Free Maxine Kumin Essays and Papers

Woodchucks by Maxine Kumin Maxine Kumin?s, Woodchucks provides an interesting and creative perspective into the mind state of those influenced by nazi warfare. What begins as a seemingly humorous cat and mouse hunt, reminiscent of such movie classics as Caddyshack, soon develops into an insatiable lust for blood. Kumin?s descriptive language provides the reader with the insight necessary to understand to the speaker?s psychology as they are driven beyond the boundaries of pacifism. The

Maxine Kumin is considered one of the best Jewish American poets of her time. She has won a Pulitzer Prize in 1973 for her work in Up Country. She has been compared to Anne Sexton, who was a fellow American confessionalist poet. Confessionalist poets tend to focus their poetry on personal matters that took place in their lives. For example, Kumin discusses the inner lives of her characters in her personal poems. She is considered a naturalist feminist because she gives her utmost importance

Poetry Analysis Maxine Kumin’s poem Woodchucks is not simply a farmer’s irritation over a couple of pesky woodchucks. The subject does have to do with humans having the tendency to become violent when provoked. However the theme of the poem takes a much darker path showing how it only takes something small to turn any normal humane person into a heartless murderer. The theme evolves by using dark references to the holocaust and basic Darwinist principles. These references are made through connotation

... ...tudied today but the inspiration for her poetry, her constant depression, forced Sexton to take her own life. In her work, she expressed the inner torture she endured and explored the depths of her mind and society. Works Cited Kumin, Maxine. Foreword. The Complete Poems by Anne Sexton. New York: Houghton Mifflin, 1999. xix. Middlebrook, Diane Wood. Anne Sexton: A Biography. Boston: Houghton Mifflin, 1991. Parini, Jay. Editor. The Columbia Anthology of American Poetry. New York:

The poem “Woodchucks” by Maxine Kumin, is about the narrator’s attempt to eradicate woodchucks from a garden. The figurative message of the poem is how a person can change from good to evil effortlessly. The metaphor of the Holocaust is intertwined in the poem and helps enhance the figurative message. The uniform format and the implication of Kumin’s word choices creates a framework that allows the reader to draw out deeper meanings that the literary devices create. Maxine Kumin’s use of an undeviating

A Blame Artist The poem “Woodchucks” written by Maxine Kumin seems to be about the “speaker” in the poem attempting justify her actions, but it is actually about her blaming the woodchucks for bringing her out the desire to kill the woodchucks, the so called “Hunter.” If the the poem was supposedly about her justification of her actions, she would have talk more about the process of her trying to keep the woodchucks away from her garden and how she had to use the last method although she allegedly

Poetry Analysis Maxine Kumin’s poem Woodchucks is not simply a farmer’s irritation over a couple of pesky woodchucks. The subject does have to do with humans having the tendency to become violent when provoked. However the theme of the poem takes a much darker path showing how it only takes something small to turn any normal humane person into a heartless murderer. The theme evolves by using dark references to the holocaust and basic Darwinist principles. These references are made through connotation

The poem Catchment by Maxine Kumin has a theme of the harsh and depressing reality of nature. Throughout the poem she paints this nature story that completely pulls at the readers emotions. With extensive description, figurative language, and set structure Kumin demonstrates the uncontrollability and cruelty of nature. I wrote my poem Ocean to use these similar poetic devises to communicate the same theme. In Catchment the speaker uses extremely detailed descriptions to describe the events. By

Story-telling in The Joy Luck Club and Mother Journeys "Beginning with Gussie," Maxine Kumin's short story from the anthology Mother Journeys, has a central issue similar to that in Amy Tan's The Joy Luck Club: the need for transference of stories from mother to daughter. These two works have quite a few similarities, despite the fact that they are tales about very different cultural traditions. Is the cultural difference important? Or do these works reflect a universal truth about story-telling

When I read “Making the Jam Without You” by Maxine Kumin, my initial thought was that the poem was simply about the mom making jam and wishing her daughter was there with her.  As it states, “I am putting a dream in your head.”  After reading through the poem a couple more times it started to make more sense to me, and I realised that it wasn't just about the mom missing her daughter, but about the mom sending a memory to her daughter of her childhood. The mom just wanted to remind her daughter of