Beowulf is an epic poem. Why? Because (1) it is a long narrative work that relates the adventures of a great hero and (2) it reflects the values of the Anglo-Saxon society in which it was written prior to 1000AD. This Old English poem in unrhymed, four-beat alliterative style narrates, through the course of about 3200 verses, the bold killing of two monsters, Grendel and his Mother, and a fire-dragon, as well as numerous other brave deeds in lesser detail, by Beowulf, “the strongest of men alive
The Theme of Beowulf Interpretations of Beowulf vary. In this essay I hope to state clearly some of the popularly mentioned themes running through the poem. “Many critics feel that the speech of Hrothgar between lines 1700 and 1784 encapsulates the moral of the poem….’He does not know the worse – till inside him great arrogance grows and spreads’” (Shippey 38). Hrothgar’s ominous words do come back to haunt the hero more than once. Beowulf is a braggart; he is proud, and nothing seems
Beowulf and Christianity It was a dark time and the devastating effects of war had taken their toll. Many had given up hope entirely that things would ever get better, that the land of present day England would cease its bloodshed. From the conquests of the Romans, to the Germanic tribes, to the Vikings, the people of the British Isles had been battered. They needed a hero, someone who represented strength, decency, and bravery. So came the story of Beowulf. Beowulf is a fictional hero of
Beowulf The classic hero is a well-known character of high social position whose qualities represent those valuable to his society. The hero is pitted against monsters and is, therefore, strong and courageous often to the point of seeming superman. Beowulf often displays cunning and craftiness in dealing with others. At the same time, since he represents all humans, he struggles to overcome human weaknesses. He is challenged and he triumphs. In Beowulf: A new telling by Robert Nye, Beowulf
artifacts mentioned poetically in Beowulf are likewise presented to us from archaeological sources, from literary sources, and from English and Scandinavian records. “I suggested in an earlier paper that the Beowulf poet’s incentive for composing an epic about sixth-century Scyldings may have had something to do with the fact that, by the 890’s at least, Heremod, Scyld, Healfdene, and the rest, were taken to be the common ancestors both of the Anglo-Saxon royal family and of the ninth-century Danish
sources, especially Scandinavian records, thus adding credibility to the historicity of the poem. But it is obvious that Beowulf, Grendel and the Dragon clearly belong to the classification of “myth.” In his essay “The Digressions in Beowulf” David Wright says: Another effect of what are called the ‘historical elements’ in Beowulf – the subsidiary stories of the Danes and the Geats – is to give the poem greater depth and verisimilitude. Hrothgar, the Danish king, is a ‘historical character
A Jungian Reading of Beowulf The epic poem, Beowulf, depicts the battles and victories of the Anglo-Saxon warrior Beowulf, over man-eating monsters. The noble defender, Beowulf, constantly fought monsters and beasts to rid the land of evil. The most significant of these monsters, Grendel, represents Beowulf's shadow, the Jungian archetype explored in the essay collection, Meeting the Shadow. The character Grendel portrays the fallen self, which will assert itself violently if neglected
Vengeance and Revenge in Beowulf The oldest of the great lengthy poems written in English and perhaps the lone survivor of a genre of Anglo-Saxon epics, Beowulf, was written by an unknown Christian author at a date that is only estimated. Even so, it is a remarkable narrative story in which the poet reinvigorates the heroic language, style, and values of Germanic oral poetry. He intertwines a number of themes including good and evil, youth and old age, paganism and Christianity and the heroic
Christian . . ." (preface, Heaney 29), I see Beowulf as a mosaic of many poets. In this paper, I will argue that with each new translation of this Old English epic, a new author of Beowulf is born. The twenty-first century poet Seamus Heaney, who translated the Beowulf on which this paper is based, injects aspects of his world into this ancient poem. Published in the year 2 000, the inconsistency of this most modern text reveals the messy masterpiece Beowulf is today. I believe that throughout the ages
higher power, and provide explanations for otherwise unexplainable events. The gods help humans in trouble and give them guidance about the future. The Olympians influence men on earth both psychologically and physically. In Homer's epic poem, The Iliad, the intervention of such divine powers as Athena, Apollo, and Zeus play significant roles in the lives of the characters and the events of the Greek- Trojan War. Athena plays a very influential role in the Greek-Trojan
Beowulf: An Epic Poem To qualify as an epic poem, Beowulf reflects the values of the culture in which it was created. The Anglo-Saxon culture and the poem share many of the same values. They shared a heroic ideal that included loyalty, strength, courage, courtesy, and generosity. Like all epic poems Beowulf is a long narrative work that tells the adventures of a great hero and also reflects the values of the society in which it was written. Both Beowulf and the Anglo-Saxons believed in those
The Christian element in Beowulf had to be included by the original poet or by minstrels who recited it in later times because it is so deeply imbedded in the text. The extent to which the Christian element is present varies in different parts of the poem. While the poet’s reflections and characters’ statements are mostly Christian, the customs and ceremonies, on the other hand, are almost entirely heathen/pagan. This fact seems to point to a heathen work which has undergone revision by Christian minstrels
Beowulf and Heroic Virtues Although the main character in Beowulf is Beowulf himself, I believe that the single section which most concisely illustrates the heroic values in this poem occurs on pages 61 through 64 of the text, and is illustrated not by Beowulf's actions, but by Wiglaf's. Although Wiglaf is by nationality Swedish, he identifies himself as Beowulf's kinsman when he says "I did begin to help my kinsman." (Chickering 64) Wiglaf, in coming to Beowulf's aid in the fight against
Characterization of Beowulf The dialogue, action and motivation revolve about the characters in the poem (Abrams 32-33). It is the purpose of this essay to demonstrate the types of characters present in the anonymously written Anglo-Saxon poem, Beowulf - whether static or dynamic, whether flat or round, and whether protrayed through showing or telling. At the very outset of the poem the reader is introduced, through “telling” by the scop, to Scyld Scefing, forefather of the Danish ruling
Social Codes in Beowulf In reading Beowulf, one cannot help noticing the abundance of references to weapons and armor throughout the text. Many passages involving weapons and armor contain important messages that the author is trying to convey. These passages involve the choice to use or refrain from using arms, the practice of disarming oneself upon entering another's home, and the idea of a man's worth being measured by his weapons. First, the theme of choosing to use, or not to use
Beowulf and His Pride One of Beowulf's main characteristics is his ever present pride. To most protagonists their pride is usually explained by a friend or narrator. However, Beowulf is one who likes to show the whole world how important and valuable he is to them. Through out the chapters which we have read it seems as though the whole point in the book is to show off his strength. He presents himself before a fight with boasting and an ostentatious manner of fighting. When
Digressions in Beowulf A prominent stylistic feature in the poem Beowulf is the number and length of digressions. “Much of the controversy surrounding the poet’s digressiveness has arisen from the fact that we have not yet discovered or admitted why he digresses in the first place” (Tripp 63). In this essay we hope to help answer that question. The longest digression, almost 100 verses, is the story of Finn, which is here explored. In “The Finn Episode and Revenge in Beowulf” Martin
Anticipation of catastrophe, doom, gloom are present in Beowulf rom beginning to end, even in the better half of the poem, Part I. Perhaps this is part of what makes it an elegy – the repeated injection of sorrow and lamentation into every episode. In his essay, “The Pessimism of Many Germanic Stories,” A. Kent Hieatt says of the poem Beowulf: The ethical life of the poem, then, depends upon the propositions that evil. . . that is part of this life is too much for the preeminent man. . . .
Beowulf - A Literary Epic There are ten basic elements that help to classify a poem as an epic. Although Beowulf does not contain all of these elements, it has enough of them to still identify it as an epic. There are ten characteristics of an epic: the central character has heroic or superhuman qualities, the action takes place on an immense scale, the action involves the fate of an entire population or the whole human race, gods or semi-divine creatures aid one side or the other, the author
Fame, Kingship, Fate and God in Beowulf The Anglo-Saxons were a people who lived in and ruled England from the fifth century AD until the Norman Conquest. They were a people who valued courage and leadership. They lived under kings who were "keepers of gold" and were guarded by their loyal thanes (knights). They were a Pagan culture until the Normandy conquistadors came. They believed in fate and believed the only way to live forever was if you had fame. In the Anglo-Saxon book, Beowulf,