As a current college student and future educator, remaining open-minded is a goal I strive towards. There are many times where I am close-minded and can not understand the "diversity" within an area. Rider campus is my biggest example because when I first stepped onto it, I felt alone and isolated. Due to class discussion and experience, I realized diversity could apply to everything that makes a person unique. With this knowledge I looked at my fellow students and friends in a new light, with not
Ways of Reading and Jane Tompkins In the book, Ways of Reading, the authors Bartholomae and Petrosky outline what they describe as a "strong reader". They characterize the attributes that collectively contribute to this title and then talk about the relations between a strong reader and a strong writer. The perspectives that Bartholomae and Petrosky discuss on ideas and textual analysis are very interesting and in point of fact remind me of the thought process of which I use when analyzing
Most people when confronted with conflict, do not know how to face it, which is understandable; although, these people make no effort to learn how to deal with situations as small as everyday arguments within society. Examples of such individuals who dealt with these cases (both large and small) would be Anne Frank as seen in “Anne Frank: The Diary of a Young Girl”, which was written by Anne Frank herself; as well as “Dear Miss Breed” by Joanne Oppenheim. From these people, others can learn that
Jean Luc Godard’s Breathless is often regarded one of the earliest films exhibiting the French New Wave style of cinema due to its influence on the movement and innovation by the producers. One of the most noticeable edits that Godard does in Breathless is the jump-cuts made frequently during conversations, and other times when one would expect continuity, in order to break up the flow of story to the audience and force them to actively participate on understanding the progression of events. This
Character Changes in Antigone In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes
context of the narrative, tell viewers what it is they are about to see, remind viewers of the filmmakers intrusion on the narrative, and emphasize the way the filmmaker has chosen to shape and organize the structure of the film. Filmmakers like Jean Luc Godard employ the devices of the self-reflexive mode of screen reality because they do not value the mode of realism or expressionism to adequately convey some social truth or ideal. In choosing a didactic style of representational reality, he sought
Jarok As A Traitor Betrayer. Renegade. Mutineer. Defector. No matter how you say it, it all means the same thing: a traitor. I believe that Admiral Jarok from the episode "The Defector" from the third season of Star Trek the Next Generation is indeed a traitor. He betrayed his country and his family, disclosed secret information, and I intend to prove that he fits the definition of a traitor. The definition of a traitor according to Webster's New World Dictionary from 1994 is: a person who
from the Lumière brothers and the fantastical shorts of Maries Georges Jean Méliès, cinema has continually fulfilled its fundamental purpose of artistic reflection on societal contexts throughout the evolution of film. Two French cinematic movements, Poetic Realism (1934-1940) and French New Wave (1950-1970), serve as historical bookends to World War II, one of the most traumatic events in world history. The Rules of the Game (Jean Renoir, 1939) is a classic example of French Poetic realism that depicts
The French New Wave, particularly the works of Jean Luc Godard, has an important in the history of modern cinema. The new sense of realism that came out of his works would change film as an art form for the rest of time. A group of trailblazing directors who formed there own critical school called Cahiers du Cinema, set a new form of filmmaking in motion in the mid 1950’s. André Bazin is one of the most well known of these critics. The new style of the “Nouvelle Vague” rejected the linear tropes
Jean-Luc Godard’s film, Breathless (1960), is a conventional crime movie that is told using unconventional methods. The film tells a tale of a low-level gangster, Michel (Jean-Paul Belmondo), who aims to become Humphrey Bogart, a character in American crime films. He steals a car, in turn, shoots and kills a policeman. Michel escapes to Paris where he begins seducing a young, American, blonde named Patricia (Jean Seberg). Patricia does not know of his criminal activities. However, when the police
luestone and his Novels into Film : George Bluestone, a pioneer in critical film studies, barely at the age of mid-20s, began to write about how film-makers, directors and screenwriters turn great movie into a film. He called this artistic process- “the mysterious alchemy”. Novels into Film is his impressive critical work, first published in 1957. Bluestone begins a discussion of limits of both the novel and the film. He presents a radical analysis of the limitations, techniques, and potentialities
repetitive in their films is what Francois Truffaut, the film critic who established the theory, would call an auteur (Boda &Pendleton-Thompson). Two such auteurs whose films were shown in class this semester include the legendary French director Jean-Luc Godard who directed Vivre Sa Vie (1962) and the American director of Upstream Color (2013), Shane Carruth. Though these directors are acclaimed as auteurs
Star Trek Next Generation is an example of a space opera. Space opera includes a lot of romantic elements such as love stories, space battles, oversized heroes and villains, exotic locations, and gorgeous women. Anyone with even just some exposure to Western pop culture has heard of at least one of the Star Trek series. The series predicted many technological mainstays such as the tablet, automatic doors, mobile phones, and natural-language AI programing long before their commercial-market debuts
Jerroc's Betrayal In the Star Trek: the Next Generation episode entitled "The Defector," an interesting issue concerning loyalty and credibility is raised. When Admiral Jerroc of the Romulan Empire turns himself over to the Federation in an apparent attempt to save both parties from a potentially catastrophic war, he violates most of the unstated rules of turning against one's comrades to fight for the enemy. His behavior and statements as a prisoner aboard the Enterprise cause Captain Picard
spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universally understanding or interpretation. This is true for the French New Wave films; Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films; Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society using sound and editing. Godard creates a unique editing style in Contempt and Breathless through the combination
Probably the French New Wave’s most prominent international figure is Jean-Luc Godard, who could be described as a visionary of film both in France and abroad. Apart of his remarkable career as a screenwriter and director, Godard was first of all a highly esteemed critic of film. Being part of the Cahiers de Cinema as one of the magazine’s most celebrated contributing actors, he was praised for his experimentation with both the thematic and technical aspects of film production (Sterritt, 1999). The
Melody Yueying Chen Lending Emptiness The French is privileged to have their effortless chic and unique style, and nowhere is this better depict by the French New Wave films from the late 1950’s to the late 1960’s. Jean-Luc Godard, one of the greatest names in the history of film, was a pioneer of filmmaking back in the new wave era, and stay influential throughout the century. In the 1960’s, France was undergoing post-war economic growth. After the Hiroshima bombing, Vietnam War, and more political
Admiral Jarok was a traitor, especially in the eyes of his countrymen. The very principles that define the Romulans are honor and loyalty and in no way can his actions be seen as loyal. Although some could argue his actions were those of a defector, his actions as Romulan official in this particular situation make him a traitor. A traitor is defined as a "person who betrays his or her country, cause, friends, etc. " (Webster) The true meaning of traitor is not found in this definition, but
Admiral Jarok as a Traitor Although a somewhat tacky and predictable program, Star Trek: The Next Generation, succeeds where other television shows don't. Beneath all the glitz and glamour, a very straightforward theme arises in each episode parallel to our own society. One such episode is "The Defector," wherein the intrepid crew of the U.S.S. Enterprise happens upon a Romulan renegade requesting asylum in Federation space. The Federation, (protected by its military organization Starfleet), and
Jean-Luc Picard as a Leader Jean-Luc Picard, Captain of the Starship Enterprise, is a good leader because of his ability to guide and direct his crew in such a way that protects the Federation from its enemies and inspires others to have similar goals. Every leader has their own unique characteristics and Picard is no different. He is able to utilize his crew members' talent's, ship's technology, and his own experiences to be the best leader he can be. Webster's New World Dictionary defines