The representation of women in Alfred Hitchcock’s film “Rear Window” indicates he wants the women in his films to be seen negatively. In using the feminist criticism approach, it is evident that there is a contrast in the way the genders are portrayed throughout the movie. The character Lisa Fremont is a great example of the way women are depicted. Lisa is constantly trying to get Jeff to become more involved in their relationship. However, Jeff treats Lisa as a distraction, and during the film she
The major theme of the Rear Window film is the theme of obsession and human curiosity. The notion of Voyeurism is used to signify the name of the game that is played in the film. In general, I would characterize the film as truly brilliant and suspenseful. In fact, the film has all the chances to be regarded as one of the best films ever filmed by Alfred Hitchcock. The film is known to possess suspense as well as a humor and specific look at the relationships. Rear Window was entirely filmed on one
Rear Window, a film directed by Alfred Hitchcock starts the opening scene by introducing professional photographer, L.B. "Jeff" Jeffries who broke his leg while trying to get a picture at an auto race. He is immobilized and passes time by observing his neighbors through the window of his New York City apartment. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff procures the help of his visiting nurse Stella and model girlfriend Lisa Fremont, whom the topic shall
“Jeff” Jefferies (James Stewart), who has become wheelchair bound after breaking his leg in an accident. The rear window of his Greenwich Village apartment looks out into a community courtyard with other apartment buildings surrounding the space. Out of sheer boredom, Jeff begins to spy on his neighbors and believes that one of them may have committed murder. With
The films we chose to compare and contrast in our analysis are Rear Window and Disturbia. The movie Rear Window was released in 1954 whereas Disturbia was released in 2007 53 years apart. Rear Window is an Alfred Hitchcock movie while D.J. Caruso directed Disturbia. We chose these movies to compare because both the films have similar story lines and it is generally known that Rear Window influenced D. J. Caruso in the creation of Disturbia. Our comparison concludes that while Both the movies might
factors. Two large factors that differentiate how Sedminkrásky (Daisies) and Rear Window present each respective storylines are the style of the movies and who directed them. Considering the specifics of both Rear Window and Daisies, a comparison of the two can then be interpreted to gain a greater understanding of how the style and direction can create almost opposite outcomes in a film. Rear Window Overview Rear Window is a 1954 American thriller directed by Alfread Hitchcock. The film takes place
The Outside Perspective of a Community Alfred Hitchcock’s Rear Window embodies the significant importance of community outside its most literal sense. The relationship formed within oneself and the residential group in which such individual associates with, gathers an understanding of where this person fits within this community. With a detailed analysis on how cinematic framing, voyeurism and the importance of community within the film are connected, a better understanding of the entire film as
Rashomon and Rear Window were both films about point of view but used point of view in different ways. Point of view allows the viewer to understand the narrative’s perspective through a particular position. Through point of view, viewers guide themselves through the film and notice other elements such as cinematography and editing take part in the film. In both Rashomon and Rear Window, the point of view structures the plot but make different arguments about their particular structures. The concept
blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites
Rear Window and the works of Hopper are both required with confinement. Disregarding its blended utilize land setting, Early Sunday Morning does not pass on a warm, fluffy feeling of group. In like manner, in Rear Window, the inhabitants of the lofts are confined from each other. Apartment Houses is additionally for the most part viewed as another antecedent to Rear Window. Large portions of Hopper's night settings portray scenes from New York City and Night Windows is no special case. The lady in
They were icy and remote. They were imprisoned in costumes that subtly combined fashion with fetishism. They mesmerized the men, who often had physical or psychological handicaps…” Much of this is true of Grace Kelly’s character Lisa Fremont in Rear Window: although she is neither icy nor remote, she is very fashionable and must rise to the occasion of the hero given the physical handicap (broken leg) of her man, Jeff to help nab the killer. In Vertigo, the character of Judy fits the description very
through his window. He relentlessly makes unnecessary judgments about the people that he views. Jeff’s point of view on his neighbor’s lives is only made by sight. He rarely hears what these people are actually saying or going through. However, Lisa seems to be the voice of reason in the relationship. After Jeff shares his outrageous story about the murder of Mrs. Thorwald, Lisa is quick to shut him down. Lisa says, “A murderer would never parade his crime in front of an open window.” She does not
Stella from Rear Window. (Rear Window vs Disturbia, 1954 film Rear Window by Alfred Hitchcock and the 2007 film Disturbia by D.J. Caruso.) These two films will are addressing how the characters react in these situations due to isolation and the use of semiotic differences that each one expresses. The women in both films gave the men something to look at. For example, in the opening scene of Rear Window, the audience sees Jefferies looking from his window over to Miss Torso who is dancing
are two Hitchcock films that are similar in contrast which are “Rear Window” and “Shadow of a Doubt”. Something that I enjoy the most about these two films are the action. They both share the same mystery and action. For example in “Rear Window” the main character Jeff was a journalist, during some picture taking he broke his leg. He was in a cast the whole movie, the only thing he did was sit in his wheelchair and look out the window at his neighbors. Just about all of the characters were viewed
Many movies aren't as good as some, but some are just as better as others. Many movies have a lot of similarities and others have not a lot of similarities. Take both of these movies for example. “Rear Window” was made in 1954, the movie was based around a violent man killing his wife, being watched by a neighbor who is handicap at the time. Disturbia, made in 2007 is about a man killing multiple people being brought into his house, with a younger person watching him from his house. Disturbia,
As time changes so does the art of movie telling, but culturally it also changes how we see and visualize story telling in 1950’s to 2000’s. The movies I chose were Rear Window (1954) directed by Alfred Hitchcock, and Disturbia (2007) directed by D.J Caruso. Both movies have the same plot, in which the protagonist is either injured or forced to stay at their home and in their spare time they observe the neighbors around them. They both speculate about one of their neighbors killing a woman, and begin
People like to watch other people and are often quick to make judgments of what they see. This is what L.B. “Jeff” Jeffries does Alfred Hitchcock’s “Rear Window”. Jeff is a wheelchair-bound photographer who is used to an active lifestyle. Because of his boredom, Jeff spends his time looking out his window and watching his neighbors go about their life. However, Jeff does more than watch, because he at the same time he is also making judgments about who his neighbors are and what they must be like
fatal details detained from the protagonist is typical of Hitchcock films, as seen in works such as Psycho, where an unaware young woman takes a shower while the audience watches an approaching murderer helplessly. Another example can be taken from Rear Window, in which Lisa Fremont breaks into the believed murderer’s apartment to gain evidence, entirely oblivious to his return. Again, this tactic, often recog... ... middle of paper ... ... comes to restoring order for the sake of a satisfying conclusion
unknowingly gives him a private show. He ends his phone call and blissfully relieves himself of his itch. What Jefferies might view as harmless entertainment actually demonstrates the insidious nature of government surveillance. Alfred Hitchcock’s Rear Window (1954) highlights the unequal division of power between genders. This is shown by Jefferies treatment of Lisa and Stella along with their involvement with helping him, and the violence that takes place against women within the film as a way of showing
Alfred Hitchcock’s 1954 film Rear Window is truly a masterpiece, as it uses fascinating cinematic elements to carry the story and also convey the meaning of voyeurism. Throughout the film we are in one room, yet that does not limit the story. This causes the viewer to feel trapped, similar to the main character, while also adding suspense to the detective story. The opening scene itself, draws the viewer in. In just five minutes and 27 shots, the viewer is given an introduction to the main character