scientist Steven J. Brams (1996) and mathematician Alan D. Taylor (1996), the issue of fair division can be traced back to the Hebrew Bible, with King Solomon’s proposal to divide a baby in two in order to appease the claims of two mothers. Within the last century, questions regarding the fair division and allocation of property have arisen throughout various spheres—divorce claims, estate settlements, assessments of taxes—and attempts to solve these dilemmas have increased as well (Brams & Taylor
Compare/Contrast Dracula and Bram Stoker's Dracula A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study. Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields
Coppola's Adaptation of Bram Stoker's Dracula The legendary creature Dracula has mesmerized readers and viewers for nearly a century. In Bram Stoker's masterpiece, Dracula, the infamous monster affects each reader in a different way. Some find the greatest fear to be the sacrilegious nature of his bloodsucking attacks, while others find themselves most afraid of Dracula's shadow-like omnipresent nature. The fascination with Dracula has assimilated into all parts of society. Dracula can now be
Death in Poetry Numerous themes are found in poetry. One recurring theme that we have encountered this year is death. It is the main focus of Stevens' "The Emperor of Ice-Cream," Frost's "After Apple-Picking," and Whitman's "The Wound-Dresser" and is hinted at in many other poems. This essay will discuss how the different poets treat the subject differently in relation to various aspects of composition, such as style, form, theme, tone, imagery, metaphor, and diction. Whitman describes
Darlington Hall, Stevens (butler) begins a solitary motor trip through which he embarks on a harrowing journey through his own memory. It is on this journey, a motif which is used as a deceptive structural device, that Stevens begins to first question his Lord’s greatness and the meaning of his service. The farther Stevens travels from Darlington Hall, it seems, the closer he comes to fully understanding his life, then sets in the regrets. Upon arriving to the conclusion of Stevens’ journey, literal
struggles one man, Mr. Stevens, has with relationships with his father, Miss Kenton and his employer, but the struggle he focuses on the most is to be a “great butler.” He pushes himself physically to work as hard as he can, as well as mentally to determine what makes a butler great. Stevens sacrifices all normal human encounters with those around him in order to be an emotionless person. “When one encounters them, one simply knows one is in the presence of greatness” (44). Stevens, through many trials
moving images, based on a significant thought which may be either conscious or unconscious" (Hearne and Melbourne 42). Anthony Stevens says, "from the standpoint of dream psychology, the most extraordinary capacity of the human psyche is it's genius for fabricating images" (176). He states an image becomes a symbol when it is endowed with meaning (176). According to Stevens, "Dream interpretation...is an art,... ... middle of paper ... ...reams. Magical realism has probably become popular due to
Schindler’s List, directed by Steven Spielberg and The Pianist, Directed by Roman Polanski The holocaust is seen as a time of horror, filled with brutal, inhuman actions carried out by the Nazi party. Schindler’s List, directed by Steven Spielberg, is one of the most realistic movies to show the gruesome shock of the concentration camps and torture of Jews. Spielberg captured the true essences of what pain was during World War Two. In 2002, Roman Polanski came out with The Pianist, a movie that
a man called Stevens, (a model English butler). Stevens narrates the novel and Ishiguro writes in such a way that the reader is able to examine intersections of his memory, national history, politics of the era, and the way language is used to express emotion or to conceal it. Ishiguro has shaped Stevens solitary motor journey as an ironic narrative that reveals more to the reader than it does to Stevens and therefore the reader should be very cautious when reading Stevens accounts, as
1968, p. 118). The man in the poem is not, like Stevens' Crispin, "a man come out of luminous traversing," but more like the "listener" in Stevens' "The Snow Man." In each poem is a recognition of a wintry barrenness made more so in Frost by a reductive process by which possibilities of metaphor - of finding some reassuring resemblances - are gradually disposed of. At the end, the speaker in Frost's poem is as "cool" as is the listener in Stevens, and also as peculiarly unanguished by the situation
it might not be like. Steven was one of these more fortunate people until...Steven had to overcome more pain during his lifetime then some could imagine. He dreamed of becoming a wealthy, well known business man, with a loving family. He had no clue that it would be so hard to accomplish the few things that mattered the most to him, his dreams.Steven grew up in a family of poverty, heartbreak, and violence. Every night Steven’s dad would come home drunk and beat on Steven and his sister, Danielle
Norman Mailer's An American Dream: The Character of Steven Rojack In almost every genre of literature there is the classic antagonist, and the classic protagonist. When examining these characters, there are certain guidelines which authors follow. However, there are times in literature when the classic guidelines are broken, and a new prototype emerges. Contemporary writer Norman Mailer broke the mold of the classic character(s) when writing the novel, An American Dream. In An American
stories that capture the viewer's attention. So how are we, as viewers, affected by these stories? In her article, "The Violence Reporting Project: A New Approach to Covering Crime", Jane Ellen Stevens focuses on the effects the media have on the viewers and the people within a community. I agree with Stevens when she states that the media fails to provide viewers with information on community violence and violence prevention. Without the knowledge of the violence that is going on in our neighborhoods
No Heroes, No Villains by by Steven J. Phillips After reading the story, I found I had mixed emotions about it. To explain, when we were getting into detail and finally finding out what really happened the day of June 28th, I found myself completely interested and glued to the book. I also enjoyed the way the incident was explained because I felt like I was there watching it all happen from the great detail. I enjoyed Phillips style of writing because through his writing, he really came off
Steven Covey's The Seven Habits of Highly Effective People In the book, The Seven Habits of Highly Effective People by Steven Covey, lessons for personal change are presented in a very powerful and understandable way. The Habits can be applied to our own lives, our leadership of other people, a school or any other organization that can be run more effectively. However, before an application of these Habits can be made, a basic understanding of the material presented in the book must be obtained
with the two world wars, and it ends Stevens' old way of work, if not the job itself. Although Remains of the Day concentrates on a particular culture, and an obsolescent one at that, Ishiguro makes many insightful observations on human behavior in general. I will explore a few of these observations here, and attempt to show that Ishiguro's work possesses meaning far beyond an examination of one emotionally-repressed servant. Ishiguro illustrates Stevens, and all of the old English butlers, as
The Victorian men and women conveyed in Bram Stoker's Dracula are pure and virtuous members of the upper and middle class. However, hiding behind this composed and civilized conception of England lies a dark and turbulent underbelly. This underbelly is the lumpenproletariat, whom Karl Marx defined as "the lowest and most degraded section of the proletariat; the ‘down and outs’ who make no contribution to the workers cause". Victorian culture discriminated against these vagrants, who were seen not
Bram Stoker's Dracula is Anti-Christian There are many ways that Bram Stoker's Dracula can be considered Anti- Christian by showing of Anti-Christian values and perversions of the Christian religion. In chapter one as Jonathan Harker is traveling to Castle Dracula he is met by several people. When he meets these people and tells them where he is going they cross themselves along with doing several other superstiscious actions. One of the women he meets gives him a crucifix to protect him
Paternalism in Bram Stoker's Dracula Paternalism is the domination of a society by a male or parental figure that leads or governs much like the way a father would direct his family. In Victorian society, the idea of paternalism was prevalent. The idea was also frequently used as a motif in western literature. Bram Stoker's novel Dracula, published in 1897, depicts a paternalistic society through a repression of the female sex and a continuous exaltation of the domineering male sex
Fanu’s Carmilla: Bram Stoker’s Inspiration for Dracula “3 May. Bistritz. Left Munich at 8:35 p.m.” Abraham Stoker in this unassuming way begins his Gothic masterpiece, Dracula (The Annotated Dracula 1). Dracula has been called ‘imaginative’ and ‘original.’ , and Harry Ludlam calls it “the product of his own vivid imagination and imaginative research” (Senf 41). However, the originality of Stoker's Dracula is in doubt. By a similarity in the setting, characters and plot, in Bram Stoker’s Gothic