In the essay “Naturalism and the Venetian ‘Poesia’: Grafting, Metaphor, and Embodiment in Giorgione, Titian, and the Campagnolas,” Campbell explains the role of poetic painting, poesia, in Venetian artwork during the 1500s. Titian personally used the term poesia when he “[referred] to paintings he was making for [King Philip II] with subject matter derived from the ancient poets.” Poesia now refers to a type of sixteenth century Venetian painting, which Giorgione and Titian initiated and used
Works Cited John J. Sosik and Don I. Jung, Full Range Leadership Development: Pathways for People, Profit, and Plant (New York: Psychology Press, 2010), 14. William D. O’Neil, “Transformation” (Annapolis: US Naval Institute, 2002), 1. Ibid., 2. Giulio Douhet, The Command of the Air (Washington: Air Force History and Museums Program, 1998), 30. Alfred F. Hurley, Billy Mitchell: Crusader for Air Power (Bloomington: Indiana University Press, 1975), 61. Edgar H. Schein, Organizational Culture and Leadership
STRATEGIC BOMBING Strategic bombing is considered one necessity for a nation’s air force to visualize air supremacy during World War I and World War II. Strategic bombing is defined as “striking deep into enemy territory to destroy war-making capabilities.” Many theorists speculated different ideas on strategic bombing, including Trenchard, Douhet, and Gorrell. Trenchard’s strategic bomb theory was to focus more on attacking German homelands and to target the enemy nation’s morale. Next, Douhet’s
Armies and Navies have clashed since antiquity, but the airplane that enables aerial combat is barely a century old. Airplanes saw widespread combat in the First World War, and, despite the doubts and financial concerns of military leaders of the time, the brave men who fly them have gained their own dedicated military division, the United States Air Force. Billy Mitchell, through his charisma and an image that endeared him in American culture, was an instrumental figure in developing the modern
Born May 21, 1471, in the city of Nuremberg (one of the strongest artistic and commercial centers in Europe during the 15th and 16th centuries), Albrecht Durer was an extremely gifted,versatile, influential, and artistically talented German artist of the Renaissance Period. Moreover, Durer was a gifted and skilled painter, draftsman, writer, printmaker, engraver, theorist, and mathematician from the city of Nuremberg. Additionally,Albrecht Durer apprenticed with his father, who was a goldsmith at