On this essay I will be focusing on Lars Von Trier background and biography. I will then list some of his major contributions to the art work, and his most famous works of art. I will include some interesting facts that have influenced him throughout his life and which I thought were important for his development as a filmmaker. Finally I will conclude the essay with my personal opinion of his character and overall art work. Von Trier was born in Copenhagen, Denmark in April 1956. He graduated from
In the film Dogville written and directed by Lars von Trier, there is no outdoor or indoor movie set in the traditional sense that they film on. Instead the director chose to use a large empty stage, set up like a large blueprint of the town of Dogville with each house individually named and outlined. The entirety of the movie is shot on this stage and it is never left once, much like a theatrical play but with no audience. There is also no musical score, and the only sound added to the film are
Nymphomaniac vol. I & II directed by Lars Von Trier marks his third and final installment of his “Trilogy of Depression”. The film opens up with Joe (Charlotte Gainsbourg), laying on the ground, beaten and bloody, as a man, Seligman, (Stellan Skarsgård) returning from a store passes her and offers her help. She refuses any sort of medical help, and insists that he does not call the ambulance and instead asks for a cup of tea. Seligman tells her he does not “serve tea on the street” and escorts her
pulled of in such a way that the final scene is filled with such raw power and emotion that it will leave you numb, cold and completely and utterly useless. This film uses the viewer like nothing you have ever seen. All of the cynics should take heed of Von Trier's style and commitment to pursuing human truth. If you want something different then you must see this film as it will challenge you to hold back your emotions and maybe even use them. It is a work of genius. Nothing short of a masterpiece. If
them there are a few avenues they can explore. One of the most powerful is cinema. There are a number of great films that explore this subject in detail, and shed light on a perspective most Americans may not be familiar with. Two such films are Lars Von Trier’s portrait of everyday American life called Dogville, and the other is Francis Ford Coppola’s war epic Apocalypse Now. Although both films are quite different, both emphasize and reinforce the negative stereotypes associated with Americans
why in 1995, the Danish film directors Lars von Trier, Thomas Vinterberg, Kristian Levring, and Søren Kragh-Jacobsen, created the film genre of Dogme95. In an effort to save filmmaking from over stylized ‘Hollywood bourgeois’, Dogme95 had a set of strict rules that any director undertaking the genre had to adhere to, in an effort to keep the film pure, and bring filmmaking back to what they believed it was supposed to be about: storytelling. Lars von Trier is famous for creating both Dogme95, and
Lars von Trier is undoubtedly a polarizing filmmaker. His repertoire invokes a range of emotions from earnest avoidance to curious infatuation. He’s been pointed out as a purveyor of misogyny as he famously and deliberately places many of his females in rather unkind situations to say the least (i.e. the brain-searing climax in Antichrist). And his penchant to depict the uncomfortable and sometimes unfathomable has been interpreted as obscene and sensationalist for its own sake. And yet his work
I will analyze Lars Von Trier “Manderlay” with regards to the following five factors: setting, props, characterization, theme and genre. Trier create the movie “Manderlay” and several more to generates the idea of American greed, racism, and the misuse of power. To whom he thought that American was unrecognizable to any American was irrelevant. Even though, most Hollywood movies deny their entertainment as a pretend act. Presenting imaginary worlds was a way that showed unrealistic sense of reality
The performance of Shakespeare’s Othello by the Actors From The London Stage was not my first experience with theatre, but it was definitely a new one. The last performance I watched, Twelfth Night, was presented in a recreation of the Blackfriars Theatre by the American Shakespeare Center. This performance featured a more traditional stage experience with costumes, set design, and a multitude of actors. On my way to McCullough Theater, I envisioned Othello sharing many similarities with the production
directed by Lars Von Trier. 1996. Hillman, James. Re-Visioning Psychology. New York: Harper & Row, 1989. Jung, Carl G. The Essential Jung. Introduced and Edited by Anthony Storr. Princeton: Princeton UP, 1983. Jung, Emma and Marie-Louise von Franz. The Grail Legend. Princeton: Princeton UP, 1970. Segal, Robert A. Encountering Jung on Mythology. Princeton: Princeton UP, 1995. Tatar, Maria. The Hard Facts of the Grimms' Fairy Tales. Princeton: Princeton UP, 1995. von Franz, Marie-Louise