Feminism for me has come to be the recognition of oppression and privilege. What one does with this knowledge of oppression and privilege is that person’s version of feminism. After reading Tong (2009) on various feminist theories, I have come to see the different feminist theories in a continuum of the feminist movement. Therefore, these theories cannot be boxed into clear-cut categories that share nothing in common with each other. I will attempt to formulate my own feminist theory using the previous
The Colonial Flaneuse: Australian Women Negotiating Turn-of –the –Century London by Angela Woollacott, comprises historical abstracts taken from journals, dairies, and magazine articles. These artifacts help identify as well as support the physical and social mobility of gendered ideologies of London’s turn toward modernism in the 20th century. This article has four specific arguments pertaining to the colonial subjects of Australian women coming to London, to achieve living the ultimate reality
ethnicity, and race. “Created through legalized prostitution based on patriarchy, colonialism, and imperialism, the system of comfort women clearly demonstrates that capitalism, sexism, and racism are linked and perpetuated both in the colonial and postcolonial eras” (Watanabe). Estimates as to how many comfort women there were range anywhere from 80,000 to 200,000, and it is believed that approximately 80% of them were Korean. Others came from the Philippi... ... middle of paper ... ...on and a decent
Colonialism and Beyond in Chinua Achebe's An Image of Africa: Racism in Conrad's Heart of Darkness, No Longer at Ease, Things Fall Apart, Joseph Conrad's Heart of Darkness, Emmanuel Nelson's Chinua Achebe, Postcolonial African Writers, Willene Taylor's A Search for Values in Things Fall Apart, Colin Turnbull's he Lonely African This course on colonial and post-colonial literature satisfies my cravings for thought and literature that falls outside of the mainstream of the Eurocentric view
"Written when the author was twenty-five, Nervous Conditions put Dangarembga at the forefront of the younger generation of African writers producing literature in English today....Nervous Conditions highlights that which is often effaced in postcolonial African literature in English--the representation of young African girls and women as worthy subjects of literature....While the critical reception of this novel has focused mainly on the author's feminist agenda, in [this] interview...Dangarembga
Postcolonial Theory and Late Capitalist Criticism Aplied to The Night of the Living Dead Trilogy "Turn and Turn about; in these shadows from whence a new dawn will break, it is you who are the zombies." * Jean-Paul Sartre, Preface to The Wretched of the Earth * It is fitting that Sartre uses the zombie as a metaphor for both the colonized and colonizer. He states in the preface to Frantz Fanon’s The Wretched of the Earth that European colonizers had relegated natives living in colonial states
Postcolonial Discourse in Wide Sargasso Sea In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester, Wide Sargasso Sea is not only a brilliant deconstruction of Brontë's legacy, but is also a damning history of colonialism in the Caribbean. The story is set just after the emancipation of the slaves, in that uneasy time when racial relations in the Caribbean were at their most strained. Antoinette (Rhys renames her
The Colonies of Culture:The Postcolonial Self in Latin America and Africa The colony is not only a possibility in the geographical; it is a mental dominance that can imperialize the entire self. Entire continents have be domineered, resources completely dried, and at colonialism’s usual worst, the mental devastation of the indigenous culture has left a people hollow. Indigenous culture is no longer that. In the globalized world, no culture is autonomous; culture cannot breathe without new ideas
as a plot device; a place to deposit Magwitch when he is no longer required and a place for him to return from when needed again to further the plot. With the rise in postcolonial studies, however, Australia and Magwitch's experiences there have become the focal points for new readings of the novel. Thus it is through a postcolonial reading of Great Expectations that the issue of Magwitch's return can be addressed. As I have already pointed out, Dickens uses Australia to get rid of Magwitch in the
championed and mastered by Latin American authors (Marquez, Llosa, Fuentes), resonating internationally with the earlier experiments of Gogol, James, Kafka, Flaubert and the Weimar Republic, and now recycled as a counter-hegemonic global commodity in postcolonial contexts (Rushdie, Okri). What defines this writing, then, and how does it function? Why does Yamashita use this form to tell her story? For the purposes of this paper, I would like to adopt the synthesized definition editors Zamora and Faris
Mohanty’s key thesis uses the lens of a feminist perspective, but also takes a look at an anti-racist and anti-imperialist lens. She looks at the interconnections between feminist, anti-racist and anti-imperialist. Subsequently, there is a discursive or material framework between First World Feminists and Third World Feminists and the way in which first world feminists perceive third world women. As the paper will discuss, it is dangerous to assume that third world women are a coherent group within
Mohanty~ “Under Western Eyes” • Transnational Feminism is not monolithic understanding, but an umbrella term–with theories, issues, and concerns revolve around inclusiveness of topics such as activism in women's health, reproductive rights, race, correlation of power and poverty, gender equality, etc. Society has a tendency to lean towards hegemony and imperialism, which endangers feminism. It could be argued that through a transnational lens, feminism is about ending oppressions of us all, that it
Hybridity and National Identity in Postcolonial Literature Every human being, in addition to having their own personal identity, has a sense of who they are in relation to the larger community--the nation. Postcolonial studies is the attempt to strip away conventional perspective and examine what that national identity might be for a postcolonial subject. To read literature from the perspective of postcolonial studies is to seek out--to listen for, that indigenous, representative voice which
Paper Feminist Discourse Recently, in aired television or online steaming, a post-feminism theme has been current and on the rise. Post-feminism generally is about the goal of ameliorating sexism and inequality between the genders. It stemmed from the feminism movement of the 1970’s and claims they have succeeded in achieving what they set out to do. Post-feminists wish to distance themselves from the feminism movement in order to officially be accomplished because society must move on from
ideological, as in supplanting. It is the second implication which critics of the term have found contestable: if the inequities of colonial rule have not been erased, it is perhaps premature to proclaim the demise of colonialism. A country may be both postcolonial (in the sense of being formally independent) and neo-colonial (in the sense of remaining economically and/or culturally dependant) at the same time. (7) ... ... middle of paper ... ...Helen Tiffin, eds. The Post-colonial Studies Reader. London:
belonging. In Post-colonial writings the themes which are focused on are nationalism, self-identification to anti-imperialistic critique and postcolonial protest. Often protest writing has a political agenda of social change and expresses anger and disillusion at the postcolonial nation state. Nayar points out, “resistance literature in both the colony and the postcolonial nation include testimonial writings, prison narratives, revolutionary tracts and ‘insurgency’ writing. The rise and changes through technology
tried to discuss the problems and difficulties they had during the period of colonization and effects of the period by producing a literature which is called postcolonial literature. Postcolonial literature is writing which has been “affected by the imperial process from the moment of colonization to the present day” (Ashcroft et al, 2). Postcolonial literature seeks the richness and legitimacy of original cultures in an effort to restore pride in practices and traditions that were systematically degraded
Analysis of Salman Rushdie's Midnight's Children Salman Rushdie’s novel Midnight’s Children employs strategies which engage in an exploration of History, Nationalism and Hybridity. This essay will examine three passages from the novel which demonstrate these issues. Furthermore, it will explore why each passage is a good demonstration of these issues, how these issues apply to India in the novel, and how the novel critiques these concepts. The passage from pages 37-38 effectively demonstrates
Indian-Canadian director Deepa Mehta 's film based on Salman Rushdie 's novel Midnight’s Children is a clear example of a post-colonial work. Midnight’s Children follows two children, both born at precisely midnight, on the exact day that India gained independence from Great Britain. Shiva is born to wealthy parents, while Saleem enters the world as the son of a beggar, but a nurse switches the two boys at birth. Throughout the film, the narrator, Saleem, explains both families’ histories, and in
Salman Rushdie’s ‘Midnight’s Children’ 1 Introduction This paper will try to show how Salman Rushdie uses narrative technique, genre and the concept of history in a very new way in Midnight’s Children in order to place his story outside the euro-centric tradition of literature, narrative and history. These traditions, appearing in the colonial period, have constructed a notion of universalism in literature where the ‘classics’ of the western canon have set the order of the day (Ashcroft 91-92)