relationship between the works of modernism and fin de siècle is one of fear, is not a clear cut 'yes or no' situation. In ... ... middle of paper ... ...arles Baudelaire, The Flowers of Evil, Aylesbury: Oxford University Press, 1993. Joris Karl Huysmans, Against Nature, St Ives: Penguin Books Ltd., 1959. Thomas Mann, Death in Venice, St Ives: Penguin Books Ltd., 1971. Bram Dijkstra, Idols of Perversity - Fantasies of Feminine Evil in Fin de siècle culture, New York: Oxford University
Odilon Redon is an artist who expressed his volition to place the visible at the service of the invisible. What constitutes the visible aspect of Redon’s works, and what constitutes the invisible? Similarly, Are these having reappearing motifs in Redon’s works? How these are be interpreted? Odilon Redon, as a child, he spent his childhood at Peyrelebade. Peyrelebade became inspiration for all his art. His inspiration from Peyrelebade was providing him with nature and a stimulus for his fantasy
Des Esseintes' Infatuation with Artifice in Huysmans' Against Nature In J.-K Huysmans Against Nature, Des Esseintes rebels against his family, religion, and Parisian society to establish an identity unique to himself. He perceives this rejection of the truistic self as the development of individuality when, in actuality, it is only a self deriving from his reaction to the overstimulated public. By decorating his abode with eccentric objects, he falsely believes that he can detach himself from
Did gender really have something to do with the fact that we do not know many past female artists? Sadly the answer is yes. It couldn’t have been because women were afraid to go outside the gender norm, which has been proven in years past that, that is not the case. One thing I noticed during my research is that every woman I discovered had some sort of male counterpart that her work could be compared to or at least they came from some artistic backgrounds such as a father who was an artist. If
OSCAR WILDE: PHILOSOPHIES ON ART IN DORIAN GREY Irish writer Oscar Wilde was a major originator of what is called the Decadent movement, a shift in late 19th-century artistic and literary analysis in Western Europe. This art style primarily flourished in France, but also influenced other areas of Europe - Oscar Wilde, for instance, was primarily responsible for the movement’s spread through England. Oscar Wilde, in all of his works, adhered to the ideas of the Decadents. He penned many articles,
Dorian as Faust in The Picture of Dorian Gray The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way. In many ways, The Picture of Dorian Gray is a retelling of the Faust story. A temptation is placed before