Free Richard II & Richard III Essays and Papers

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Free Richard II & Richard III Essays and Papers

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    Shakespeare’s Development of the King in Richard II, Richard III, Henry IV, Henry V Shakespeare's plays beginning with Richard II and concluding with Henry V presents an interesting look at the role of a king. England's search for "the mirror of all Christian kings" provided the opportunity to explore the many facets of kingship showing the strengths and weaknesses of both the position and the men who filled that position. Through careful examination, Shakespeare develops the "king" as a physical

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    In this scene of William Shakespeare’s play, Richard II, King Richard deposes himself before Henry Bolingbroke and must resign the crown. In answer to Bolingbroke’s question whether he is contented to do so, he answers thus. Despite his lowered status, Richard makes a performance out of this demeaning ceremony, in his confusing and highly emotional reply and in his metaphorical language apparent in the rest of the scene. He talks in an ambiguous manner, in his equivocal answer to a yes or no question

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    Transformation of Costume Selection and Incorporating Props into the performance of Shakespeare's plays of King Richard, Richard the II and Richard III Performance of plays can take various shapes depending on the director's perspective of the text, the key element, within the framework of the play. In addition text can be interpreted different ways, regarding directing technique, such as style and action choices, and scenery decisions. These factors contribute to the overall result of the performance

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    Shakespeare on Machiavelli:  The Prince in Richard III According to many, Shakespeare intentionally portrays Richard III in ways that would have the world hail him as the ultimate Machiavel.  This build up only serves to further the dramatic irony when Richard falls from his throne.  The nature of Richard's character is key to discovering the commentary Shakespeare is delivering on the nature of tyrants.  By setting up Richard to be seen as the ultimate Machiavel, only to have him utterly

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    Richard III challenges notions of how history is created and presented. Shakespeare’s play depicts the infamous Richard not only at odds with the other characters, but also fighting for a different interpretation of history. Richard and Margaret function as two characters opposed to each other with regard to history; Richard attempts to cover up the past as Margaret attempts to expose it. However, the creation and acceptance of history is largely predicated on more common figures. In particular

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    Richard III as a Successful Politician Shakespeare's Richard III is set in England after the War of the Roses. Richard, the megalomanic eponymous character, is desperate for the throne of England. He tells us that he seeks the crown to compensate for his deformity (he was a hunchback from birth). Richard has his own brother killed and later has former allies and those who still stood in his way killed also. When Richard eventually gains the throne he finds his conscience and begins to

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    The real tragedy of Richard III lies in the progressive isolation of its protagonist.   From the very opening of the play when Richard III enters "solus", the protagonist's isolation is made clear. Richard's isolation progresses as he separates himself from the other characters and breaks the natural bonds between Man and nature through his efforts to gain power. The first scene of the play begins with a soliloquy, which emphasizes Richard's physical isolation as he appears alone as he speaks

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    Christendom, Can lesser hide his love or hate than he, For by his face shall you know his heart. (3.4.51-53). Ironically, we do not assent to his words because they are exactly in the right, but because they are exactly in the wrong. By Act III, Richard III exhibits a pallet of personalities including the devoted brother, the witty wooer, and the loyal subject. We see that these almost Platonic ideals are tarnished black under the rule of Richard's perfectly evil intent to manipulate. Lord Hastings

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    Loncraine's Film Production of Shakespeare's Richard III Loncraine's film brilliantly furthers Richard III's role as the diabolical genius. His use of economy and symbolism in portraying Richard gives completeness to the character that the text in some ways lacks. The short but intriguing stable scene in the film makes this clear. The first thing I noticed about the stable scene in the film was the monochromatic color scheme. As Donaldson noted, the muted browns, grays, and beiges are reminiscent

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    Part One Shakespeare wrote 10 history plays in all, 8 of these make up a series of 2 tetralogies, or sets of 4 plays each. Placing them in chronicle order, the metrologies are: (1) Richard II, Henry IV part 1, Henry IV part 2, and Henry V, (2) Henry VI part 1, Henry VI part 2, Henry VI part 3, and Richard III. Henry I part 1 was written in 1596-1597, and was and still is one of the most popular Shakespeare plays ever written. The reason it is not so popular as other plays such as Romeo and

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