Free Motion picture rating system Essays and Papers

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    Parental Advisory

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    Circle) Hart 2 The idea of putting a rating system on a form of entertainment has been around for years. Rating systems were mainly developed to help parents make informed choices about the movies, TV programs, video games, and music their children are being exposed to. Usually based on the amount of violence, sex, nudity, strong language or drug use a viewer will see or hear. The Motion Picture Association of America has set up a clear rating system for movie goers, “G- for general audience

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    Movies

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    Movie ratings were not always around or censored until the early twentieth century. The movie rating system is voluntary and not required for movies to participate in the rating. The system is most recognized as a way for parents to know the content of a film, there are five different rating categories, and the system should stay the same. Before movies were rated many officials were upset that movies could be viewed by everyone and there was no control of content. The movie rating system is used

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    Desensitization In Film

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    Another effect is desensitizing children to violence, fighting, and hostility. This connects with empathy because desensitizing more or less decreases the empathy and emotion a person has. Desensitizing is a powerful tool and is used in therapy to” reduce or eliminate certain emotional responses through graded and supervised exposure to anxiety…” (Funk 23-39). For movies, desensitization is incidental because no one is decisively changing someone’s emotions, or at least the movie does not to make

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    The incident exemplifies a pressing issue in the ever-topical discussion of the oft-vilified film rating classification system in our country. Is the movie rating system, originally designed to assist parents in guiding the movie-going habits of their children, actually preempting parental choice? To at least some people, however, Jack Valenti, the man responsible for devising the Motion Picture Association of America and the National Association of Theatre Owners, is leading the effort, as editorialist

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    History of the rating system and the MPAA (parag.1-2) II. Thesis paragraph (3) THESIS: By wearing a mask of deceiving helpfulness, the current system hijacks the role of the parent in choosing what is acceptable for our youth III. Current process and definitions of ratings (4) IV. The rating system is harmful to our children A. Ratings do not accurately reflect harmful, frightening images (5) B. The harmful effects of violence are inaccurately reflected in    ratings  (6) C. The

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    Who are the People rating movies?

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    Who are the People rating movies? Parents can determine if they want to allow their children to watch certain movies by using the film rating system. The film rating system went into effect on November 1, 1968. Even though the decision of whether or not to use the film rating system is voluntary, the vast majority of theaters in The United States enforce the Classification and Rating Administration’s guidelines. This was a voluntary system sponsored by the Motion Picture Association of America

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    easy to make, ex: schools to send them too, daycare system, and place of residency. With the everyday stress that parents face, it is good to know that somebody is looking out for us. Entertainment ratings are a wonderful tool to allow the parents to know what is age-appropriate for our children. Let us get started by giving you some background information on the Motion Picture Association of America (MPAA). According to The Classification and Ratings Administration (CARA), MPAA began in 1922. Filmmakers

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    and 11. She is aware that the film they are going to see, the critically acclaimed Batman movie, The Dark Knight Rises, is rated PG-13 but sees no problem with her kids seeing it. The rating states that “some material may be inappropriate for children under 13” and that “parents [should be] strongly cautioned” (Ratings Posters). But what could be so inappropriate in a Batman film that would require her parental guidance? For the following two and a half hours, images of dead bodies, grisly gun violence

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    production

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    Once a pond a time, long long ago, there where several motion picture production studios – RKO, Warner Brothers, Metro-Goldwyn-Mayer, United Artist, Universal Studios, Paramount Pictures, Walt Disney Pictures and Columbia Pictures that controlled 90% of the film industry in America since the invention of motion pictures. These production houses cranked out films by the masses to quince young America’s thirst for entertainment. Most of the film had very similar plot, themes and actors. Each studio

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    Rated G for Guilty

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    audience because the Motion Picture Association of America (MPAA) initially gave it an NC-17 rating (No Children under 17 Allowed). This was a surprising decision since the movie had no violence, nudity or sexual content. In order to get an R rating, the director revealed that the MPAA asked her to cut down a scene in which two girls talk about giving oral sex to each other, thus proving that the homosexual content of the movie was the reason why it was given an NC-17 rating. Since the creation of

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    Film Censorship in the 21st Century

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    censorship illegal, there are many ways that censorship still occurs in visual art, theatre, television, and film. Perhaps film has the most organized system of censorship found in the MPAA (Motion Picture Association of America). Chris Roth writes in his article “Three Decades of Film Censorship…right before your eyes”, that censorship by ratings is a serious First Amendment issue that deserves debate and action. The article poses many questions about the MPAA and the restrictions it places on

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    yo

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    In 1922, the Motion Picture Producers and Distributors of America (MPPDA) was created to ensure that American films had a "clean moral tone". At the time, there were several censorship boards that “edited Hollywood films to limit the onscreen portrayal of violence and sexuality” (wiki). This had a negative impact on the film industry because the audiences become uninterested in films that were edited to the point of incomprehensibility. The MPPDA spoke out against this public censorship and, in 1930

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    MPAA Rating System

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    Valenti, the president of the Motion Picture Association of America (MPAA), established the Classification and Ratings Administration (CARA) in an effort to reduce the amount of objectionable material in film. Before 1968, the MPAA required that all films follow the guidelines of the Production Code. The Production Code stipulated what was and was not appropriate to appear in films. In 1966, the MPAA elected Jack Valenti president and he changed the code to a rating system based on the amount of objectionable

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    The Motion Picture Code of the Great Depression During the times of the Great Depression, film was viewed as a valuable importance to people. Film during this time of distress contributed to the maintenance of the national morale of America. During this time Hollywood played a valuable part, getting over eighty million Americans to attend theaters, but soon it would become a lot harder as America continued living in the Great Depression. Everyone in America, even the most troubling of poverty families

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    decisions passed by a board of people associated with media. There are many examples of attempts at media self-regulation in the U.S all with varying degrees of success. It is evident that there are some very successful regulations because there are rating on movies and video games, and the fact that there is a lack of mature content on television channels labeled “children’s” channels and during times when there may be more children watching other “regular” channels. However, even these are only transient

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    network shows vs. the Wild West follies of the non-network presentations, an unfortunate reactions of broadcaster’s self-censorship of live shows, where cost vs. benefits and the utilization of V-chip technology to block content through the national rating system. First, we have different sets of rules for network and non-network media restrictions, where broadcasters have restrictive rules for live TV shows, such as awards shows, reality television, or football games, unlike the coarseness of non-network

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    From 1930 to 1935 films is Hollywood developed and changed quite drastically, musicals in particular. In 1934 Hollywood’s Chief Censor Will Hays adopted a code and began to enforce it in 1934. The code was referred to as the Hays code and it controlled the content of which films were allowed, or not allowed, to release to a public audience. Prior to this time the was a large gray area on what was being released. Gold Diggers of 1933 was one of these films; when compared to Top Hat of 1935 the censorship

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    Imagine yourself with your friends at the movies. All of you finally want to see the movie you have been waiting for over and over and over again. But there is but only one problem. When you and your friends finally want to see that movie, you all find out that the movie is R-rated and you need to be 17 or older or be accompanied by an adult. Doesn’t that make you feel angry? Later, you have to wait until the movie is re-released on DVD or Blu-Ray or watch it on Netflix. R-rated movies have mature

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    the MPAA should change their ratings system so that violence is a theme that is only allowed in R-rated movies. Still, their claims have no evidence of media violence harming people in the real world. Violence in movies does not have long-term negative effects on our society proving that the MPAA shouldn’t have to restrict violence in PG-13 movies. Recently, the MPAA has been receiving complaints on how they rate movies. To give you some background, there 5 basic ratings for movies: G, PG, PG-13, R

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    Comparison of Two Film Trailers: Lord of the Rings III and The Gladiator A film trailer is a sequence or progression of captivating, mind-clutching scenes from a film. Trailers usually encapsulate the film and end with a cliff-hanger; capturing the viewer's attention and attracting them towards the film, encouraging them to watch it. My task is to compare two film trailers, 'Lord of the Rings III' and 'The Gladiator'. 'The Lord of the Rings III' is an imaginary, wizardry, legendary,

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