The Hobbit By J.R. Tolkien The Hobbit is the story of Bilbo Baggins, a hobbit who lives in a hole in a hill. He enjoys a quiet life but it is interrupted by a surprise visit by the wizard Gandalf. Gandalf comes with a company of dwarves led by Thorin. They were searching to recover a lost treasure that was being guarded by a dragon named Smaug, at the Lonely Mountain. Gandalf decided Bilbo would be helpful to the team as a burglar. On the journey, Bilbo and the dwarves encounter all sorts of
Exploring the Factors that Define a Person's Identity in The Hobbit by J.R. Tolkien Identity is the basis of individuality. It determines who one is; who one chooses to be; how one is perceived by others. This philosophy is applied no differently in 'The Hobbit', written by J.R. Tolkien. It is a fantasy-adventure tale about a peaceful creature called a hobbit named Bilbo Baggins, who is hauled into an adventure by a well-known wizard, Gandalf. He sets off with thirteen dwarves in a quest
own worldview. Tolkien is no exception. "I am a Christian..." he writes(1), and his book shows it. Christianity appears not as allegory--Tolkien despises that(2)--nor as analogy, but as deep under girding presuppositions, similarities of pattern, and shared symbols. That there should be similarities between the presuppositions of of The Lord of the Rings and Tolkien's Catholic faith is to be expected given Tolkien's own views on Christianity and myth. Regarding the gospel story Tolkien wrote, "The gospels
Tolkien's Lord of the Rings as a Catholic Epic It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us. To begin with, it must be remembered that Catholic culture and Catholic faith, while mutually supportive and symbiotic, are not the same thing. Mr. Walker Percy
John Ronald Reuel Tolkien was born in 1892 in Bloemfontein, South Africa. He was raised in Birmingham, England in a poor Roman Catholic family. Tolkien had fought in World War l (1916). After the war, he became a professor of English at Oxford (1925-1959). When his children were young, he would tell them tales about an imaginary place called “Middle-Earth”. Oxford urged him to write these tales down and he did. He published the first ones in 1954-1955 and made a very successful series. The Fellowship
Imagine a world full of monsters, demons, and danger, as well as a world full of friends, fairies, good wizards, and adventure. In doing so you have just taken your first step onto a vast world created by author and scholar John Ronald Reuel Tolkien. Tolkien became fascinated by language at an early age during his schooling, in particularly, the languages of Northern Europe, both ancient and modern. This affinity for language did not only lead to his profession, but also his private hobby, the invention
The Character of Sméagol in Tolkien's The Lord of the Rings Although JRR Tolkien is notorious for his numerous, and often seemingly irrelevant, minor characters - the necessity of an index of names in The Return of the King proves this without a doubt - one of the most crucial and fascinating characters of The Lord of the Rings physically appears in barely more than one-sixth of the novel. The character Sméagol, often referred to by his alter ego Gollum, on a basic level serves only to
JRR Tolkien's The Lord of the Rings: The Two Towers The Lord of the Rings is set in Middle-earth, a fictional world created by Tolkien. Mystical creatures such as Hobbits, Orcs, trolls, ents, elves, wangs, wizards, dragons, dwarves and men inhabit middle-earth. Middle-earth is a magical world in which imagination rules, but it exists very much like "real" society, with political and economic problems and power struggles. Each of the races that inhabit this world have their own territories and are
loving care they seem almost real, it is easy to forget there is another world outside, the world in which John Ronald Reuel Tolkien, an Oxford don, lived and wrote his monumental series of fantasy novels. It is, after all, natural to want to escape humdrum reality. Literature that offers a simple pleasure of a different time, a different place has nothing to be ashamed of. Tolkien in the same essay describes "escape and consolation" as one of the chief functions of the fairy-tale by which term he understands
them all and in the Darkness bind them" (1 Lot R II, 2 The Council of Elrond) One of the masters of British Literature, John Ronald Reuel Tolkien has the unique ability to create a fantasy world in which exists a nearly endless supply of parallelisms to reality. By mastering his own world and his own language and becoming one with his fantasy, Tolkien is able to create wonderful symbolism and meaning out of what would otherwise be considered nonsense. Thus, when one decides to study The Ruling
A Medieval Contest In comparing and contrasting the Arthurian Legends and J.R.R. Tolkien’s book The Fellowship of the Ring, it is almost like a medieval contest between the two with many of the similarities coming from the customs of the Middle Ages. A look at the make up of the groups involved, the moral code, the protagonist, the antagonist, the use of supernatural elements and the knightly quest involved in each book shows how alike they are but yet different. The Arthurian Legends revolve
Introduction The Lord of the Rings, by J.R.R. Tolkien, has been called by some one of the greatest books of all time and has recently earned the claim of "greatest book of the 20th century" in a poll by Britain's Channel 4 (O'hehir). Yet at the same time scholars have often dismissed The Lord of the Rings as a fanciful children's story. While the validity of either claim can be equally well disputed, the The Lord of the Rings and related works by Tolkien nevertheless embody a very clear and consistent
Analyzing Characters in Tolkien's The Hobbit The Hobbit (1937) by J.R.R. Tolkien is an exciting novel, an adventure that takes on a whole new meaning. At the start of the novel, Bilbo Baggins, an ordinary hobbit, is doing what the ordinary hobbit does, just staying at home. Hobbits are very comfortable with life and look for no excitement or change whatsoever. When Gandalf shows up on the doorstep of Bilbo Baggins' cave (home), it was a major shock to him. Slowly dwarves show up at his doorstep
Magic and the Supernatural in The Hobbit The Hobbit, by J.R.R. Tolkien, is full of magic and things having to do with magic. There are all sorts of supernatural creatures in this novel, including dwarves, trolls, goblins, elves, wizards, and the main character is a “hobbit”. Overall, magic and the supernatural plays a very big part in The Hobbit. One major magic entity in the book is Gandalf. He shows his magic power a few times. One of those times was when the little party was in the Misty
The Fellowship of the Ring by J. R. R. Tolkien For this report I have chosen to write on The Fellowship of the Ring by J. R. R. Tolkien. This book is a classic that every individual should read. This book is also part of a trilogy, and the story becomes more exciting as you read the other two books in the series. For this character analysis report I will focus on the character Frodo Baggins of the Shire. Frodo Baggins is a Hobbit, a dwarf-like creature. He comes from the Shire, an area inhabited
A Battle of the Heart In the book The Lord of the Rings, the Fellowship of the Ring by J.R.R. Tolkien Frodo Baggins was raised by Bilbo Baggins, a hobbit that disappeared without a trace and came back with wild stories and a ring, which he kept a secret from almost everyone, and the Ring helped him disappear during his 111th birthday. As his heir Frodo inherited not only the Bag End but the ring, too. The responsibility Frodo inherited with the ring, lead the young hobbit to a journey in which he
following has grown. People from different cultures, different languages, and different political ideologies gravitate together forming a cohesive group that helps to spread the word about the work of Robert Jordan. In much the same manner that J.R.R. Tolkien created a myth for the modern ages with his saga "The Lord of the Rings" and George Lucas has done with his "Star Wars" series of movies, so has Robert Jordan entered into the realm of mythology with his work "The Wheel of Time". And this myth, like
on and on. Down from the door from where it began. Now far ahead the road has gone and I must follow it if I can. Pursuing it on weary feet until I joins some larger way where many paths and errands meet and whether then I cannot say. J.R.R. Tolkien I recently read the book Metaphors We Live By written by Lakoff and Johnson. I had always thought that metaphors, when used to illustrate logical, objective arguments, poetical flourishes, the icing on the cake, the supporting cast but never the
Interactive Fiction: Computer Games When I read a good novel I always imagine myself participating in the events, going on the journey with the characters. I can still clearly remember the first time I finished The Lord of the Rings by J.R.R. Tolkien. I was 9 at the time, and the books had a great effect on me. When the story ended, it seemed like I had been along for the ride. Yet I had been involved in the action only as a bystander, nothing more than a ghost watching things happen, unable to
evil, and how the monsters are representative of the evil side: Ker was answered in 1936 by the critic and novelist J.R.R. Tolkien, author of Lord of the Rings, who argued that “the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem, which give it its lofty tone and high seriousness.” For Tolkien, the monsters were symbolic of eternal forces of evil while remaining real monsters (1273). The numerous conflicts within Beowulf