Musical Development Essays

  • Religion’s Profound Effect on Musical Development

    3673 Words  | 8 Pages

    Religion’s Profound Effect on Musical Development Religion has been an important part of man’s life. Man has allowed religion to control and influence his life in many different ways, affecting both his behavior and his actions. So its not surprising that music, one of man’s earliest expressive forms, has also been influenced by religion. Religion has had an effect on man’s music all throughout history, from the early Egyptians to even now. So it is only natural that Western music should also

  • West Side Story: The Development Of American Musical

    1080 Words  | 3 Pages

    Development Of American Musicals The Musical is classified as the incorporation of song, dialogue and dance. Musicals, which many confuse with opera, is classified as having a narrower pitch range in comparison to opera and it operates on an AABA or verse and chorus form in its music. (Wikipedia, 2016) Furthermore, musicals generally have a “feel good” element attached to them and are intended to keep the audience happy and content. Musicals also differ from any other type of genre of music

  • George Balanchine

    6676 Words  | 14 Pages

    Balanchine is the master of visual realization of that time in human terms. A master in both the kinesthetic and musical frames of creativity, he did not devote his energies to music visualization by assigning a certain number of dancers to represent strings, others the brass, and still others woodwinds or percussion but by creating a visual analogy in space that restates the musical structure with the trained dancer's body. He claimed that "Ballet... should not be an illustrator of even...the most

  • History Of Music

    2523 Words  | 6 Pages

    It can be argued that the vanguard of development has always been reflected in the arts of a culture. It is the poets, the dreamers and artists who are the architects of the future; the ones who ‘build the world they want to live in, the ones who dream out loud’1. Music is an elaborate art form, tempered by the emotions of those who create it and as such the dreams, creations and inventions are partly the products - or at least artifacts - of the world around them. As such, the social, economic and

  • Prima Donna Play Analysis

    638 Words  | 2 Pages

    I must begin by saying that this musical has been one of the most consistently influential pieces of art throughout my entire life. I knew I loved it, I knew I loved the music from the very first time I heard the Broadway soundtrack. Until now, I had no idea that I could analyze nearly every element of this play in a way that would musically explain why I loved it so much from a logical standpoint. To begin, it must be said that Phantom of the Opera (and by association, Andrew Lloyd Webber as well

  • Miles Davis And The Development Of Improvisation In Jazz Music

    4018 Words  | 9 Pages

    flattened, or sharpened extensions. The later piece, ‘So What’, is less active in this area. This essay reveals some of the aspects of Miles Davis’ style, which made him such a legendary, and influential jazz trumpeter. Topic: A discussion of the development of improvisation in jazz music in reference to trumpeter Miles Davis. Miles Dewey Davis was born on the 26th of May 1926, in Alton, Illinois. He became famous around the world for his incredible trumpet and flugelhorn playing, but he was also an

  • The Jazz Singer

    860 Words  | 2 Pages

    jazz singer. This film, directed by Alan Crosland, demonstrates new developments from the decade of the 1920’s. During the decade, many new advances; such as the introduction of musicals and other technological advancements, were created. The Jazz Singer utilized these new advances of the decade and incorporated them into each scene. This is evident due to the elements of being the first talkie film, the introduction of the new musical genre and the introduction of the Hollywood stars system. By utilizing

  • Musical Review: 'Harvey Fierstein's Kinky Boots'

    1400 Words  | 3 Pages

    Musicals, in all its glorious shapes, are very much living forms of art. Despite its developments over the years, musicals have stood the test of time. This is apparent in an episode of the 2017 ‘superhero’ television series The Flash, in which musicals were incorporated. The main character, Barry Allen attributes this to musicals capacity of being utopian. Kinky Boots, the musical is based on the book written by Harvey Fierstein and it has been adapted from the film with the same name. The musical

  • Correlation Between Music and IQ in Children

    629 Words  | 2 Pages

    1. Introduction This project investigates the effect which the playing of a musical instrument – namely the drums – has on one’s intelligence and academic ability. A search of the literature reveals that studies of this kind have been conducted by other researchers in many parts of the world and has led to the conclusion that music is an extremely healthy activity to be involved in. A study conducted on school children in America concluded that children who took voice or piano lessons had higher

  • How Has Medieval Music Changed Over Time

    1213 Words  | 3 Pages

    Music is a big part of every distinct culture, and over the years music has changed and developed in so many ways to be what we hear in today’s society. Music plays such an important role in traditional and nontraditional aspects of every single persons life. There is not one day that goes by where we do not hear a rhythm, a beat, or a melody. As we get older, knowing this history of how music was established over the years is an important base in understanding culture from around the world. The

  • Mahler Symphony Structure

    933 Words  | 2 Pages

    for example how he uses the timpani in the development section. Instead, he avoids making this musical choice and uses the solo violin part for the purpose of varying the orchestral timbre. Once more, another strategic input by Mahler to convey color. Musical continuity for Mahler is achieved not only by the elaboration and variation of Harmonic and rhythmic material. Timbre or color is extensively elaborated and varied along side with the other musical parameters.

  • Aesthetic Music Educatin and the Influence of Bennett Reimer

    2159 Words  | 5 Pages

    Bennett Reimer has contributed much to the discussion and development of the value of aesthetic education for the teaching and learning of music. Others in music education also support and promote these ideals and focus on developing an improved understanding for music educators. Some scholars oppose the principles of an aesthetic education, recently demonstrated by David Elliott who favors a praxial philosophy of music education centered on musical performance. The work of Reimer shows an influence of

  • Musical Canon

    1372 Words  | 3 Pages

    How the Musical Canon Came to Being? The musical canon is controversial in its defining of the line that separates the composers making it into the canon and being excluded from it. The Germanic symphonic music and its most famous composer Beethoven are synonymous with the concept of musical canon that emerged in the 1800s. In fact, many authors consider that the musical canon was one with the dominant classes of Germany and other dominant countries in the world. Whether the composers placed in the

  • Florenz Ziegfeld Essay

    801 Words  | 2 Pages

    CHAPTER NINE STUDY QUESTIONS – The Musical Theatre (Pgs. 243-259/247-261) 1. Describe some of the facts concerning the musical on Broadway (p. 244) (248). Broadway musicals can be characterized by aspects such as having multiple performances nearly every day of the week, having productions that tour the nation in hopes of attracting more audiences, and having large casts and orchestras (Cohen 248). 2. Who was Florenz Ziegfeld and what were his productions like? (p.245) (249) Florenz Ziegfeld is

  • Analysis Of The Movie Rent

    707 Words  | 2 Pages

    On Saturday, October 21, I watched the movie adaption of the musical, Rent. This musical takes place in New York City in the late 1980s to early 1990s, and involves a dysfunctional Bohemian friend group and their struggles. The friend group features eight characters: Mark Cohen, a Jewish filmmaker, Roger Davis, a HIV-positive songwriter and musician, Mimi Marquez, an HIV-positive erotic dancer, Maureen Johnson, a bisexual performer, Joanne Jefferson, a lesbian lawyer, Tom Collins, a gay part-time

  • A Feminist Journey through Beethoven's Musical Structure

    3005 Words  | 7 Pages

    Beethoven's Musical Structure Traditional analysis of Beethoven's use of Sonata Allegro form tends to focus on harmonic or melodic movement and key relationships. This study stretches such investigations to include questions of historical context and philosophic motivations that drive a composer to structure music in a certain way. Ultimately this leads to an inquiry about how these traditions affect us as listeners, and more specifically how they relate to gender issues in a musical tradition

  • Musical Taste Buds: How and Why We Have Musical Tendencies

    2083 Words  | 5 Pages

    Why do people to like and/or dislike songs, sounds, genres, etc.? I value and find beauty in the fact that there are so many different sounds, it is these variances that I think create our musical taste buds. Musical “taste buds” is an expression I use when thinking about a developed preference to music. My musical palate is open, eager, and willing to try something unknown, while others may lean toward tastes with which they are already familiar. One can’t help but wonder whether or not music can be

  • Lecture on Nothingness: John Cage

    1375 Words  | 3 Pages

    flow or continuity of the entire piece, is as critical as the use and placement of actual words. Together, in balance with each other (not with words in a more exalted position than no words), they form what he wishes to say in a manner similar to a musical composition. And what he wishes to say is there is nothing to say - there is no one phrase of words that sums up the poem’s significance. Instead, reading Lecture on Nothing in its proper language or dialect is meant to approximate the experience

  • Analysis Of Oscar Hammerstein's Wordsmiths Of All Time

    1760 Words  | 4 Pages

    many years, American musical theatre was defined as being mere entertainment for the people. It ranged from operetta, burlesque, vaudeville, and more. If there is one towering figure in the history of American Musical Theater, that person is Oscar Hammerstein II. He was a lyricist-librettist, as well as a distinguished poet and director. For over forty years, as the theatre’s forms of entertainment shifted, he helped merge everything into the art form known today as the musical. Born twenty-three years

  • Key Motifss And Themes In Lloyd Webber's Phantom Of The Opera

    1489 Words  | 3 Pages

    motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story. Lloyd Webber has connected many reprises and motifs with The Phantom, all used for different purposes throughout the musical. During the opening auction