1 INTRODUCTION The Triplets of Belleville (French: Les Triplettes de Belleville) is a 2003 animated comedy film written and directed by Sylvain Chomet. There is little dialogue, the majority of the film story being told through song and pantomime. It tells the story of Madame Souza, an elderly woman who goes on a quest to rescue her grandson Champion, a Tour de France cyclist, who has been kidnapped by the French mafia for gambling purposes and taken to the city of Belleville. She is joined by
instrumental theories of technology while allowing for technological progress as well. The substantive theory of technology argues that the effect technology has on society is more damaging then the visible effects of the technologies themselves. Jacques Ellul and Martin Heidegger believe that technology establishes a new way of living that rebuilds society as something that they cannot control themselves. An example would be to compare fast food to a home cooked meal. Though some argue that fast
of human selfishness. An example would be the behavior of the sailor who Pangloss and Candide met on their voyage to Lisbon. This sailor was rescued from drowning by Jacques the Anabaptist. Yet when Jacques fell into the sea himself, the sailor refused to risk his own life to save him. As a result of this selfishness, Jacques died. Later on, when the sailor reached shore, he ignored the sufferings of people horribly injured by a recent earthquake. Instead the sailor took money from them in order
Absolutism as Primary Form of Government Absolutism became the primary form of government for many Europeans in the seventeenth and eighteenth centuries. It appealed to so many for reasons the same as other governments. “Absolutists contended that social and political harmony would result when subjects obeyed their divinely sanctioned rulers in all aspects“ (Text 594). Absolutists rulers felt God gave them their ability to teach the masses the proper ways to live. Absolutist rulers had several
harm to one another in some way. Although as soon as James or Jacques, the Anabaptist, is introduced to us he seems different then any other character so far. Most of the people Candide meet throughout his journey are mean and cause him harm but Jacques is kind right from the beginning. In Chapter three Jacques carries Candide, someone who he had never met, into his home, washed him, gave him food and employs him in his rug factory. Jacque?s kindness revives Candide?s faith in Pangloss?s theory that
In Voltaire's Candide, many of the characters share the uncanny ability to go through difficult situations and survive. Some of them are even killed, only to return in the next chapter healthier than ever. In many cases, they narrowly escape death due to the help of a friend who bails them out and asks for nothing in return. After so many close calls, one can't help but speculate if a higher power is in control of their fates, or possibly their survival is solely due to luck. In the
Sigmund Freud vs. Jacques Lacan The story of Sophocles' Oedipus Tyrannus has been interpreted by innumerable writers, philosophers, and critics in countless ways; the methods of interpreting Oedipus vary from mad rages and blind accusations to ignorantly perverse acts ranging from basic sexual desire to pre-destined fate ordained by the gods. Perhaps the most famous psychoanalyst in history Sigmund Freud theorized that Oedipus' story was applicable to all. French psychoanalyst Jacques Lacan translated
Italian-born Cubist painter, Amedeo Modigliani (1884-1920) and the French, Jacques Villon (1875-1963), both painted vibrant and expressive portraits during the early twentieth-century. In this case, the chosen portraits are Modigliani's "Portrait of Mrs. Hastings", 1915 and Villon's "Mme. Fulgence", 1936. Both of these compositions are portraits. Nothing is of more importance than the sitter herself. The female sitter in Modigliani's piece, sits in an almost dizzying pose with a twist in her
so vitally, that in the end they succumb to it utterly and can never again escape from it” (Goebbels). Both Jacques-Lois David and Joseph Goebbels were aspiring men who rose above the standards that were set for them and utilized their own individual talent in order to sway people’s opinions to match their own. They both possessed extraordinary talent and ideas for their time, where Jacques-Lois David was an artist who mastered in the neoclassical style of painting and used his art work as a form
of Jewish ancestry. His grandfather, Pierre de Nostradame, had settled in Provence because by the mid-1400s, many Jews had come to live there. Nostradamus' father was Jacques de Nostradame. Jacques worked as a scholary, since most people didn't know how to write he wrote things for them, from love letters to formal documents. Jacques' income provided a good home at the time. Nostradamus' earliest recollection of his home was the following: Typical of all provençal homes in the sixteenth century was
Holland. In Holland, a kindly Anabaptist named Jacques takes Candide in. Candide runs into a deformed beggar and discovers that it is Pangloss. Pangloss explains that he has contracted syphilis and that Cunégonde and her family have all been brutally murdered by the Bulgar army. Nonetheless, he maintains his optimistic outlook. Jacques takes Pangloss in as well. The three travel to Lisbon together, but before they arrive their ship runs into a storm and Jacques is drowned. Candide and Pangloss arrive in
Austin's Ditch: The Political Necessity and Impossibility of "Non-Serious" Speech ABSTRACT: This essay seeks to show that there are political implications in Jacques Derrida’s critique of J.L. Austin’s notion of performative speech. If, as Derrida claims and Austin denies, performative utterances are necessarily "contaminated" by that which Austin refuses to consider (the speech of the poet and the actor in which literal force is never intended), then what are the implications for the speech
The theories of Jacques Lacan give explanation and intention to the narrator’s actions throughout the novel “Surfacing”. Although Margaret Atwood may not have had any knowledge of the French psychoanalyst’s philosophies, I feel that both were making inferences on behavior and psychology and that the two undeniably synchronize with each other. I will first identify the complex philosophies of Jacques Lacan and then demonstrate how the narrator falls outside of Lacan’s view of society and how this
Philosophy of Time and Media with Jacques Derrida and Richard Rorty ABSTRACT: This paper is divided into four sections. The first provides a survey of some significant developments which today determine philosophical dealings with the subject of 'time.' In the second part it is shown how the question of time and the question of media are linked with one another in the views of two contemporary philosophers: Jacques Derrida and Richard Rorty. In section three, the temporal implications of cultural
Classical Greek Philosophical Paideia in Light of the Postmodern Occidentalism of Jacques Derrida ABSTRACT: In his writings during the 60s and 70s, Derrida situates his doctrine of différance in the context of a radical critique of the Western philosophical tradition. This critique rests on a scathing criticism of the tradition as logocentric/phallogocentric. Often speaking in a postured, Übermenschean manner, Derrida claimed that his 'new' aporetic philosophy of différance would help bring about
that Ophelia could be just that, "Ophelia." Her entire article is devoted to individual interpretation of the play in its entirety, focusing primarily on Ophelia. Showalter presents her own ideas by bringing together the ideas of many others such as Jacques Lacan, Susan Mountfort, Ellen Terry, and more. Showalter provides suffice evidence in addressing each argument, but in doing so, she never takes into account the possibilities of Shakespeare's reasoning. In the discussion of Ophelia's character
Thomas Hobbes and Jean-Jacques Rousseau Thomas Hobbes and Jean-Jacques Rousseau developed theories on human nature and how men govern themselves. With the passing of time, political views on the philosophy of government gradually changed. Despite their differences, Hobbes and Rousseau, both became two of the most influential political theorists in the world. Their ideas and philosophies spread all over the world influencing the creation of many new governments. These theorists all recognize
Jacques Coustean The country of France has contributed many brilliant cultural figures over their nation’s history. There is a long and complicated history of rulers, musicians, artists, and philosophers. But what name was the first to come to mind when I began to search for an artist from my ancestor’s country of origin? None other than Jacques Cousteau, the red-knit-cap-wearing, fishy-loving filmmaker who pioneered underwater photography. Through the use of documentary, Cousteau brought up
Caricature Paper Jacques-Louis David: Gouvernement Anglois (The English Government) Introduction: As one can expect from the very nature of political and social revolutions, there were some very unhappy people during the French revolution. The question here is why the French citizens of this time so upset were and was their discontent so great that a revolution could be justified? Furthermore, who and what will be the ultimate vehicle to bring the necessary political, social and economic dreams
Jacques Cousteau Jacques-Yves Cousteau was born in St. Andre de Cubazac, France in 1910. The son of a lawyer, Jacques was warned by doctors to avoid strenuous activities due to chronic enteritis and anenemia. This did not affect his sense for adventure. At age 11, he built a foot working model of a two hundred ton marine crane. At age 13, he made a battery powered automobile. In 1930, at the age of twenty, Jacques entered the French Naval Academy. Form 1933 to 1935 he served in the Far East