Sergio Leone Essays

  • Is The Lone Hero In A Fistful Of Dollars (1964) By Sergio Leone

    649 Words  | 2 Pages

    A Fistful Of Dollars (1964) by Sergio Leone In the film "A Fistful of Dollars", the lone hero is corrupt. This is similar to the status of the lone hero in many of the so-called "Spaghetti Westerns". The Spaghetti Westerns were filmed in Europe, using Italian actors in all but the leading role, and dubbed with American voices. The Spaghetti Westerns totally changed the face of the Western, as they became more and more violent - and the lone hero became a much more vicious

  • Criticism of Once upon a Time in the West Directed by Sergio Leone

    1196 Words  | 3 Pages

    Criticism of Once upon a Time in the West Directed by Sergio Leone Once upon a Time in the West, directed by Sergio Leone, is a story of evil and vengeance (with a dose of mystery) set in the American West. As the story develops, characters are introduced who are essential to an understanding of the plots. Since there are two simultaneously developed story lines, the maturation of each character provides the viewer with insight as to why certain events occur as they do. But an analysis

  • Once Upon A Time In The West

    1227 Words  | 3 Pages

    The film I have chosen to watch and write about between 1940 to 1970 was Once UpOn a Time in the West directed by Sergio Leone. The genre of this film is Western.The setting of this film is around Flagstone which it is a fictional town in the old west. It is the period of bombing business of the railroad industry, and in this film it is one of the main conflicts. Moreover, the other part of the conflict comes from the main character seeking vengeance against a cold blooded killer. This film have

  • Archetypes In Spaghetti Western

    1154 Words  | 3 Pages

    produced by one of the best western directors in the game. His name is Sergio Leone. Sergio Leone combined the smallest and largest details to create a “spaghetti western” movie. The so called “Spaghetti western” film that I will be focusing on will be, Once Upon a Time in the West. I found that Leone is very precise with his facts about the historical western era plus his ability to put us in the setting of the film. Leone demonstrates in this film how he brings together the different camera angles

  • leone grotesque style

    1608 Words  | 4 Pages

    In the mid to late 1950s, classic westerns where becoming obsolete paving the way for a revolutionary Italian director Sergio Leone. The new style of westerns known as “Spaghetti Westerns” was too many Americans ludicrous, no spaghetti westerns delves into the grotesque perspective better than the Dollar Trilogy films starring Clint Eastwood as the “Man with no Name”. Leone’s innovative cinematic style is brought to life through his unorthodox characters and their pursuit for fortune. Leone’s grotesque

  • The Two-Tiered System of Allusions

    1605 Words  | 4 Pages

    In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered

  • Per Un Pugno Di Dollari: A Fistful Of Dollars

    1437 Words  | 3 Pages

    represents this genre. It was made in 1964 by Sergio Leone, starring Clint Eastwood, and with a musical score composed by Ennio Morricone. This film set the pace and tone of the genre, so despite personal taste, this movie can be called revolutionary and influential. Key factors for such achievement are detailed next: the direction of photography, the editing, the neorealist influence, the film score, and advantage of the international financed production. Leone the cinematographer of A Fistful of Dollars

  • Ennio Morricone: The Good The Bad And The Ugly

    1914 Words  | 4 Pages

    Ennio Morricone Ennio Morricone is an Italian composer, orchestrator, conductor, and trumpet player who is one of the most versatile and influential composers of all time. His career encompasses an extensive range of composition genres, from absolute concert music to applied music, working as orchestrator, as well as a conductor and composer for theatre, radio and cinema. “Throughout his near 50 year career as a film composer, across the board, his signature ideas have included simple ideas (easy

  • Western Movies Since 1960

    2808 Words  | 6 Pages

    A NOT-SO-ACCURATE prophet once wrote, "As recently as 1972, there were a tremendous number of quality Westerns being made . . . and since there seems to be a ten-year cycle in Western movie making, I'd say we'll see more in about 1982." 1 In 1982 only two Westerns were released, and neither was exactly a major success. Barbarosa, starring Willie Nelson, drew some respectable reviews–and some very damaging ones–but nobody went to see the film. The Ballad of Gregorio Cortez appeared first on PBS television

  • The Good The Bad And The Ugly

    1767 Words  | 4 Pages

    The Good, The Bad and The Ugly Western films are the major defining genre of the American film industry, a eulogy to the early days of the expansive American frontier. They are one of the oldest, most enduring and flexible genres and one of the most characteristically American genres in their mythic origins - they focus on the West - in North America. Western films have also been called the horse opera, the oater (quickly-made, short western films which became as common place as oats for horses)

  • Hollywood Westerns Essay

    1320 Words  | 3 Pages

    Hollywood Westerns essentially focus on the concept of bringing the law to the lawless and for movie goers, it has been said, that the best Westerns were the movies that moved, not only from a physical action standpoint, but also in terms of moving an audience emotionally. It was this engaging combination that garnered the most satisfaction and praise from movie-going audiences. Most film scholars believe the first Western to be ‘Cripple Creek Bar Room’ (W. Dickson’s 1898 tableau). To understand

  • A Comparison of the Man with No Name in A Fistful of Dollars and William Munney's Unforgiven

    1141 Words  | 3 Pages

    A Comparison of the Man with No Name in A Fistful of Dollars and William Munney's Unforgiven Compare and contrast the representation of "the man with no name" in "A Fistful of Dollars" and William Munney in "Unforgiven". Do we have sympathy with these re- worked heroes? Your answer should include reference to film language, especially the use of generic conventions and iconography. The Western genre is an extremely important film type as some of the world's most revolutionary productions

  • The Western Movie Genre

    1395 Words  | 3 Pages

    Westerns are the most important genre of the American film industry, a reflective tribute to the early days of the grand, wild American frontier. They are one of the oldest, most prevailing and versatile genres and one of the classically American genres in their mythic origins. The popularity of westerns has changed over time. Their most productive period was in the 1930s to the 1960s, and most lately in the 90s, there was a restoration of the genre. This original American art form concentrates

  • Comparing Yojimbo And A Fistful Of Dollars

    660 Words  | 2 Pages

    Yojimbo (Kurosawa, 1961) presents an overall stronger story than A Fistful of Dollars (Leone, 1964) as it focuses less on the action sequences on more on character development. In particular A Fistful of Dollars (Leone, 1964) appears to depict some of the more meaningful scenes with an excessive amount of swashbuckling that ultimately detracts from the significance of particular scenes. This can be seen in the respective scenes of both films when the two factions are sparring with one another near

  • How the Western Film Genre Has Developed over the Past Century

    2041 Words  | 5 Pages

    The Western film genre is typically set in a secluded village in the middle of the desert, normally in the American West. The setting includes wooden buildings, tumble weed, cacti, trains, horses and carriages. The storyline for western films is usually the same, namely, a hero travels to a remote village, usually on a horse, and brings peace to the warring villagers. In a traditional Western film the clothing for the hero is usually a white hat, (this is to show purity). The hero would also

  • Review of the Film Django Unchained

    1088 Words  | 3 Pages

    Django Unchained, directed by Quentin Tarantino’s is what you would call a spaghetti western. The name ‘spaghetti western’ originally was a term used to reduce the value of something. American westerns were considered to be on a higher scale than spaghetti westerns. Django Unchained is set in the American South, two years before the civil war, telling the story of the freed slave Django who goes on a killing spree in the name of revenge to rescue his wife Brunhilda from the cruel plantation master

  • William Munnny Unforgiven

    735 Words  | 2 Pages

    Unforgiven revises the structure of typical character roles from traditional Westerns and uses the image of whiskey in William Munny’s life to show his malign past. William Munny is portrayed as the vengeful anti-hero. Little Bill’s role is the evil, loathful anti-villain as the corrupt sheriff. Eastwood comments of the reality of classic Westerns through alcohol and how Munny uses it to cope with his dastardly past and how the West truly was a cruel society. The characters in a non-revisionist

  • Good versus Evil in the Movie Unforgiven Directed by Clint Eastwood

    591 Words  | 2 Pages

    The 1992 film Unforgiven, directed by and starring Clint Eastwood, has a central theme that is one of good versus evil in which good overcomes evil by bringing justice to those who are evil. Munny has changed from the vicious murderer he was in the past and now wishes to bring justice to evil men who harmed the innocent prostitute Delilah and his friend Ned. The film is not quite the traditional Western film by any means as Eastwood’s character Will Munny has not always been a moral man. Nevertheless

  • The Dark Side of Clint Eastwood

    1151 Words  | 3 Pages

    Clint Eastwood first made a name for himself in Sergio Leone’s Spaghetti Westerns in the 1960’s. Eastwood iconic Man with No Name in the “Dollar Trilogies” made him an international star, and it is only fitting that he would resurrect his career in a film of this genre. “Unforgiven” was directed, produced, and stared in by Clint Eastwood and received an Oscar for Best Supporting Actor, Best Director, Best Film Editing, and Best Picture in 1993. It is often credited as the best western made in the

  • Characteristics of a Typical Western

    506 Words  | 2 Pages

    A typical Western would usually be set in the late 19th century in the mid-west of America in a remote town. The town is usually small, lonely and unwelcoming. Typically a western set looks like it is in the middle of a desert with sand, cacti and tumbleweed which gives a desert look, there are usually never any lakes or rivers around these features make the place look really hot and deserted. The buildings are generally timber board houses with swinging doors and outside the buildings are places