embarrassment. John Wilmot, Second Earl of Rochester, and Jonathan Swift, were two satirist that were noted for using perverse language and graphic depictions to elicit desired emotions from their readers and to wage their attacks on human folly. To understand Rochester's use of sex in his work, one must understand his distaste for reason. This can be seen in his poem, A Satyr Against Mankind, when he comments: "Women and Men of wit, are dang'rous tools, and ever fatal to admiring fools." Rochester viewed
Obscenity in Rochester's Work "Rage at last confirms me impotent" (Rochester). How far is obscenity in Rochester's work motivated by disquiet with the world at large, and how successful is Rochester's ribaldry in fulfilling its satiric purpose? Rochester's poetry has been denounced by many as obscene and immoral. Samuel Johnson condemned his work and said that he lived and wrote "with an avowed contempt of decency and order, a total disregard to every moral, and a resolute denial of every
Mankind Although John Wilmot, better known as the Earl of Rochester, wrote "A Satyr Against Mankind" in 1679, his ideas are still relevant over three centuries later. His foresight in satirizing humankind's use of reason reinforces the intrinsic role of rationality in the human condition. But implicit in his condemnation of rationality is an intentional fallacy—the speaker of the poem uses reason in the same manner as those that he claims to abhor. In doing this, Rochester widens the perimeter
Bronte's Jane Eyre Edward Rochester, the male protagonist of Charlotte Bronte’s Jane Eyre embodies a number of different roles of masculinity. One of the least recognized but very influential roles played by Rochester is the rake. The idea of the "rake" is commonly related to the Restoration period in England; yet this figure does not completely disappear during the eighteenth and nineteenth centuries. Historical figures such as John Wilmot the second Earl of Rochester are described as leading rakish