Metis in 2001: A Space Odyssey and The Odyssey The movie 2001: A Space Odyssey by Steven Kubrick and The Odyssey by Homer have underlying themes that have relationships to each respectively. However, Greek mythology often attributes strength as the ultimate virtue, and even current day movies do too. The attribute of being clever or cunning is seen during 2001: A Space Odyssey and The Odyssey seen by Odysseus and David Bowman as the dominate theme throughout both titles. Metis, the Greek word meaning
the different ways that 2001 has been interpreted by its audience over that time, it reveals a great deal about evolving cultural attitudes toward issues such as technology, spirituality, and the commercialization of American society. 2001: A Space Odyssey was the third biggest box office hit of 1968 (after Mike Nichols’ The Graduate and William Wyler’s Funny Girl) and, upon the completion of its initial theatrical run, was one of the top twenty grossing movies of all time.[1] Over the next 30 years
How 2001: A Space Odyssey makes you think about what mysteries lie beyond the world around us is exhilaration because it brings you into the setting and makes you want to learn more about what is happening to the characters. This extrordinary book was written in a time when it was hard to see us going to any planet much less the moon, but the detail in which is told to the reader is so real that anyone back when the book was made would believe it could happen, even now when it still can't happen
2001: A Space Odyssey Three million B.C. The gunpowder for a smashing evolutionary hit was amassing for a long time, but the necessary spark came from an outside help, which soon set the whole world ablaze. From this heated inferno, came the most proficient species ever to grace the planet. And now man has to be prepared for what comes next. Arthur C. Clarke skillfully proves the point that 'truth is stranger than fiction' in his remarkable book - 2001: A Space Odyssey. He also carefully
“2001: A Space Odyssey,” directed by Stanley Kubrick in 1968 shows the audience the evolution of humans from when they were apes. The apes learned how to use tools such as bones and rocks to better compete against other apes, which directly reveals that the tools lead the evolution of these creatures into civilized humans. As people continued to evolve and advance their intelligence, they also advanced their primitive tools throughout the years into computers. However, these computers were no ordinary
A Response to 2001: A Space Odyssey I love having the Blue Danube waltz in 2001; it's my favorite part of the movie. What I find most amusing about it is that it ties in so well with the smoothness of a space orbit. In the first space scene, anything that is free floating, like the pen or the ships themselves, is perfectly in balance with the music. Nothing in orbit is ever rushed, and at no time does it ever falter from its halcyon state of existence. The Blue Danube matches this perfectly
2001: A Space Odyssey The following paper will analyze the movie, “2001: A Space Odyssey” by Stanley Kubrick” and “The Centinel” by Arthur C. Clarke. Although there are many themes present between the story and the film, the following are the most dominant. I will be discussing Scientific themes, Religious and Moral Themes, and Clarke’s development of the short story into a full-length film. The first issue, I will be discussing the scientific themes of the movie. The movie, “2001: A Space Odyssey
The genius in not the music used in "2001: A Space Odyssey", but what Kubrick does with that music. He reduces each musical score to its essence, and leaves it playing long enough for us to contemplate it, to listen and watch as the movie progresses, which is mostly silent; this technique helps it inhabit it in our imaginations. Among science-fiction movies, perhaps “2001" is the only movie in which the director, in this case Kubrick, is not concerned with thrilling us with his music choice, but
Donnie Darko and 2001: A Space Odyssey has central meanings that focus on science and religion. Richard Kelly's, Donnie Darko, introduces the protagonist as a teenage boy who is given the chance to live for twenty-eight more days after the mysterious jet engine crash that was intended to kill him. Donnie is plagued by visions of a giant sized evil-looking rabbit named Frank. Frank orders Donnie to commit acts of violence, warns of the impending end of the world, and is his guide throughout the movie
Color plays an important role in 2001: A Space Odyssey, there are many points in the film that use color as a catalyst for events to come, or to foreshadow a point in the film. Specifically, each appearance of the large black monolith, the “eye” of the H.A.L. 9000 computer, and the sequence of lights David Bowman experienced after entering the monolith orbiting Jupiter. In the opening scenes with the apes, after the monolith appears and they investigate it the camera shifts upwards pointing up its
Cold War & subsequent space race. Films unwarily impact the viewer with subtle differences in thoughts, emotions, and actions after participating in this modern art. The social and cultural impression of film is quite significant as the correlation can be made that great films can enlighten those that experience them with a new perspective and motivation. On the far end of the spectrum, this can result in instances of uprising for change. Stanley Kubrick’s 2001: A Space Odyssey did not inspire such
Analysis of HAL's guilt in 2001: A Space Odyssey In a court of law, killing while mentally disabled, killing under orders and killing in self-defense are sufficient justifications for taking another’s life. With this in mind, was HAL justified in killing the crewmembers of the discovery, or were Hal’s actions murderous and should he be brought to trial? Can Hal be blamed? The computer basically has 3 excuses for killing the crewmembers of the Discovery. First, Hal was disabled. Second, Hal was
2001: A Space Odyssey by Arthur C. Clarke introduces the readers to a world of fiction filled with mystery, fantasy and sci-fi. We meet characters such as HAL, a robot that makes you contemplate about the value of futuristic technology, and Bowman, who is a trained personal that is part of the crew going to Japetus. The goal in this book was to reach Japetus, one of Saturn’s moons, in hopes of gathering information about extraterrestrial life and connections with the TMA-1. Japetus is a moon of
had important contributions to the world of filmmaking, both renowned for their visual style and dark humour. Reservoir Dogs, directed by Tarantino, was described as the ‘Greatest Independent Film of All Time’ by Empire magazine, whilst 2001: A Space Odyssey is considered "culturally, historically, or aesthetically significant" by the National Film Preservation Board, but both films are prominent for their significant use of music within the film. This essay will look at which of these two films is
2001: A Space Odyssey is just that: a long wandering voyage of the body and mind. Stanley Kubrick and Arthur C. Clark collaborated brilliantly. In examining both works, the film and the novel, there are certainly differences, yet the theme and overall idea coincide thoroughly. That this was made in the 1960's augments both accomplishments. The visuals, seen in 2004, are still captivating. What they must've seemed like in 1968! I flout those who received this movie poorly in those days. Would I have
Movies and novels such as “Planet of the Apes” and 2001: A Space Odyssey are called Science Fiction because they portray situations that seem extremely unrealistic concurrent with contemporary philosophy. “Planet of the Apes” depicts a world where apes rule while humans are subjected to servitude and confinement. These apes speak intelligibly and are human-like in appearance and behavior. In 2001: A Space Odyssey, the highly advanced computer, HAL 9000, an acronym for “Heuristically programmed ALgorithmic
Impact of Pulp Magazines on American Culture “The story is worth more than the paper it is printed on.” Frank Munsey’s words symbolized the history of the pulp magazine. Frank Munsey started the pulp magazine craze with his first magazine, the Argosy, in 1896. The Argosy was a revamping of his children’s magazine, the Golden Argosy, shifting its focus from children to adults. The Argosy offered large amounts of fiction for a low price, because these stories would be printed on cheap pulpwood
great importance since they suggest useful lines of research” (Turing, “Computing Machinery and Intelligence”) In his thorough biography of Alan Turing, Alan Turing:The Enigma, Andrew Hodges described the self-destruction of HAL in 2001 A Space Odyssey in the following way:“He was only aware of the conflict that was slowly destroying his integrity – the conflict between truth, and concealment of truth” (Hodges, 533). Apparently the authors of 2001, Arthur C. Clarke and Stanley Kubrick had based
Kapuskasing, Ontario in Canada August 14 (16) 1954. His family later moved to Chippewa Falls near Niagra Falls. James Cameron was during his youth years always very fascinated with movies. He was mezmerized when he saw Stanley Kubrick’s 2001: A Space Odyssey, and he drew himself crazy trying to figure out how they had shot that film. Cameron also wrote sci-fi stories and fantasized a lot instead of doing his school work. It was actually during one boring biology class that Cameron wrote a short story
and murder. Kubrick was both writer and director. Stanley Kubrick was born July 26, 1928 in the Bronx, New York. He is an accomplished director with other ground breaking movies under his belt, such as The Shining, Paths of Glory, and 2001 A Space Odyssey. His films have one common theme- the dehumanization of mankind. He is also known for his symmetric image composition and long "zooming out" and/or "zooming in" sequences. Kubrick constructs three-way conflicts and utilizes the techinique of extreme