Oedipus Tyrannus” is “basically is a story of a man’s discovery through persistent inquiry that he is guilty of unwitting parricide and incest, and his horrified reaction to that discovery. In “Oedipus the King”, Oedipus king of Thebes unknownly killed his biological father and married his mother. On this Ancient myth, the playwright Sophocles weaves a complex story that can be interpreted on many different levels of intellectual thinking. This play, since the time it was staged has been subjected
Sympathy for Oedipus in the Oedipus Tyrannus The aim of tragedy is to evoke fear and pity, according to Aristotle, who cited the Oedipus Tyrannus as the definitive tragic play. Thus pity must be produced from the play at some point. However, this does not necessarily mean that Oedipus must be pitied. We feel great sympathy ('pathos') for Jocasta's suicide and the fate of Oedipus' daughters. Oedipus could evoke fear in us, not pity. He is a King of an accursed city willing to use desperate methods
Sigmund Freud’s Interpretation of Sophocles’ Oedipus Tyrannus Throughout the years, there have been many interpretations of Sophocles’ Oedipus Tyrannus. However, one of the most interesting interpretations of the play would have to be one that uses the theories of Sigmund Freud to analyze the actions of the characters. The use of various aspects of Freudian theory such as the id, ego, superego, and the Oedipus Complex reveals Oedipus and his behaviors throughout the course of the play. In
before making a final statement or decision, many laws that may annul the fact that someone is guilty. Sophocles' "Oedipus Tyrannus" is a perfect example of how difficult it is to prove that someone is guilty, or to prove that someone is innocent for that matter. Oedipus is accused of many crimes for which he may or may not be guilty of. It is my contention that Sophocles' Oedipus Rex is guiltless of his -so called- crimes. For the crime of patricide, it was inevitable and is not really considered
what ultimately lead to the hero’s downfall. In the Greek tragedy Oedipus Tyrannus by Sophocles, Oedipus, the king of Thebes, finds that he fulfilled a prophecy by killing his own father
of the three Fates. People could learn their fates or the future if they visited a priestess of Apollo, especially at Delphi. The plays Oedipus Tyrannus by Sophocles and Agamemnon by Aeschylus, tell the stories of certain Greek myths that deal with the idea of escaping fate. It is clear that the Greeks did not believe that destiny could be escaped. Both Oedipus and Cassandra knew of their future and wished to escape their fates, but ultimately the prophecies still came true. However, while the characters
Were we to temporarily embrace the theories of Freud in our analysis of Oedipus Tyrannus and subsequent plays, we would find ourselves with an incestuous protagonist, so mad in his quest to power that he seeks to kill his father and will stop at nothing to achieve this. It is where Freud misconstrues the very essence of the play that the audience is intended to find its meaning. Were Oedipus aware of his actions throughout the course of the story there would have been no story. Never once was he
The play Oedipus Tyrannus, written by Sophocles, is a play filled with symbols and irony involving the aspect of both vision and blindness. This aspect of the novel takes on an important role in the life of Oedipus, the ruler of Thebes. He originally feels as though he knows and sees everything, nevertheless, as the motto of the Oracle at Delphi states, he does not "know thyself," as he will find out toward the end of the play. The notion of seeing and blindness becomes an important and ironic
Sophocles ' play “Oedipus Tyrannus” is a dramatic murder mystery. His play includes incest, murder and self-enlightenment all leading into the main theme of fate. Athenians believed that fate is not left up to man, but that is provided solely on the whims of the gods. Because of his dramatic approach to his plays Sophocles was considered one of the most brilliant and creative writers of his time. Sophocles’ play “Oedipus Tyrannus” is about how Athenians view their gods and their fate. Athenians
Comparing and Contrasting Sophocles' Oedipus Tyrannus and Rita Dove's The Darker Face of the Earth Sophocles' Oedipus Tyrannus can be argued that it is related loosely to Rita Dove's The Darker Face of the Earth. This comparative and contrasting characteristics that can be seen within both plays make the reader/audience more aware of imagery, the major characters, plot, attitudes towards women, and themes that are presented from two very different standpoints. The authors Sophocles and Dove
sense of healing. In Oedipus Tyrannus, Oedipus searches to learn who killed the previous king where he ends up learning about his origins that leads his life to go downhill. Meanwhile, in the film “Incidences”, the characters learn more about their family history and the reason for the letters that leads to forgiveness. Throughout both stories, the characters are faced with obstacles that test how bad they’re willing to uncover the truth. In the first story Oedipus Tyrannus is on a mission to learn
Word-association in Oedipus The King Let us play a little game, shall we? We have all played this at one point in our lives; it's the word-association game. Think red- you may think apple. Now think green- you may once again think apple. Wait a minute, how can that be? How can two words that are unrelated have the same picture in the mind of an individual? This is the basic idea of perception. Now let us apply this basic concept to the text of Oedipus Tyrannus. The main character, Oedipus, has lived
The Oedipus Complex - Sigmund Freud vs. Jacques Lacan The story of Sophocles' Oedipus Tyrannus has been interpreted by innumerable writers, philosophers, and critics in countless ways; the methods of interpreting Oedipus vary from mad rages and blind accusations to ignorantly perverse acts ranging from basic sexual desire to pre-destined fate ordained by the gods. Perhaps the most famous psychoanalyst in history Sigmund Freud theorized that Oedipus' story was applicable to all. French psychoanalyst
Oedipus and Tiresias Oedipus and Tiresias, characters of Sophocles' play "Oedipus Tyrannus," are propelled to their individual destinies by their peculiar relationships with truth. Paranoid and quick to anger Oedipus, is markedly different from the confident and self-assured Tiresias. In the dialogue between the two men, Oedipus rapidly progresses from praise of Tiresias as a champion and protector of Thebes in line 304, to blatantly accusing the blind prophet of betraying the city in line 331
The Iron Hand of Dramatic Irony Sophocles' Oedipus Tyrannus is considered by many scholars to be the most significant masterpiece of Greek drama. Through Oedipus Tyrannus, Sophocles is able to develop and establish dramatic irony, a theatrical device that allows the audience to understand the hidden meanings of the words and actions of the characters, though the characters themselves remain oblivious. Therefore, the behavior of the characters become ironic because they are unable to grasp the
Lacanian Mirror Stage: Oedipus the King The essence of this paper is to determine whether or not Jocasta played a more important role in the rise and fall of the title character. The paper will examine the play Oedipus Tyrannus through the eyes of the French theorist Jacques Lacan. Specifically the paper will focus on the mirror stage of Lacan's theories. As to the criteria that the paper will use, there are some "truths" that need to be established about the Lacanian division of thinking
Oedipus Rex – Unrealistic or Realistic Let’s explore the traces of realsim and its opposite in Sophocles’ tragedy, Oedipus Rex. The first obvious question is: How can this drama possibly be considered realistic since it relies so heavily on predetermination and fate in the life of the protagonist, Oedipus? As Jocasta recounts to Oedipus: An oracle Once came to Laius (I will not say 'Twas from the Delphic god himself, but from His ministers) declaring he was doomed To
Analysis of The Oedipus Trilogy Oedipus Rex, or Oedipus Tyrannus as it is in Latin, could be what we call today a Freudian work of literature. The Oedipus Trilogy was originally written by Sophocles and is meant to be told in a story-telling fashion. But this Grecian tragedy was revised and translated into English by Paul Roche and put into a novel form. The Oedipus Trilogy is a novel that deals with destiny and fate. The reader is shown a series of events plotted out from which Oedipus cannot escape
Oedipus as Scapegoat in Oedipus the King The great psychologist-philosopher Carl Jung was briefly a student of Freud. Because Jung felt that Freud's approach to psychoanalysis was by far too narrow, he broke off from his teachings, and made significant contributions to mythological criticism. Jung's greatest contribution was his theory of archetypes. His proposal of archetypes argues that there is one original pattern or model of all things of the same type. According to Jung, beneath the personal
Literary Motif in Oedipus Rex M. H. Abrams defines a literary motif as a “conspicuous element, such as a type of incident, device, reference, or formula, which occurs frequently in works of literature” (169). It is the purpose of this essay to expose the main literary motif present in Sophocles’ Oedipus Rex. Richard Lattimore in “Oedipus Tyrannus” makes the revelation concerning the most apparent motif in the tragedy: . . . the drama belongs to the general story pattern of the