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    The God of Small Things

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    Velutha of Small Things The small, more trivial things in life are more often than not eschewed, and because of this they are left to find a safe haven in furtive localities similar to “History House” or the river. Being the watch keeper of these small things can be good as well as bad, as shown through Velutha’s ultimate fate. In the novel “The God of Small Things”, Arundhati Roy shows the minute details that fill her characters' lives and furnish the dwellings that cannot protect them. Not only

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    The God of Small Things by Arundhati Roy In The God of Small Things the twin’s mother, Ammu, breaks the laws that lay down ‘who should be loved, and how and how much’ when she has an affair with Velutha (an Untouchable). A relationship with an Untouchable is inconceivable in India, even today, as a woman would be expelled from her Caste if she were to carry out such an undignified act. Before this occurs Ammu is already frowned upon for being a divorced woman, a common view in Indian society

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    Although desire presents itself in many charged forms in The God of Small Things, we can view the plot of the narrative as a series of disrupted yet connected events that are propelled by, or a product of, individual resistance fuelled by a Desire to Transgress. This plot of individual resistance is represented through the female protagonist Ammu and her daughter Rahel, as a foil of her mother, and is most explicit in the ending of the novel, when they both commit sexual acts that violate the conditions

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    Arundhati Roy’s The God of Small Things

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    society with special reference to women. The novel throws light on some important things of life like how love is always associated with sadness, how a person’s childhood experiences affect his/her perspectives and whole life. The novel shows the ugly face of people and society as a whole, a vivid description of the black and sarcastic world especially with reference to women that dwells around us. The God of small thins highlights the position of women folk in India. It presents before us the constant

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    Post-Colonial and Post-Modernist View of Walcott's Collected Poems and Roy's The God of Small Things "Language was not so much a distinguishing sign of a soul or spirituality, which animals do not possess, as a social practice which enhanced survival of the species"-Nietzche. Nietzche reminded twentieth century intellectuals of the decisive role of language in the construction of human experience of 'reality'. With his 'perspectivism' and relativism, truth, whether artistic or scientific was

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    Comparing Cultures in Heaney's Opened Ground and Roy's The God of Small Things Many authors use experience in their lives to influence their writing. In the cases of Seamus Heaney and Arundati Roy, the experiences in their life and the experience that their countries went through shape their poems and stories in unimaginable ways. For example, Heaney puts into his poetry many experiences that his country, Ireland, went through. These experiences include the rise of war in Ireland between the

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    every church, pastor, priest, book and neighbor he ever came across; his father, other peoples’ fathers, the train schedule, the chill of November, and the sidewalk outside Carnegie Hall. Some of these things may seem inconsequential and unrelated; after all, they’re just things. They’re small things. They couldn’t have any importance, right? Wrong. Paul didn’t kill himself. Long-lost jaded dreams didn’t cause Baby Kochamma to try to live her life backwards. Technology didn’t appear at any one

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    way to illustrate the way a child processes traumatic experiences. Estha and Rahel, the child protagonists in Roy’s The God of Small Things also experience trauma, though their’s is far worse than mine. It is significant that Roy made the main characters children. Because they are not weighed down with the prejudices that come with adulthood, Children have way of seeing things in a blunt simplistic way. Because this book deals with complex themes of post-colonialism in India, getting a child’s simplistic

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    The God Of Small Things by Arundhati Roy Before going into the theatre “to see The Sound of Music for the third time” (35), Estha “[completes] his first adult assignment” (93). He goes to the bathroom on his own, while Ammu, Baby and Rahel accompany each other to the ladies room. This little detail about going to use the restroom foreshadows another instance where Estha will be forced from being a child into manhood. Ammu tells Estha to “shut UP!!” (96) because he was singing along to the

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    thereby to the world orientation. In order to define the place of a thing in the world and an individual’s association and desirability, we are forced to rely on binary approach of studying the world. Coming to literature, I discuss the binary terms of (historical) fact and fiction. Here, I have tried to apply the binary approach and have tried to analyze the binary value orientation in Arundhati Roy’s novel ‘The God of Small Things. I want to demonstrate that it is the tension between the superior

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