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    Homeric Formalism in The Iliad and The Odyssey "Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly... no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place." (from "Odysseus' Scar" by Erich Auerbach) In his immaculately detailed study comparing the narrative styles of Homer to those of the Bible, Erich Auerbach hits upon one of the most notable intrigues

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    Hector as the Ideal Homeric Man of Homer's Iliad Homer's Iliad enthralls readers with its’ valiant heroes who fight for the glory of Greece. The Iliad, however, is not just a story of war; it is also a story of individuals. Through the characters' words and actions, Homer paints portraits of petulant Achilles and vain Agamemnon, doomed Paris and Helen, loyal Patroclus, tragic Priam, versatile Odysseus, and the whole cast of Gods. Ironically, the most complete character in the epic is Hector

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    their order.  Jim's (Cather's) narrative personifies romanticism in his manuscript. Conventional structure is irrelevant to the true meaning of Cather's story. The collection of books that make up the novel My Antonia are sporadic but not Homeric in the sense that Jim, or Antonia for that matter, centers all action.  For instance, Cather gives us the totally unrelated story of Peter and Pavel and their murderous sleigh ride in Russia.  Antonia virtually drops out of the narrative for a large

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    Omeros and St Lucia Derek Walcott’s Omeros is an epic story which fits well into the classical tradition. Its numerous echoes of Homeric writing combined with the use of characters’ names from Homer’s stories are clear evidence to the fact that there is a major parallel to Homer’s Iliad and Odyssey. There is no debate in this obvious fact. Omeros and Derek Walcott’s writing, however, are much more than a mere reproduction of classical Greek and Roman themes. Arguing

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    Heinrich Schlieman

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    out whether Heinrich Schliemann was a greedy charlottarian, a talented archeologist or just someone who stumbled upon a great discovery. Heinrich Schliemann was born on January 6, 1822 in the small village of Neu Buckow, Germany. His interest in Homeric Troy started when his father, a protestant minister, gave him a book or Christmas in 1829 by Ludwig Jerrer entitled Illustrated History of the World . Though he was realizing his dream of becoming rich, Schliemann remained a tortured spirit. He learned

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    Swift Achilles

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    is the characterization of the Homeric hero. These men possessed seemingly superhuman strength and courage, they fought and risked their lives for their people and their comrades in arms, and many of them were descendants of the gods themselves. Among the Achaeans, there emerged one man above all others in greatness. The son of the goddess Thetis, it was swift Achilles who defeated Hector, the mighty Trojan prince. When trying to classify a man as a “Homeric hero” or to decide which from a

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    Pythogoras of Samos

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    There are accounts, that during their travels, Mnesarchus returned to Tyre with Pythagoras, and had him taught there by the Chaldaeans. “Certainly growing up he was well educated, learning to play the lyre, learning poetry, and learning how to recite Homeric plays.” (www.parmenides.com) There were three philosophers, though, who had an influence on Pythagoras while he was a young man. One of the most important was Pherekydes who was described as the teacher of Pythagoras. The other two philosophers were

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    believe that it is simply an epilogue (having the epic really ends in Book XXII when Odysseus killed the suitors.) Some scholars believe that the final book is not even Homeric. This essay shall discuss why Book XXIV is a good conclusion and how it relates to the rest of the story, which would provide a case for it being Homeric. In Book XXIV, entitled "Warriors, Farewell," Homer does not seem to want to have a grand ending, but rather neatly wrap up all of the loose ends. There are three major

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    purpose, especially if this individual has risked or sacrificed his life. In the Iliad and the Odyssey, the code which administers the conduct of the Homeric heroes is a straightforward idea. The aim of every hero is to achieve honor. Throughout the Iliad and the Odyssey, different characters take on the role of a hero. Honor is essential to the Homeric heroes, so much that life would be meaningless without it. Thus, honor is more important than life itself. Throughout the Iliad, heroic characters

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    influences such as the two major epic poems, the Iliad and the Odyssey. The mythological figure of heroism is endowed with great strength and ability, and of divine descent. He brings honour and acclaim, and is admired for his courage. This is the Homeric ideal that The Red Badge of Courage and Journey's End approaches. There is the predominant emphasis on the physical, courage and masculinity, in the ideal of a heroic person in these two texts. However heroism redefined in the modern context has

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