Phidias Essays

  • Athena Parthenos: The Goddess of Wisdom

    861 Words  | 2 Pages

    Wisdom during this period was highly regarded. Most of the sculptures in Athens were made of different types of bronze. (See Figure 1.) This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was

  • Greek Art And The Classical Period

    721 Words  | 2 Pages

    Pliny... ... middle of paper ... ... construction of the Parthenon how to use a clay model for faithful reproduction in all its detail. This was why drapery in the pediments of Parthenon is an innovation, being wholly dependent on clay-modelling. Phidias’ works were also acclaimed for their representation of divine subjects. The artist used gold, ivory, glass, rock crystal to describe the gods to be bright, radiant, and luminous, similar to the way they are represented in Iliad and other ancient texts

  • Phidias Golden Ratio

    889 Words  | 2 Pages

    is a ‘famous’ number that is said to be recurring throughout the world. Architects are said to build with it, painters are said to use it, even sculpter are said to sculpt with it. The Greeks found this ‘Golden Section’ called phi around 500 BC. Phidias was a Greek sculptor and mathematician who is said to have studied phi. Today, there are many claims of where we can find the golden ratio. Whether or not these claims are accurate is the real question. There is a claim that the golden rectangle

  • THE4

    615 Words  | 2 Pages

    Both the Dome of the Rock, located in Jerusalem created in 687 AD with no artist, and the Acropolis, located in Athens Greece created in 450BC with no artist but commissioned by Pericles, are demonstrations of Sacred spaces that demonstrate different practices from two different cultures. Religious Islamic architecture is intricately related to Muslim prayer which is an obligation to do every day. The Dome of the Rock was said to be the first great Islamic building. The Muslims had taken the city

  • The Parthenon: The Epitome of Greek Culture

    1134 Words  | 3 Pages

    Most every great culture in history has something for which they are famous. The Mayan civilization has the calendar, the Romans have the Colosseum, and I would like to suggest that the epitome of Greek culture is the Parthenon. It reflects the ideas and religious beliefs of the Greeks and incorporates the architectural brilliance seen first with the Greek people. The frieze, the religious idea behind the building of the temple, and the attention to detail in the Parthenon shows a genius that can

  • How Did Phidias Influence Greek Culture

    598 Words  | 2 Pages

    Phidias was seen to be the greatest sculptor in Greek history by many sources. As stated, he was “one of the world's aesthetic masters” (Morris and Powell). Little is known about Phidias’ early life, but it was when Pericles rose to power circa 449 that he placed Phidias in charge for the building program in Athens making him responsible of all artistic undertakings (Britannica). Through this all of Phidias’ artistic contributions had a huge impact on Greek art and culture; as seen through his work

  • Zeus Statue

    1018 Words  | 3 Pages

    It is known to be one of the seven wonders of the ancient world. The Greek sculptor Phidias made it about 435 BC, and dedicated to Zeus the king of gods. The statue of Zeus was the greatest statue to be built in Greece. The artists of this statue captured the royalty of the king by seating Zeus on a throne to inspire tremendous awe in all that witnessed this statue. In honor of the ancient Olympic Games, Phidias built the statue of Zeus. Zeus, king of the Greek gods, was shown in larger-than-life

  • Statue Of Zeus Research Paper

    692 Words  | 2 Pages

    Olympic games, which took place every four years to honor him. Copies of the statue were made, but none survived. Experts only have images on coins to see an idea of what the statue looked like. The architect of the statue was a man by the name of Phidias. Phidias had previously built the statue of Athena in Athens, which was over fourty feet tall. He also did much of the sculpture work on the exterior of the Temple

  • Mathematics In Art And Art

    693 Words  | 2 Pages

    Mathematics in Art and Architecture “The universe is written in the language of mathematics, and its characters are triangles, circles, and other geometric figures.”~ Galileo Galilei Mathematics and Art may at first seem to have nothing in common at all. There is actually a great deal of math involved in art, including basic things like lines, measurements, and angles. Often, people who enjoy math tend to look for mathematics in art. These people want to see the lines of perspective, the patterns

  • Research Paper On The Parthenon

    1140 Words  | 3 Pages

    some of the greatest minds around in the building of the Parthenon the Greeks were greatly handicapped by a lack of the knowledge and mechanics. The Parthenon was Built by the architects Ictinus and Callicrates under the supervision of the sculptor Phidias, the temple is generally considered to be the culmination of the development of the Doric order, the simplest of the three classical Greek architectural styles. Throughout history we can find different cultures who tried to recreate

  • Analysis Of The Athenian Acropolis

    540 Words  | 2 Pages

    Analysis of the Athenian Acropolis The Acropolis of Athens, located on a rocky outcrop in the city, is a feat of great historic and architectural significance. It was destroyed by the Persians in 480 BCE and left in ruin until “Pericles convinced [the Athenians] to rebuild it” (Sayre 194). The reconstructed Athenian Acropolis was compelling in its construction and décor and is still a popular tourist attraction today. It was the Doctrine of Ethos and high regard for aesthetics at the time that contributed

  • Parthenon as a Paragon

    2314 Words  | 5 Pages

    In the time of Ancient Greece, the Parthenon was the epitome of all Greek temples, possessing desired traits from hut-like temples, the Temple of Zeus at Olympia, and other temples. All the column styles were established in 6th century BCE, but the styles were named afterwards (Spawforth 62). The chief column styles of Greek temple building were Doric and Ionic, and they were named in the 5th century BCE (Spawforth 62). The Corinthian column style was named in the 4th century BCE (Spawforth 62).

  • The Archaic, The Classical, And The Hellenistic Period

    866 Words  | 2 Pages

    (Green,2015). Sadly, only a couple of sculptures from the classical period survived. Fortunately, The Romans made copies of the works, and recorded the names of the original Greek artists. Classical sculpting peaked after the mid 400’s. Polyclitus and Phidias are two influential sculptors of the Classical

  • Comparing Ancient Egyptian Art, Athena Parthenos, And Ancient Greek Art

    770 Words  | 2 Pages

    Mythology played a very sizeable part in Greek art, as well as everyday life. Greek artists were able to observe the world around them and express life through their art. The statue of Athena Parthenos was made by Phidias and his assistants, and they began sculpting it around 447 BC. Phidias was a Greek painter, sculptor, and architect who had several famous pieces. His statue of Zeus at Olympia was one of the “Seven Wonders of the Ancient World”. He is often recognized as the main initiator of the

  • The Parthenon´s Influence in Art

    1329 Words  | 3 Pages

    Through its art and unique design, the Parthenon has had an effect on the world over the past centuries. Many modern buildings are designed to look like it from the style of its columns to the materials used. Many sculptors are also inspired by Phidias’ Athena statue or his frieze. From the demolishing past the Parthenon has endured expert engineers, architects, sculptors, historians are teaming up together. Their goal is within the next ten years to have the majestic monument restored back to

  • Essay On Archimedes

    1203 Words  | 3 Pages

    Archimedes was very intelligent. He skipped three grade levels when he was young. Belonging to a Greek family, he was always encouraged to get an education. It is said by many that Archimedes developed his love for math and science from his father, Phidias. Phidias was an astronomer, but there is not much known about him. Archimedes became so interested in solving problems that it became one of his hobbies. During this time, there was no such thing as paper or anything to draw on. Archimedes used dust,

  • The Power Of Poseidon

    1523 Words  | 4 Pages

    Ancient Greece was overseen by many gods and goddesses, but there were few gods that held more power than other. Poseidon was one of those gods and he was the god of water, earthquakes and horses. Through his abilities he was capable of doing extraordinary things. We are fortunate enough to some of that power has been recorded and displayed through various art and stories. Poseidon’s power and will was very prominent in ancient Greece through various forms of art, epics, and other oral stories.

  • How It Was Destroyed In Olympia

    1841 Words  | 4 Pages

    A temple was built in his honor at Olympia in the blessed woods between two rivers from where he could watch the Olympic games held in his honor after every four years. Around 432 B.C., Phidias who was Greece's most famous carver, traveled to Olympia to start work on the statue of Zeus. He worked this project so beautifully that it became the fourth wonder of the world. He put down his workshop next to the temple and worked 12 years to complete

  • The Golden Ratio

    987 Words  | 2 Pages

    introduce the golden ratio and weigh its significance on math, art, and nature. 1.6180339887…. has been given many names varying from the “golden ratio” first coined by the Greeks, to the “golden rectangle” and “golden section”, “phi” named after Phidias a renowned Greek sculptor, as well as the “divine proportion” conceived by Leonardo da Vinci. (Blacker, The Golden Ratio) Simply put, the golden ratio is the length to width of rectangles used in art and nature. This ratio is considered to be the

  • The Golden Rectangle and Ratio

    1550 Words  | 4 Pages

    discovered and rediscovered multiple times throughout history. This would explain why it is called many different names such as the Golden Mean, divine proportion, or the Golden Section. The first person who is believed to have used the Golden Ratio is Phidias when he used it to design the statues inside of the Parthenon. This happened between 490 and 430 BC. In the early 300’s BC Plato used the Golden Ratio when he described the five platonic solids which are the tetrahedron, cube, octahedron, dodecahedron