Harpsichord Essays

  • The Function Of Louis Couperin Prelude From Suite In C Major

    658 Words  | 2 Pages

    127-128, 2014) The harpsichord was very detrimental to the Baroque era. The harpsichord is a piano like instrument that is plucked instead of hit with a hammer and it has a distinctive sound. When a harpsichord key is depressed, a small piece called a plectrum plucks a string above the soundboard which produces a distinctive sound. As soon as the key is released, a very tiny piece of felt falls to stop the vibration which causes the sound to stop. The tones of the harpsichord cannot last for more

  • Harpsichord Essay

    1602 Words  | 4 Pages

    The Harpsichord This paper will be explaining the history behind the creation of the harpsichord. This paper will also look at some of the famous harpsichord composers throughout history. There are many other interesting instruments in the world, but the harpsichord made it possible to create many different sounds that led to even greater compositions. The harpsichord was the quintessential instrument in producing the modern days string instruments that are seen in the world today. The harpsichord

  • Harpsichord And Piano Essay

    1093 Words  | 3 Pages

    Due to the different eras between the Harpsichord and the Piano, a significant difference in their design, function and role is presented. In order to understand how each instrument developed, an analysis of each era needs to be provided first. The Harpsichord was first introduced around the 14th century. The definite origins of the harpsichord are unknown, but the first reference to the Harpsichord was made in Burgundy in 1450. The baroque era is highly recognised for its flamboyant, exaggerated

  • Analysis Of The Harpsichord Work By Rameau

    1032 Words  | 3 Pages

    The harpsichord works by Rameau are not as extensive as the ones of Couperin. A total of some sixty pages over a period of some forty years. Nevertheless, the corpus is enormous by its quality and brilliance and remains a summit of the French music history. It includes three collection of pieces for the harpsichord published in 1706, 1724 and towards 1728; five pieces extracted from "Piéces de Clavecin" published in 1741 that Rameau, himself did arrange for the keyboard and one isolated piece "La

  • Piano's Evolution: From Harpsichord to Emotional Outlet

    706 Words  | 2 Pages

    feelings. During the Baroque Period both the clavichord and the harpsichord reigned as the most popular keyboard instrument of choice. However, by the end of the Baroque Period the piano had replaced both keyboards as being the most popular and widely used (Verotta). The piano has been derived from the harpsichord and the clavichord which had evolved continuously through the combined effort of keyboard makers. Being that the both the harpsichord and the clavichord were popular keyboard instruments, instrument

  • The Harpsichord: The Most Important Keyboard Instruments In European Music History

    1099 Words  | 3 Pages

    The History of the Harpsichord The harpsichord was the most important keyboard instrument in European music history from the 16th through the first half of the 18th century. It originated and evolved from the monochord, which is a primitive instrument invented in the sixth century BC by Pythagoras. Their precise origins are a matter of debate, although it is known that they have existed since the 15th century; there are clear references of the harpsichord in the literature of that period. After

  • BOOK 1: THE PIANO HANDBOOK In this book McCombie explains how Bartolomeo Cristofori changed a Harpsichord in to a piano

    1350 Words  | 3 Pages

    BOOK 1: THE PIANO HANDBOOK In this book McCombie explains how Bartolomeo Cristofori changed a Harpsichord in to a piano over three hundred years ago. McCombie goes on describing how when Cristofori was angry and frustrated he banged on the keys of the Harpsichord. Cristofori found that they didn’t respond with satisfactory crashing chords. By the year 1700 Cristofori changed the Harpsichord so that he could use two strings for each note and a set of leather covered hammers to strike them

  • HISTORY AND ORIGINATORS OF KEYBOARD

    2123 Words  | 5 Pages

    HISTORY AND ORIGINATORS OF KEYBOARD BAROQUE PERIOD Harpsichord (Italian cembalo; French clavecin), stringed keyboard instrument in which the strings are plucked to produce sound. It was developed in Europe in the 14th or 15th century and was widely used from the 16th to the early 19th century, when it was superseded by the piano. In the 20th century the harpsichord was revived for performance of music of the 16th, 17th, and 18th centuries, as well as for new compositions. The incisive sound quality

  • Reflection Paper On Music

    1162 Words  | 3 Pages

    like the flute, the way she played it made me feel each note she performed. Next we have Irma Cripe. Irma played the cello, an instrument whose strings produce beautiful ranges of pitch. And last but not least, I witnessed Gary Kirkeby play the harpsichord and piano. The piano was my favorite part of the whole night. Throughout the whole night, I got the vibe of the Baroque period, which was a heavily ornamented

  • Pianoforte Essay

    1059 Words  | 3 Pages

    which can be seen through how it came to be, what composers first thought of the instrument, and how it affected orchestral music. Before the pianoforte was brought into existence, the keyboard instrument of the orchestra was the harpsichord. The timbre of the harpsichord was much different than that of the pianoforte, this being primarily because of the harpsichord’s strings being plucked, whereas the piano’s strings

  • Use of Symbolism in Hawthorne's The House of the Seven Gables

    1368 Words  | 3 Pages

    impressive characteristics using images that come up repeatedly in his novel such as the nature and flowers in the garden as well as Alice's Posies. Hawthorne also makes reference to the Maule "mastery" and its power over Alice and the playing of the harpsichord during a Pyncheon death. All the symbols culminated above, lead to an in depth analysis of Alice Pyncheon's character, her innocence, pride, beauty and mournful sorrow. According to Hawthorne, Alice had an uncanny resemblance to the flowers of

  • The History of the Piano

    1783 Words  | 4 Pages

    Intent upon creating a superior to the clavichord, musical engineers created the harpsichord. The harpsichord used a frame similar to modern grand-pianos, but utilized a wooden bar and a quill to pluck strings (the jack), which amplified the sound of a clavichord greatly. Harpsichords were more expensive clavichords and became a fad in sixteenth and seventeenth century England (Rice 185). The harpsichord was a particularly important development leading to the invention of the piano. "Its

  • Instruments Of The Renaissance Affected Modern Music

    1530 Words  | 4 Pages

    people. They were very innovative for their time and served as much more than an instrument. In many cases these instruments became the source of even better instruments that directly related to them. The lute, recorder, bagpipes, sackbut, and the harpsichord are all related to an instruments like them but better advanced and suited for today's society. The Instruments of the Renaissance paved the way for modern variations of those instruments and left an impact on the society of music. The Lute is

  • The Piano: The Evolution Of The Piano

    1817 Words  | 4 Pages

    inner mechanism have stayed the same. However, the outside appearance of piano did changed a few times throughout the course of time. The first piano borrowed quite a bit of its look and design from the harpsichord because it was invented by Bartolomeo di Francesco Cristofori, an Italian harpsichord maker. (Powers, W. 2008) Namely, a noticeable amount of improvements have been made during the evolution of the instrument base on the demand of the time and arena. In this essay, stringed instruments with

  • Greta Kraus' Contribution To Canadian Music

    1296 Words  | 3 Pages

    In Canada, Greta Kraus is the uncontested doyenne of the early-music revival in general, and harpsichord playing in particular, but her accomplishments go far beyond the baroque repertoire. She has coached Canadian singers not only in baroque oratorios but in romantic German opera and lieder, and twentieth-century works. The composer R. Murray Schafer studied with her, and so did the keyboard artists Douglas Bodle, Elizabeth Keenan, Patrick Wedd, and Valerie Weeks and the singers Elizabeth Benson

  • Baroque Music Research Paper

    742 Words  | 2 Pages

    elements, two of them being continuo and ornamentation. Both of these concepts consisted of the difference between what the composer wrote down and what the performer played. Continuo is also found within Baroque music. Continuo consisted of a harpsichord and a cello, providing the rythmic and harmonic foundation of the Baroque ensemble. A concerto is a "large-scale compsition" between a soloist (or group of soloists) and an orchestra, found in Baroque music. The soloists alternate, playing along

  • Summary: Chamber Organ

    1133 Words  | 3 Pages

    size compared to that of a larger organ. That being said, this organ, compared to the other three types on exhibition, has a very unique sound which I describe as a mix between a harpsichord and a grand piano as the tone still contains the deepness of a piano while having a lighter feeling to its sound like a harpsichord. Clavichord: This very simple German-made clavichord, in terms of stringed keyboard instruments, has a very unique sound,

  • Evolution of the Keyboard

    1578 Words  | 4 Pages

    The Physical Evolution of the Keyboard: From Monochord to Harpsichord Since the first person heard the wind whistle through the trees or the sea in a seashell humans have been drawn to sound. Being the oppressive and ingenious species that we are we felt the need to capture these sounds and any others that we could to keep for our own. Eventually people like Pythagoras and gods such as Apollo found that by stretching materials and picking/plucking them that they would produce sounds and that the

  • History of the Piano

    2050 Words  | 5 Pages

    The piano is an instrument that can be traced back through the centuries; there are no debates about that statement. Nevertheless, there are several different views on what begins the history of the piano. In his book, Pianos and their Makers, Alfred Dolge begins with the Monochord in 582 B. C., which was used by Pythagoras. However, Ernest Closson begins his History of the Piano with the clavichord and gives only five paragraphs to the influences from before. Everyone has their own interpretation

  • Antonio Vivaldi: Italian Baroque Composer

    517 Words  | 2 Pages

    and early on was trained in the violin and singing. He had a very beautiful soprano voice as a child which got him into a very important German musical school and choir. When his voice changed, he focussed his attentions on playing the organ and harpsichord. He became one of the best organists in Germany. He married and had many children. He composed most of his music for the church. One of his most famous works is the Brandenburg Concertos. (https://www.youtube.com/watch?v=QLj_gMBqHX8 ). These concertos