The Genius of Stanley Kubrick Many movie directors have mastered a genre or two. Wes Craven and John Carpenter are two of the horror film legends. Alfred Hitchcock is probably one of the five greatest directors of all time, with thrillers being his primary claim to fame. George Lucas has been the reigning king of science fiction ever since the release of Star Wars. John Ford is arguably the premier director of westerns. In my opinion, however, Stanley Kubrick may be the person who mastered more
Stanley Kubrick is one of the most influential and daring filmmakers to ever put his mark on the silver screen. He has created a large body of very influential works spanning several decades and many genres. Throughout his whole collection there are many elements which are repeatedly used to enhance the viewer's experience. There are also many recurring themes in Kubrick's works that are commented on both by the context in which they are brought forth and the techniques used to expound upon those
Legendsofamerica.com, (2013). Battles and massacres of the Indian Wars in the American West - Page 2. [online] Available at: http://www.legendsofamerica.com/na-indianwarbattles-2.html [Accessed 23 Apr. 2014]. Book LoBrutto, V., 1997. Stanley Kubrick. 1st ed. New York: D.I. Fine Books. Book Luckhurst, R. and King, S., 2013. The shining. 1st ed. Book Storey, J. 2009. Cultural theory and popular culture. Harlow, England: Pearson Longman. Website (For Images) (Note: All uncited images are screenshots
The Shining, shot by Stanley Kubrick, is one of the most well-known horror movies written. It follows the Torrance family as they move into a hotel called the Overlook, which was built on an old Indian cemetery. Jack Torrance, a writer with alcohol addiction, needs isolation to write his new book, so he moves his family into the empty hotel. During their stay there, Jack acts as the groundskeeper. As the winter proceeds, all roads leading to the hotel become covered with snow so the family becomes
A Clockwork Orange is a Stanley Kubrick film from 1971. Kubrick directed the film and wrote the screen play based on the 1962 novel from author Anthony Burgess. A Clockwork Orange was originally rated, “X” and nominated for Best Picture, Best Director, Best Film Editing and Best Screenplay, but lost in each category to William Friedkin's The French Connection (filmsite.org). The set design is by John Barry, costume design by Milena Canonero, music by Wendy Carlos and cinematography by John Alcott
of the subject, style, syntax and sound. The film, A Clockwork Orange, by Stanley Kubrick, gives us a true understanding of how this World contains various types of people, some of which might be called, ‘crazy.’ This film takes us into a world that is unfamiliar to most of us, in that the violence of this film is unlike many other films of its time. Based off the novel originally written by Anthony Burgess, Kubrick shows us that films can enhance our reading experiences and bring us outstanding
definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The
Paths of Glory, by Stanley Kubrick The movie Paths of Glory, directed by Stanley Kubrick, dealt with the harsh conditions in the trenches during WWI. In the movie several fighters were persecuted for pulling back during an impossible attack. The movie tactfully questioned the authority of superior officers. The way the hierarchy in the army is depicted in the film made me question the integrity of the unit. I was perplexed by the concept that one person could have so much power over another
Genre Criticism of Stanley Kubricks The Shining The true measure of success for any film lies in its ability to establish a relationship with its audience. Perhaps more than in any other genre, the horror film must be aware of this relationship and manage it carefully. After all, the purpose of a horror film is not necessarily to invoke thought, but rather to evoke an emotional reaction from its audience. Horror films of all types have used frightening images, disturbing characters, and thrilling
"A Clockwork Orange", directed by the immeasurable Stanley Kubrick, starring Malcolm McDowell, Patrick Magee, Adirenne Corri, Aubrey Morris and James Marcus and produced by Stanley Kubrick in 1971, is, in my opinion, one of the greatest morality plays ever captured on film. It leads viewer in to many different pathways of thought about the time we live in, and about the validity of the concepts of law and morality, and the applications of the two in general society. Vincent Canby was on to something
In Dr. Strangelove, Stanley Kubrick took a serious issue and turned it into a political comedy. He was able to illustrate a satire of the hazardous notion of a nuclear war and the insane individuals who were coordinating it, and furthermore, addressed the issue of stereotyping. This movie was created in 1964; today in 2005, we still have nuclear weapons. Yes, the United States and other countries still have nuclear weapons, however, a question does arise, do we still have insane individuals coordinating
The Shining (1980), directed by Stanley Kubrick, tells the story of one family’s demise at the hands of a hotel. This film is often analyzed for its commentary on gender, capitalism, sexual repression, cinematography, and race. This paper will focus on race in The Shining in order to better understand the scene of Dick Hallorann’s murder. The appearance of Native American artwork on the walls behind Hallorann as he walks from the front door to the stairs invokes the history of Native Americans
Initially tanking at the box office, Stanley Kubrick's The Shining garnered a cult following and high appreciation many years after premiering. The film, differing from Stephen King's original novel, lacked speed and coherence; however, fans accumulated after noticing small details that conveyed entirely different messages. The director dedicated attention to every detail, causing confusion after noticeable inconsistencies and pointless-seeming deviations from the book. Stanley Kubrick's The Shining
A Clockwork Orange (1971) helped establish director Stanley Kubrick as one of the most innovative filmmakers of all time. For him film must be a work of art, and art exists for its own sake. The film has no goal beyond its own enjoyment. Given its subject matter—political corruption, hedonism, violence, and the elusiveness of moral certitudes—one might even go so far as to call A Clockwork Orange a nihilistic film in both form and content. This style of filmmaking would later heavily influence the
Stanley Kubrick's Full Metal Jacket and R Wayne Eisenhart's “You Cant Hack It Little Girl: A Discussion Of The Covert Psychological Agenda of Modern Combat Training,” Stanley Kubrick uses his film, Full Metal Jacket to say that people today are brainwashed products of decades of conditioning. Kubrick strongly encourages us to relish individual thought. He expresses that society’s ideology encourages conformity, which can eventually cause fatality. Also the article “You Cant Hack It Little Girl:
contrasted to each other. Platoon was based on Oliver Stone’s own experience so he used simple war movie techniques to give a realistic sense of what jungle warfare was like. Kubrick’s Full Metal Jacket was based on Gustav Hasford’s experience, but Kubrick wanted to use the story to explore what made people into killers. These two films take very different approaches and if we are to compare them it should be in the capacity to understand what war means to the average person. Both of the films
Stanley Kubrick is a name that has remained relevant throughout the years. Movies like 2001: A Space Odyssey, The Shining, Full Metal Jacket, and many others have made an impact on how films are made, but more importantly, the thematic elements of Kubrick’s films is what translated so well to the screen. Kubrick developed stylistic innovations in his films such as one-point perspective, realistic lighting, and distinctive dialogue. All of these stylistic strategies served to amplify the common themes
After all, Kubrick said it would be "the scariest horror movie of all time."1 Kubrick's films, however, never fully conform to their respective genres; they transcend generic expectations. In the same way that 2001: A Space Odyssey (1968) is not just another outer-space sci-fi flick, The Shining is not a typical horror movie. The monsters in The Shining originate not from dark wooded areas, but from the recesses of the mysterious human mind-in broad daylight, at that. Perhaps Kubrick said The Shining
The Cold War Fears of Stanley Kubrick's Dr. Strangelove Stanley Kubrick's 1963 political satire, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, is a stinging commentary of the Cold War paranoia of the time. Kubrick addresses a myriad of themes throughout the picture, offering an even darker side to an already bleak situation. The movie is also layered with many levels of subtle motifs that require multiple viewings to fully realize. The director also uses several techniques
Francis Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick, Coppola and Allen each experimented with characterization, narrative and editing techniques. By examining the major works of these important directors, their contributions become more apparent. Dr. Strangelove (1964), an adaptation of Peter Bryant’s novel Red Alert, although still bearing the usual traits of a Kubrick film, is something of a departure