Free Production Critique Essays and Papers

This paper is a critique of a production of Show Boat, a musical classic with compositions by Jerome Kern and lyrics by Oscar Hammerstein II, which was performed and produced by NETworks Presentations LLC at Emens Auditorium on the 14th of February 2001. Clayton Phillips, the director of the production, attempted to test the waters of racial discrimination by exploring controversial themes such as prejudice and interracial relationships. Show Boat takes an enlightened approach to ethnic controversy

This paper is a critique of a production of Never the Sinner, a murder drama written by John Logan, which was performed and produced by the Department of Theatre and Dance at E.S. Strother Theatre located on the campus of Ball State University. Director Judy E. Yordon captures the viciousness and brutality of the murder of an innocent, young boy in this dramatic account of a homicide at the hands of two young men who are intertwined in a dark, sexual relationship. During the murder and trial of “the

This paper is a critique of a production of The Last Night of Ballyhoo, a play written by Alfred Uhry, which was performed and produced by the Ball State University Theatre. Gilbert L. Bloom directed the production and was very successful with producing a truly entertaining, comedic play with an important message about the personal dilemmas that we as individuals with different beliefs and values must encounter in our daily lives. All elements of the production were wonderfully implemented making

Critique and Revolution: The Faces of Karl Marx “The nobility of man shines upon us from their work hardened bodies.” (Manuscripts, 100)[1]. And according to Karl Marx, that is the bottom line. In Economic and Philosophic Manuscripts of 1844 and Manifesto of the Communist Party[2], two of his most profound works, Marx outlines both his harsh critique of capitalism and his prophetic theory of impending communist revolution. Although these texts are extremely complex—Manuscripts is described often

Introduction “Richard Gilman, American Theater Critic: An Appreciation” is another brilliant piece of literature by Bert Cardullo. The article itself talks a little more about the differentiation between reviewers and critics, but focuses deeply on one particular critic: Richard Gilman. This time, the main theme for this article is Theatrical Critics. “Richard Gilman, American Theater Critic: An Appreciation” was published in 2011 and is one of the most current researches done on this topic. As previously

the Study Evaluating the differentiation of theatrical critiques and reviews are crucial in any artist... ... middle of paper ... ...fully assist in making the director change some things around in order to make their production more successful and sell more seats. VI. Conclusion Theatrical critics and reviewers have been thought of as the same occupation; however, they are two different types of jobs that help in making a production improve on its previous mistakes. In doing so, it creates

My paper attempts to exhibit the consistency of John Dewey’s non-individualistic individualism. It details Dewey’s claim that the traditional dualism opposing the individual to the social is politically debilitating. We find Dewey in the 20’s and 30’s, for example, arguing that the creation of a genuine public arena, one capable of precluding the rise of an artificial chasm between sociality and individuality—or, rather, one capable of precluding the rise of an artificial chasm between notions of

has been neglected. I wish to address the question by focusing on the major aspects of Heidegger's critique of Cartesian philosophy and the modern tradition. I will first show that the strength of his criticism lies in its all-encompassing penetration of the foundations of modern philosophy, running through both the ontological and epistemological channels. Ontologically, Heidegger presents a critique of subjectivism; epistemologically, he discredits the correspondence conception of truth and its underlying

A Critique of The Taming of the Shrew The Taming of the Shrew is one of the earliest comedies written by William Shakespeare.  Some scholars believe it may have been his first work written for the stage as well as his first comedy (Shakespearean 310).    The earliest record of it being performed on stage is in 1593 or 1594.  It is thought by many to be one of Shakespeare's most immature plays (Cyclopedia 1106). In The Taming of the Shrew, Petruchio was the only suitor

watched the film Paris is Burning, a documentary about black drag queens in Harlem and their culture surrounding balls. Directly related we also read two feminist critiques, Gender is Burning: Questions of Appropriation and Subversion by Judith Butler and Is Paris Burning by bell hooks. Two areas of critique I focus on and question are the critiques regarding the filmmaker, audience and drag queens and how they participate to reinforce a heterosexual racist patriarchy. Furthermore I ask if this line of