A Feminist Perspective of Othello Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women. In the opening scene, while Iago is expressing his hatred for the general Othello for his having chosen Michael Cassio for the lieutenancy, he contrives a plan to partially avenge himself (“I follow him to serve
A Feminist Perspective of The Lady of Shalott In an essay on feminist criticism, Linda Peterson of Yale University explains how literature can "reflect and shape the attitudes that have held women back" (330). From the viewpoint of a feminist critic, "The Lady of Shalott" provides its reader with an analysis of the Victorian woman's conflict between her place in the interior, domestic role of society and her desire to break into the exterior, public sphere which generally had been the domain
A Feminist Perspective of Surfacing Often referred to as a "feminist / ecological treatise" by critics, Margaret Atwood's Surfacing reflects the politics and issues of the postmodern society (Hutcheon 145). The narrator of the story (who remains nameless) returns to the undeveloped island that she grew up on to search for her missing father; in the process, she unmasks the dualities and inconsistencies in both her personal life and her patriarchal society. Through the struggle to reclaim her
A Feminist Perspective of A Doll's House In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon
Feminist Perspective of Heart of Darkness In Joseph Conrad’s novel Heart of Darkness, Marlow’s view of women embodies the typical 19th century view of women as the inferior sex. There are only three relatively minor female characters in Heart of Darkness: Marlow’s aunt, Kurtz’s mistress, and Kurtz’s "Intended." Marlow mentions these female characters in order to give the literal aspect of his tale more substance. While they definitely play specific roles in the story, they do not relate with
In this play as any other, Shakespeare proves to be a visionary. Petruchio achieves his goal through witty persuasion rather than resorting to beating his wife like many a man before him has done. Though Shakespeare does not go as far as some feminists would like him to, Shakespeare does much for the fight of equality of the sexes. Katherine’s as strong, or stronger than any woman in Shakespeare’s plays. The amazing thing is that she achieves this without ulterior motives such as lady Macbeth.
Feminist Perspective on Eighteenth Century Literature Feminism during the eighteenth century has come to be defined by the literature of the time. Women, who did not have as many outlets as they do today, expressed their political opinions through literature itself. Although feminist texts existed before the end of the century, women writers in the final decade were seen as more threatening to the dominant patriarchal system. Following the overthrow of the government in France, women in Britain
A Feminist Perspective of To His Coy Mistress Andrew Marvell, a 17-century poetry writer, focuses on a subject that still baffles the readers' minds today, sex. Marvell shows a world where women are seduced. Women and men have focused on the issue of sex for centuries. The most ironic thing that reader should notice while reading this poem is that even though they are in two different time settings, the same persuasions are used as an argument in Marvell's time as well as the present.
The Dangers of a Feminist Perspective of A Farewell to Arms Hemingway's portrayal of Catherine Barkley in A Farewell to Arms is a subject of many debates. I do not agree with Judith Fetterly that Catherine is "too idealistic, too selflessly loving and giving. Catherine's death was the most fitting end to the story. Hemingway's Catherine Barkley may be stereotypical on the surface, but is a much more knowledgeable and strong character underneath. In the early encounter with Henry, Hemingway
A Feminist Perspective of Updike’s A&P Two Works Cited John Updike’s story, "A&P," starts off: "In walks three girls in nothing but bathing suits," and that pretty much sums it all up (Updike 1026). In the story, not only are the girls in bathing suits looked upon as sex objects, but other women are negatively viewed as witches, farm animals, or slaves. This story is about how a young man in the early 1960’s viewed women as a whole, including his own mother. At the beginning of the story Sammy
A Feminist Perspective of A Midsummer Night's Dream At age fifteen, my hormones went wild and I threw myself at every boy in the neighborhood. Although I didn’t go all the way, I offered as much flesh as I dared. If the suburbs can create such sexual angst, imagine the lust stirred by moonlight, fairies, and a warm midsummer night. In Shakespeare's comedy A Midsummer Night's Dream, Helena represents the frenzy of young love when fueled by rejection and driven to masochistic extremes.
A Feminist Perspective of John Steinbeck’s The Chrysanthemums John Steinbeck, in his short story "The Chrysanthemums" depicts the trials of a woman attempting to gain power in a man's world. Elisa Allen tries to define the boundaries of her role as a woman in such a closed society. While her environment is portrayed as a tool for social repression, it is through nature in her garden where Elisa gains and shows off her power. As the story progresses, Elisa has trouble extending this power outside
A Feminist Perspective of Shakespeare Although William Shakespeare reflects and at times supports the English Renaissance stereotypes of women and men and their various roles and responsibilities in society, he is also a writer who questions, challenges, and modifies those representations. His stories afford opportunities not only to understand Renaissance culture better but also to confront our own contemporary generalizations about gender, especially what it means to be female. In his own
A Feminist Perspective of Paulina in The Winter's Tale Feminist criticism explores gender themes in literature, assesses the worth of female characters, promotes unknown women writers, and interprets the canon from a politically-charged perspective. Shakespeare has proven more difficult to categorize than other white male masters of the written word, precisely because of the humanity of his female characters. Critic Kathleen McLuskie urges feminists to "assert the power of resistance, subverting
A Feminist Perspective of Wife of Bath Many literary critics throughout the years have labeled the Wife of Bath, the "gap-toothed (23)" character of The Canterbury Tales by Geoffrey Chaucer, a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it. However, this is not the definition of a feminist. A feminist is someone who believes that women and men are equal, while also is able to recognize and appreciate the unique characteristics of both sexes. A feminist
A Feminist Perspective of Much Ado About Nothing Much Ado About Nothing, though a critically acclaimed play, seems to be truly a fuss of trivial details and sexist thinking. The title fits the play itself, in the sense that it is a case of a great amount of nothing, which perhaps can be assumed to be a mistake on William Shakespeare's part. The characters in the comedy are not realistic, and those that could have been were transformed throughout the course of events depicted. The most trouble
A Feminist Perspective of Kate Chopin's The Story of an Hour Kate Chopin employs the tool of irony in "The Story of an Hour" to carefully convey the problem inherent in women's unequal role in marital relationships. Chopin develops a careful plot in order to demonstrate this idea, one not socially acceptable at the end of the 19th century, and unfortunately, a concept that still does not appreciate widespread acceptance today, 100 years later as we near the end of the 20th century. Louise Mallard's
A Feminist Perspective of Measure for Measure and The Merchant of Venice Isabella's only power could be in saying 'no', her 'no' to Angelo that she would not leave the world despoiled and soulless, 'no' to Claudio that she would sacrifice herself, 'no' to the nunnery that she had wished to enter or 'no' to the Duke's offer of marriage. Isabella's role ability to be self-determining was quite different from Portia's advocacy in The Merchant of Venice, for Isabella was the tool of the Duke, fulfilling
Indigenous and Global Feminist Perspectives on the Women of Chiapas Women's reproductive health is a debated and complex issue in today's society. Nowhere is its severity more prevalent than in areas of extreme poverty such as south and Central America. The resolution to these problems is far from simple. Yet, women are increasingly taking control of their lives and forming groups to combat many of the prejudices that hold them back. However highly debated some tactics for resolution may be it
A Feminist Perspective of A Sicilian Romance and The Castle of Otranto In eighteenth century novels, a common means of discussing the role of women in society is through the characterization of two good sisters. The heroine of such a novel is a pure, kind young woman who also has a streak of spunkiness. Her sister may be more good and kind, but she is more submissive and reserved. I would like to look at these sisters (and their mothers) in Ann Radcliffe’s A Sicilian Romance , and The Castle