reporting requirements that apply to accounting for commercial banks. We uncover the ... ... middle of paper ... ...nk Controller¡¦s Manual.¡¨ Sheshunoff Information Services, Inc. 1992. Federal Reserve System. http://www.federalreserve.gov/ Gunther, Jeffery, ¡§Financial statements and reality: Do troubled banks tell all?¡¨ Economic & Financial Review. Third Quarter 2000, p. 30-35. Kane, Edward J., ¡§Taxpayer Loss Exposure in the Bank Insurance Fund.¡¨ Challenge. Mar/Apr 1993, p. 43.
Because central venous catheters (CVCs), which are catheters inserted through a major vein with the tip resting near the heart, serve many purposes such as medication administration, parenteral nutrition, fluid therapy and central venous pressure measurement, their use has become increasingly common in the intensive care unit (ICU) (Polderman & Girbes, 2002). However, CVC use is associated with an increased risk for hospital-acquired infections (McLaws, Gold, King, Irwig, & Berry, 1988), with those
Documentation and Fabrication in Phonography ABSTRACT: In most general terms, my paper is about the mixture of agendas in the recording industry, where documentation, with its apparently educational implications, becomes difficult to distinguish from a range of distinct, even opposed, goals—which I group under the heading "fabrication." After a few historical remarks, I develop the concept of what I call works of phonography (WPs)—that is, sound-constructs created by the use of recording machinery
George Balanchine If composers are the masters of time, then the choreographer George Balanchine is the master of visual realization of that time in human terms. A master in both the kinesthetic and musical frames of creativity, he did not devote his energies to music visualization by assigning a certain number of dancers to represent strings, others the brass, and still others woodwinds or percussion but by creating a visual analogy in space that restates the musical structure with the trained
Jazz Albums as Art In the Process of Completing Research for This Issue, I Realized That What I Want to Say May Be Divided into Two Sections. Part One Surveys the General Topic of Album Art; Part Two (Outlined in the Accompanying Sidebar) Considers the Conspicuous Absence of Black Artists from the Process of Designing Jazz Packages: Covers, Liner Notes Etc. This Second Part Will Be Published in an Upcoming Issue.--R.G.O'M. The enclosed portfolio of album cover art springs from my ongoing concern
Computer Linguistics and Philosophical Interpretation ABSTRACT: This paper reports a procedure which I employed with two computational research instruments, the Index Thomisticus and its companion St. Thomas CD-ROM, in order to research the Thomistic axiom, ‘whatever is received is received according to the mode of the receiver.’ My procedure extends to the lexicological methods developed by the pioneering creator of the Index, Roberto Busa, from single terms to a proposition. More importantly
LAW, SOCIAL SCIENCE, LITERATURE, LAW SCHOOL, AND PERSONAL STATEMENTS Law School Admissions: Why Bother? Stately and plump, Harvard Law School admits just 850 to yield a class of 550; for Yale, fewer than 400 admitted brings a svelte class of 170. Ever battling its late entry and the suspectness of a West Coast address -- “newness” coupled with the perception that sunshine vitiates seriousness -- Stanford Law School admitted 435 to make a class of 180 for the class of 1998. For the most part, students