adulthood, and moving further away from nature. Rafael chose to live a life of possessions, and in turn, his

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    The Sorrows of Young Werther by Johann Wolfgang von Goethe is one of the literary texts interwoven in Mary Shelley’s novel Frankenstein. It talks of a story about a girl Lotte and a boy named Werther. The two fell in love although the girl was already engaged to an older man Abert. When Lotte marries the older man, Werther commits suicide because of rejection. The creature in Frankenstein finds this book and teaches himself to read from it. Shelley makes a reference to the novel The Sorrows of the

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    Voltaire's Candide and Goethe's The Sorrows of Young Werther In the literary `movements' of neo-classicism and romanticism, Voltaire's Candide and Goethe's The Sorrows of Young Werther represent the literary age in which they were written. In the following composition, textual evidence will be provided to demonstrate how each book accurately represents either the neo-classicism age or the romanticism age. Candide and The Sorrows of Young Werther will be examined separately, and then examined together

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    The Sorrows of Young Werther by Goethe and the classic tale of Romeo and Juliet by Shakespeare are two stories that perfectly portray love and death, also known as Liebestod. Their heroes Romeo and Werther have a lot in common other than taking their own lives in the name of love and damning their souls. They share same reactions to similar situation and idolize their beloved. At the beginning of the stories Romeo and Werther are shown to have a likeness for solitude. Romeo's mother says Romeo

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    era. It was the most powerful weapon in the history with the major impacts, too. The stories which romanticise the certain behaviours made them widely accepted and adopted by the people such as Goethe’s autobiographical novel, The Sorrows of the Young Werther. The young men began to imitate the main character, wear yellow pants and blue jackets as him and the majority of these men ended up with the copycat suicide called Werther’s effect after it was published in the 1770s. While the fiction context’s

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