irreducible gayness. In fact, the very notion of the existence of any gay properties characterizing the Gay Identity is seriously questioned and refuted, as is the concept of a universal, timeless sexual difference (Delany 1991). According to Sedgwick, even the language used to identify the gay identity "queer" is non-referential. Queer describes the gay identity in as many uncharacteristic ways that fail to overlap certain individual homosexual experiences as it does in describing characteristic
development in the chapters serves to show that the storm is the object that ties the story together. Much like the dinosaur in Dinosaur in a Haystack, it becomes a sort of central character that evolves through the developing plot. It appears that Sedgwick does not utilize one metaphor to bring her novel together, but in fact, the recurrent images and pictures are used instead. There is no dominant common theme like the dinosaur or quilt, but the story of Hope and Magawisca bring the characters together
opinions publicly throughout the Nineteenth century caused an abundance of females to communicate their ideas through writing. Catharine Maria Sedgwick was among the first of American authors to publish historical and other fiction. Much of her work deals with the role of white women in society, especially involving the Cult of Domesticity or True Womanhood. Sedgwick managed to incorporate her unorthodox views on women’s behavior, relationships, religion, and people foreign to her culture, while still
Appearance vs. Reality in Sedgwick's Hope Leslie In her novel, Hope Leslie, Catharine Maria Sedgwick supplants the importance of strict adherence to religious tenets with the significance the human conscience and following one's own heart. This central theme of the novel is intimated to the reader in the scene where Sir Philip Gardiner, a character that completely defies this ideal, is described. Although he "had a certain erect and gallant bearing that marks a man of the world . . . his dress
self to which I refer in a nineteenth-century context: this do... ... middle of paper ... ...orphaned, to abused, to truly loved. Therefore readers supporting these stances likely align with Sedgwick in viewing Jane’s marrying Mr. Lloyd as better than her marrying Erskine; however, consider that Sedgwick promotes Christian morality/values. Contemporary non-religious feminist/equalitist readers would likely desire for Jane to live independently: while this may not have been historically feasible
missing in early male-written literature: glimpses of female subjectivity. Women in medieval literature are often silent and passive, to the extent that cuckolding is often seen as something one man (the adulterer) does to another (the husband). Eve Sedgwick argues in Between Men that in many literary representations, women are playing pieces or playing fields in struggles between male players. By default it seems, male writers cannot help but create shallow constructions of women; heroism occurs
others an opportunity to thrive in the world, and fully embodied the spirit of the Roman greats who he teaches about and brings to life, in terms of conviction, civic virtue, and respect in the eyes of others. Wealth is not eternal. If Bell and his family continues to do nothing productive to protect their wealth, many generations into the future the wealth will be recycled back into society and into the hands of those who truly deserve it. A man’s epitaph often represents a man’s impact on the world
Homosocial Desire in the Films of Kevin Smith In present society, any man who loves another man is labeled a homosexual. If a man is not a homosexual, then he is not allowed to display any form of affection for another male. If a man does go beyond the boundaries of showing affection for another man, that man runs the risk of being labeled a homosexual. However, there are those who see the error of this and want to change this societal viewpoint. Two examples of individuals who have
Equality is perhaps one of the most controversial concepts that has plagued human society and communities as well as nations, since Earth’s earliest days. The idea that all are deserving of an equal amount of respect and acceptance, however appealing it may be, is quite impossible. There will always be factors (ie. economic situations, former methods of servitude, personality, etc.) that will affect the way in which humans treat one another, no matter the circumstance. It is a ridiculous idea to
by the on-screen presence of a nuclear family that effectively literalizes Freud's Oedipal conflict. Before examining homosocial desire in specific films, I must first outline the Freudian principles that gave birth to the term "homosocial". According to Eve Kosofsky Sedgwick, Freud's Oedipal triangle is established at an early stage of life when a child attempts to situate itself with respect to a powerful father and a beloved, subservient mother (Sedgwick 22). As such, "homo- and heterosexual
changing the very nature of queerness. Or can they? Queerness is a concept which resists borders and structure yet it seems as though there must be certain commonalities among all queer identities and behaviors. In her book, Tendencies, Eve Kosofsky Sedgwick constructs queerness as a seemingly all-inclusive and individually determined space, writing that: queer can refer to: the open mesh of possibilities, gaps, overlaps, dissonances, resonances, lapses and excesses of meaning when the constituent
coextensive with the subject's movement toward what Foucault calls 'care of the self,' the often very fragile concern to provide the self with pleasure and nourishment in an environment that is perceived not particularly to offer them." -Eve Kosofsky Sedgwick "Demanding that life near AIDS is an inextricably other reality denies our ability to recreate a sustaining culture and social structures, even as we are daily required to devote such time to the details of the AIDS crisis." -Cindy Patton
In 2003, NBC launched on one of its cable channels, Bravo, a reality-makeover show that became a national obsession. The show was "Queer Eye for the Straight Guy." Two years earlier, in December of 2000, Showtime produced what was to become one of the most controversial and popular television shows in the network's history: "Queer as Folk," inspired by the BBC original of the same name. Queer was here- in a big, bold way. These two pop culture phenomenon set up a discourse for the pivotal word in
Dennis Lynn Rader also known as the “BTK” killer; Blind, Torture, Kill. He is an American serial killer that murdered ten people in Sedgwick County, Kansas, USA in the year 1974 to 1991. Rader was born on March 9, 1945 in a place near Kansas, USA, and the oldest of four children. Rader grew up in Wichita, Kansas with an average family. His father was a former US Marine who then later worked for an electric company. He went to Riverview Elementary School. In an early age, Rader admitted that he have
The Metaphorical Lesbian in Chopin’s The Awakening In “The Metaphorical Lesbian: Edna Pontellier in The Awakening” Elizabeth LeBlanc asserts that the character Edna Pontellier is an example of what Bonnie Zimmerman calls the “metaphorical lesbian.” It’s important to distinguish between Zimmerman’s concept of the “metaphorical lesbian” and lesbianism. The “metaphorical lesbian” does not have to act on lesbian feelings or even become conscious of herself as a lesbian. Instead, the “metaphorical
"Homoeroticism in The Monk and Christabel" The Monk In Between Men Eve Kosofsky Sedgwick presents an idea of the "Male homosocial continuum", which is outlined on our poster. In analysing the relationship between Ambrosio and Rosario, it is evident that the two share a "social bond"; yet whether or not this bond is evidence of desire is uncertain. Kosofsky Sedgwick also describes points of 'radical disruption', which in The Monk appear to result from the heterosexist framework to which we are
strict and one resident says that Dennis euthanized her dog without any reason (Dennis Lynn Rader, Blanco). Dennis Rader terrorized the Wichita community between 1974 and 1991. On January , 1974 Dennis Rader murdered four members of the Otero family, Joseph, Julie, Joseph II, and Josephine (Dennis Rader, n.d). Dennis Rader sent the first of many letters to a Wichita-based television station KAKE (Dennis Rader, n.d). This letter explained that someone by the name of Bill Thomas Killman had
perfectly normal and there was not reason to suspect any crookedness. The author herself was raised by a woman of Calvinist religion and realized how unjust things were for her and how her upbringing had ultimately play at role on her outcome. Sedgwick uses her novel, A New-England Tale to express to her readers how dreadful life was being raised by women of Calvinist religion and it’s affect by depicting their customary domestic life. She takes her readers on an in deep journey through what a
any respect for the value of human life (Giannetakis, 2014). Dennis L. Rader was born on March 9, 1945, in Pittsburg, Kansas. He was the first of four sons born to William and Dorothea Rader. His father was a member of the US Marine Corps. The family moved to Wichita, Kansas, when Dennis was a young boy. The Rader’s settled into a modest but pleasant home at 4815 N. Seneca, Wichita, Kansas (Blanco, 2014). Those who knew him, regarded Raider’s childhood as unremarkable. He attended Riverview
London: Penguin Classics, 2007. Print. Dyer, Richard. The Culture of Queers. New York: Routledge, 2002. Questia Online Library. Web. 24 Dec. 2010. Edwards, Jason. Eve Kosofsky Sedgwick. New York: Routledge, 2008. Google Books. Web. 24 Dec. 2010. Kirsch, Max. Queer Theory and Social Change. London: Routledge, 2000. Print. Sedgwick, Eve Kosofsky. Tendencies. Durham: Duke University Press, 1993. Print.