The horror genre has many lessons to teach us as an audience although being the genre most connected with that of ridiculousness. It is regularly associated with the reaction it seeks from its audience; both emotional and physical. In cinema success is measured by terrifying chills, bloody deaths and the volume of the audiences scream. The appeal of horror narrative in literature, film and theatre lies in the pleasures it associates with fear, suspense and terror; no matter what it is trying to
between her father, who she resented, and the rest of her family. Julia Kristeva, a French philosopher born in 1941, addresses abjection in “Approaching Abjection” which builds off of Sigmund Freud’s theory of psychoanalysis. Paternal abjection is evident in The Destruction of the Father and key elements in Kristeva’s writing can aid in fathoming what the abject is and how it is present in Bourgeois’ work. In “Approaching Abjection,” Kristeva addresses many key elements that create the abject condition
characteristics of and reactions to the abject as discussed above remain true for abjection of the self. Yet according to Kristeva, the abject is made more horrible in the abjection of the self. Kristeva says abjection "is felt at maximum force" when "the subject finds the impossible in himself: when he finds the impossible in his very being, discovering that he is nothing other than abject" (Kristeva 128). The subject expends considerable energy rejecting the abject, which he or she feels to be unclean, ambiguous
intertextuality (such as those developed by Roland Barthes and Julia Kristeva). Intertextuality challenges the idea of a text’s ability to be truly original and therefore disagrees with Hirsch’s theory. In this essay, I will focus on how conscious intertextuality as well as the semiotics involved in unconscious intertextuality both dispute the idea that the meaning of a text belongs exclusively to its author’s intentions. Julia Kristeva, who was the first to use the term “intertextuality”, proposed
Julia Kristeva’s concept of the abject as notes in her essay Powers of Horror focuses on that which ‘does not respect borders, positions, rules. The in-between, the ambiguous, the composite’, with a distinct focus on that the abject refers to the human reaction to a threatened breakdown in meaning caused by the loss of the distinction between subject and object or between self and other . William Burroughs’ Naked Lunch and Angela Carter’s collection of re-worked fairy tales in The Bloody Chamber
During my sophomore year in college, I had always restricted myself to a modest diet of long weekend nights alone reading or trying to watch as many films from the Criterion Collection as I could find. I would never get very far. I would always end up re-watching Catherine Breillat’s Fat Girl. A film one critic noted for having a “brutal narrative structure”. Nothing sentimental about it; brutal. The mid-fifteenth century understanding of the word is most compelling to me: to be brutal is to relate
effected. Katniss provides protection for her younger sister, Primrose Everdeen, and her mother, again carrying out the role of the father, or the alpha of the house. She satisfies this role to the degree of volunteering to compete in the annual hunger games in the place of her sister, who was initially chosen. Katniss felt it was her responsibility to protect her sister, as she was the main provider and protector of her family and the household. After volunteering to take Prim 's place, Katniss
This assertion gives room to the following assumption: It’s true that Anne has to stay yards away from her sisters’ influence to build a literary reputation of her own and do something that has not already been done, yet readers of the Bronte sisters will certainly recognize that all of the three have a lot to share in the artistic creation. Readers of The Tenant who are familiar with Jane Eyre cannot fail to recognize that both Helen and Jane, the two female protagonists bear a lot of resemblance
A Feminist Reading of Their Eyes Were Watching God In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the reader is treated to an enthralling story of a woman’s lifelong quest for happiness and love. Although this novel may be analyzed according to several critical lenses, I believe the perspectives afforded by French feminists Helene Cixous and Luce Irigaray have been most useful in informing my interpretation of Hurston’s book. In “The Laugh of the Medusa,” Cixous discusses a phenomenon
u? GUY1: co’, btw did u hear about joe GUY2: no GUY1: imho, hes crazy :) he told julia that he wanted 2 8==D her @ the mall GUY2: roflmao! :) ur right, hes crazy GUY1: 4 real GUY2: hey, I g2g, ttyl GUY1: l8r Any guess on to what is going on? Well, I’ll go ahead and give you the basic rundown on what the conversation said: Guy1 was commenting on how is friend Joe asked a girl (Julia) if they could have consensual sex together in the local mall. Guy2 found this exchange very
The Influences of Sor Juana and Julia de Burgos Most every human being has encountered a time in their life when he or she has felt suppressed. However, not every person has stood up against the people and forces that have kept them oppressed. It takes a truly extraordinary person to stand up for their self and to take a stand for the greater good of others. According to Clare Booth Luce: “courage is the ladder on which all the other virtues mount.” The Mexican writer, Sor Juana Ines de
including free speech, freedom of press or even freedom of thought. Even the details like the history of the known world are changed by a corrupt and ever growing political party, which is managed and run by un-emotional and odious officials. From Julia, who rebels by purely simple, sexual acts, to Winston, who dreams to overthrow the party; all the characters have their own personal way of dealing with the oppression. One example of rebelling against the party is that of Julia’s sexual escapades
which is set in the early 1980s, deals with the clashes between education and culture. It is about a middle-aged university lecturer called Frank. He is currently in a relationship with Julia. This relationship is not going too well as Frank is an alcoholic and would much rather go to the pub than go home to Julia. There is also Rita a 26-year-old woman who didn’t have a good education when she left school due to her parents’ working class background. She is now keen and eager to learn even
which at the time were Caesar, Pompey, and Crassus. This was never truly working all that great, but held itself together by the marriage of Caesar's daughter Julia, to Pompey, and the friendship Caesar and Crassus shared. But, all this came to an end when Crassus was killed in a battle against a Parthian army. Then, not too long afterwards, Julia was murdered by someone who had broken into her home. This, destroyed the bond between Caesar and Pompey, and made them drift apart. Caesar seeing all this
Virginia Woolf - Moving Beyond a Convoluted Memory of Her Parents Why would I start with Julia Duckworth Stephen to get to Virginia Woolf? One answer is Virginia’s often quoted statement that "we think back through our mothers if we are women" (Woolf, A Room of One’s Own). Feminism is rooted not just in a response to patriarchy but also in the history of females and their treatment of each other. Part of feminism is a reevaluation of the value of motherhood. But what does Virginia’s mother
special dinner party. It looks like it was that time of the year again. So I pulled out my phone book and decided to invite a couple of people over. After putting lots of thought into it, I decided to invite three people: Jesse Berst, Molly Masland, and Julia Walker. Now these three people aren’t just any three people. They all have something in common; they know about about online shopping. They are all some type of reporter and have written articles about online shopping. Jesse Berst is and he did a
Anna Julia Cooper "Only the BLACK WOMAN can say 'when and where I enter, in the quiet, undisputed dignity of my womanhood, without violence and without suing or special patronage, then and there the whole . . . race enters with me'" The life of Anna Julia Cooper (1858-1964) affords rich opportunities for studying the developments in African-American and Ameri can life during the century following emancipation. Like W.E.B. DuBois, Cooper's life is framed by especially momentous years in U
In Jonathan Hull's book Losing Julia the main character, Patrick Delaney, was a complicated man. At the age of 18, while still very much an innocent boy, he was sent to Europe to fight in a bloody and terrible war. This exposure to the worst of humanity changed him in many ways. During the war he made some of the best and closest friends he ever had in his life. He also watched these friends die a gruesome death while he was only a hundred feet away, unable to help or save them. His entire outlook
Julia Child: Master Chef and TV Star O Julia, Julia, Cook and nifty wench, Whose unsurpassed quenelles and hot soufflés, Whose English, Norse and German, and whose French, Are all beyond my piteous powers to praise- Whose sweetly-rounded bottom and whose legs, Whose gracious face, whose nature temperate, Are only equaled by her scrambled eggs: Accept from me, your ever-loving mate, This acclamation shaped in fourteen lines Whose inner truth belies its outer sight; For never were there
	Julia Roberts 	One of the most widely known actresses, Julia Fiona Roberts, was born on October 28, 1967. This now 5’9", brown eyed, chatain clair haired girl was born in Smyrna, Georgia. She attended Campbell High School, also in Smyrna, Georgia,where she graduated in 1985. Julia’s favorite of only a few past-times is knitting, which she sometimes does while waiting on set. Her favorite quote is, "What changes with fame, I think, are perceptions of an individual, more than the