Jungian Archetypes 1.According to Carl G. Jung (1875-1961), a Swiss psychiatrist and psychotherapist, Archetypes are highly developed elements of the unconscious human mind. An easier way of explaining this, is that every person who lives on this planet shares a universal unconscious idea or pattern of thought, or a blueprint. Archetypes are all around us and have been for many years; they are not just found in people, but also in characters in books and movies, gods and goddesses, as well in the
Jungian Archetypes and Oedipus the King The play Oedipus the King by Sophocles has multiple examples of collective unconscious archetypes from the theories of Carl G. Jung. In general Jung's theories say that there are archetypes that define the world, its people, and why people participate or commit certain activities. Jung explains that these archetypes are harbored in the collective unconscious of every person's mind. The archetype of the hero is one of them. The middle of Oedipus the King
strong reoccurring archetypes within human myth, religion, and folklore. They work together to epitomize one of Jung’s Cores of Personality: the Principle of Opposites. The Principle of Opposites states that both sides of opposite pairs—good and bad, light and dark, joy and despair, et cetera—are present to complete the other. In this way, Marlow and Kurtz are opposite replications of each other in Conrad’s Heart of Darkness; they are doppelgängers that complete each other, as in Jungian theory. Marlow
psychological aspect of literature but the two most recognized are the Freudian and Jungian approach. The best approach to use when critically analyzing the novel Of Mice and Men, written by John Steinbeck, is the Jungian approach. Because the novel’s main theme is a struggle with the idea of “self”, using this approach allows the reader to understand the main character, its influences, and ultimately his actions. The Jungian approach was brought about by Carl Jung. He believed in the concept of individuation
that is humble and wise to the dangers that he was one vulnerable to. This development in his personality did not happen until he underwent the conflicts of certain archetypes and the personal conflicts that he had with himself when he was depressed and trapped in his unconscious. Semyon was able to overcome his struggles with each archetype and his struggle in his unconsciousness when he was with the Sea King. Freudian Analysis A psychologist that was famous for his theories regarding the unconscious
This is a critical review of the article “ How to Fashion an Archetype: Madonna as Anima Figure” written by F. Jose Blanco, published on the 19th January 2015. As the title of the article indicates, the article is focused on Madonna and her influence on fashion, which the author connects her to psychologist Carl Jung’s Anima Archetype. Madonna Ciccone, the “Queen of Pop” is known as an important and leading fashion figure in the pop culture with her unique and outstanding outfits. Madonna not only
also known as individuation. According to Carl Jung there are four main aspects to completing the journey of self-awareness, they are, the Persona, the Shadow, the Anima, and the Self. Each aspect, better known as an archetype is crucial to reaching self-awareness and each archetype relies on the one before it. This view on self-awareness was widely publicised and had an impact on many people, one of whom was Robertson Davies, the author of the fictional memoir “Fifth Business”. Davies used this
by it. The archetypes utilized in fairytales is having an effect on the development of Jenny’s mind. However, as the narrator explains what is happening to Jenny, he or she also reveals the state of his or her own mind. To gain an understating of the impact that Jenny and the narrator have on each other, a Jungian analysis of this poem is required. In the Jungian analysis of a character, there are three archetypes that must be considered. Carl Jung believed that the three archetypes that made up
comprised of five separate personalities blended together; these are called archetypes. In Jungian psychology, there are five different archetypes: the shadow, anima, animus, persona and the wise old man or mana-personality. Each influences a different aspect of one’s personality. These influences vary from one individual to another depending upon the dominance of each archetype. In the play Hamlet, each one of these archetypes manifests itself as a dominant personality trait within one of the play’s
populated by archetypes. Archetypes are hidden forms and patterns which every human being experiences. Since they are hidden, it is best to look at mythology and religion do deduce the archetypes. In fact, mythology is full of them. Archetypes such as the patriarch, the young man and the trickster can be found in the Greek gods Zeus, Apollo and Hermes. But, can these archetypes also be deduced from moderns stories, such as Star Wars? In this essay I will explore the impact of the archetype the Shadow
developed the concepts of the archetypes. The term archetype is not one of his invention, but he used it in an elaborate way in his theories of psychology and culture, giving it his own specific meaning. Archetypes are images and thoughts which have universal meanings across cultures which may show up in dreams, literature, art or religion. They represent fundamental human motifs of our experience as we evolved; consequentially, they evoke deep emotions. Jung 's main archetypes are not types in
from Italy was the forerunner to the Grimm version. The Italian version, Petrosinella, written by Giambattista Basile, is an example of how culture has an influence on literature. Although this is the case, both fairy tale versions portray jungian archetypes that are often misinterpreted by mainstream portrayals of these fairy tales. Rapunzel is an old fairytale that shares some differences with the Italian version. In the German version the father of Rapunzel is present and is the one in the
therapist needs to interject with their own knowledge to complete the gaps in the dream for the dreamer. Evaluation The Jungian Theory is utilized in the drama “Who’s Afraid of Virginia Wolf” where a young couple are invited to party. Falsafi, et al (2011) reviews the movie in depth and outlines the Archetypes in the movie. This is a perfect example of the Jungian Theory in practice. First one must understand the move and the effects of the middle age crisis. There is a conflict between
the significance of dreams to the Hindu God-image of Shiva, where he is a personification of the Absolute in a universal and personal sense. This paradoxical, multi-faceted image serves as a grand metaphor for the realignment of the Self through a Jungian unveiling of one’s hidden, inner dynamics. "Gods are metaphors of archetypal behaviours and myths are archetypal enactments" (Samuels 27). The rebirth process is commonly bestowed within dreams because "the dream is the personal aspect of myth"(Transformations
understand a specific archetype, one must first understand what a Jungian archetype is. The two questions that are the most important to understand are the what and the where. What is an archetype and where do archetypes come from. First for the what, Jung believed that all humans possess a "preconscious psychic disposition that enables a (man) to react in a human manner." These prospectives for creation are defined when they enter the conscious mind as images. The archetype may emerge in the mind
Michael Ende’s The Neverending Story is a timeless tale of adventure, imagination, and self-discovery. The story revolves around Bastian Balthazar Bux, an innocent but awkward, socially outcast, and greatly misunderstood pre-teen boy of a widowered father who finds himself metaphorically and literally lost within the pages of a magical book entitled The Neverending Story. Inside the book, Bastian discovers a terrible affliction has befallen the enchanting land of Fantastica, a mystic world full
Freud, and later perhaps the entire psychiatric establishment base, and come up with theories and concepts that are still being built upon. There are elements of his work in the Humanistic approach, Existentialism, and obviously the various Jungians, and neo-Jungians that continue to explore the meaning he was able to give to what previously held little meaning. Dr. Jung’s work was visionary, to say the least, visionary indeed.
This is the only way we will be able to break the cycle or history repeating itself. Otherwise we may be like the Grecian and Roman Empire’s that fell because they were unable to change their ways. Works Cited Lindenfeld, David. "Jungian Archetypes And The Discourse Of History." Rethinking History 13.2 (2009): 217-234. Print.
Jung's analytical psychology can be divided into two parts: theory and practice. The focus of this prose will be on the former, which pertains to the structure of the psyche and the laws of psychic processes and phenomena and includes his theories of archetypes and the unconscious (Jacobi, 1942; Jung, von Franz, 1964). His practice involved the inclusion of his theory in therapy and consisted of four methods: association method, symptom analysis, anamnestic analysis, and analysis of the unconscious (Jacobi
Sahar Maleki Block”G” Jungian Archetypes in “The Dark Knight” Carl Jung called archetypes the ancient patterns of personality, which are constant throughout and help us to know characters’ purpose in the story. The dark knight is a movie, which is very related to Jungian Archetypes. Protagonist is Bruce Wayne and his actual hero role, Batman and he fights crime to save his city from chaos, which is the joker’s (the shadow) overall plan and motive. Batman has always a wise old man by his side Alfred