The second half of the 19th century introduced a new style of enterprise to America, Big Business. The 19th century values of work and of being an independent business man clashed with the modern 20th century values of extreme expansion with large work forces and of earning the most money possible. The rise of the robber barons and the captains of industry helped the economy by pushing America into first place in the production of several products and by creating many new jobs. Although these new
The Old English poetry of Beowulf is distinguished primarily by its heavy use of allliteration, or the repetition of the initial sounds of words. In the original manuscript version of the poem, alliteration is employed in almost every line (or two half-lines); in modern translations of the poem this is not so. In lines 4 and 5 of the poem we find: Oft Scyld Scefing sceapena preatum monegum maegpum meodo-setla ofteah The repetition
and Prejudice In any literary work the title and introduction make at least some allusion to the important events of the novel. With Pride and Prejudice, Austen takes this convention to the extreme, designing all of the first and some of the second half of the novel after the title and the first sentence. The concepts of pride, prejudice, and "universally acknowledged truth" (51), as well as the interpretation of those concepts, are the central focus of the novel. They dictate the actions of almost
language but by analyzing each line, different themes and interpretations may be found. A more deeper and figurative meaning to "Birches" is its theme of life and death. The poem begins with a description of the adventures of a young boy. The first half of "Birches" portrays the youthful pleasures of a lonely boy. Frost uses vivid description to create a picture of the birch branches bending under the weight of ice storms. " They are dragged to the witheredAnd they seem not to break; though once they
The Spherical Image as the Central Paradox in Valediction: for Weeping In John Donne's "A Valediction: for Weeping," the speaker consoles his lover before leaving on a sea voyage and begs her not to cry. Crying, the speaker tells his lover this poem at the docks before he boards his ship going abroad. Donne uses a spherical image as the central metaphor in his poem. When Donne uses irony, paradox, and hyperbole including the use of round images such as: coins, globes, and tears he strengthens
Charater of Atticus Finch in To Kill a Mockingbird During the first half of To Kill a Mockingbird, Harper Lee constructs a sweet and affectionate portrait of rowing up in the world of small town Alabama. Harper Lee, however, continues on to dig underneath the portrayal of small town courtesy in the second half of the book. None of the characters in the book are perfect. This begins to show through in the second half of the book when the facade is removed to reveal the ugliness of Maycomb
Hamlet: Between Pagan and Christian Hamlet explores the borders between madness and sanity. It is also located, like King Lear, in a frontier area between a pagan revenge ethic and Christian compassion, and between a ruthless, power-hungry adult world and a younger generation with gentler and more conciliatory aspirations. Hamlet's father, who now torments him, was himself a sinner, otherwise he would not have to return to earth as a ghost, demanding revenge. Hamlet is well aware of his father's
The Overrated Catcher in the Rye The Catcher in the Rye is probably the most frequently taught book in American high schools and colleges in the second half of the twentieth century. I am not too sure, though, if the novel deserves the position it has held for so long. The book sees the narrator, Holden Caulfield, a seventeen-year-old boy from New York City, tell the story of three days in his life. The whole narrative is a kind of therapeutic coming-to-terms-with-the-past story, since Holden obviously
help" indicates to us a frustration between the two parties involved in this relationship. Instead of proving to his readers that this relationship is doomed, Drayton takes this point as fact and builds on it in the second half of the line "come let us kiss and part." The tone in this half is one of acceptance. Since the couple can do nothing more to redeem their failing relationship, they willingly acquiesce to this fact and move on. The term "kiss and part" gives the reader a terminal feeling to this
can feel or touch, but you are well aware when love touches you, because you can feel it. It is an emotion that causes pleasure and pain. In this poem, Millay is showing how complex love is. The first half is about what love cannot do. Love is not a lifesaver, shelter, or a doctor. The second half is about the power of love. Even though love is not tangible, is it as important as something that is? Millay seems to be coming from the idea that love is not everything, but it is important. A question
These abilities Cathy possessed allowed her to manipulate and control nearly everyone. Her inborn talent enabled her to repress normal emotions of love and thus posses many devil like characteristics. One being the manipulation of sex. In the second half of the story Cathy has married and unintentionally bears the lives of her two unborn sons. Before arriving in their destination of King City, Cathy deviously attempts to abort the lives within her. "He [Dr. Tilson] looked around the room. He stepped
story opens with Elisa working in her garden. Steinbeck makes a point of telling the reader that she is thirty-five. Her age at once implies a woman almost at her middle-age who may be reexamining the dreams of her youth as she contemplates the second half of her life. Steinbeck emphasizes Elisa’s strength as he writes, “Her face was eager and mature and handsome” (Steinbeck 279). Her husband, Henry, comes back to the house having just completed the sell of some cattle. He is complimentary towards
relatively insignificant, the incident was transformed into a rallying cry for the Christian armies of Europe when taken and reworked by a later poet. External evidence indicates the epic poem was written no earlier than 1060 and no later than the second half of the twelfth century with the generally accepted time begin 1098-1100 which coincides with the time of the First Crusade (Bur... ... middle of paper ... ...tions for them. Just as the Christians fought the Muslims fueled by this prejudice
As a Samana, Siddhartha learns to fast, to tolerate extreme heat and cold, and to endure pain through meditation. Siddhartha's life as a samana is bitter, and he learns that "life [is] pain" (p.11). Siddhartha experiences mental pain in the second half of his life when he begins a contrasting existence of pleasure, and then again when he meets his only son. After leaving the Samanas, Siddhartha begins a life of decadence in the house of a wealthy merchant and in the company of a beautiful courtesan
role. Characters have foils, scenes and ideas contrast each other, sometimes within the same soliloquy. One such contrast occurs in Act Five, Scene One, in the graveyard. Here, the relatively light mood in the first half is offset by the grave and somber mood in the second half. The scene opens with two "clowns", who function as a sort of comic relief. This is necessary, after the tension of Ophelia's breakdown (and subsequent death), and after the ever-increasing complexities of the plot
the Old English poem Beowulf is distinguished primarily by its heavy use of allliteration, or the repetition of the initial sounds of words. In the original manuscript version of the poem, alliteration is employed in almost every line (or two half-lines); in modern translations of the poem this is not so. Beowulf uses alliteration [my italics] and accent to achieve the poetic effect which Modern English poetry achieves through the use of poetic feet, each having the same number of syllables
include two half-lines in each verse, separated by a caesura or pause. The half-lines are joined by the oral stressing of alliterative words in the half-lines, both consonants and vowels (Tharaud 34). “At least one of the two stressed words in the first half-line, and usually both of them, begin with the same sound as the first stressed word of the second half-line” (Donaldson 67). When a word was stressed in the first half-line, its alliterative counterpart was stressed in the following half-line; the
of poetic feet, each having the same number of syllables and the same pattern of accent (Wilkie 1271). Theory on the prosody of Beowulf is evolving. In the manuscript version of the poem, alliteration is employed in almost every line (or two half-lines); in most modern translations of the poem this is not so. In lines 4 and 5 of the poem we find: Oft Scyld Scefing sceapena preatum monegum maegpum meodo-setla ofteah The
troubles that came with farming and the why it was so difficult to resolve them. One of the struggles for many of the farmers in the second half of the 1800s was getting loans from banks. Farming was considered one of the more risky business ventures of the time and therefore loans had the interest rates to match. These interest rates were the bane
control, expand, or even stop each the other’s ideology from spreading. This conflict sparked great technological advances, cultural revolutions, and forced the world to pick political sides. The tension from the Cold War drastically affected the second half of the Twentieth Century and continues to affect the beginning of the Twenty-First Century. How will the idea of mutually