Fallen Angels, by Walter Dean Myers, begins with the introduction of an African American 19-year-old boy who lives in Chicago. Recently he's joined the army and been assigned domestic work as he hoped for due to his bad leg and unreliable strength on it. Then, by accident of paperwork, he was eventually sent to Nam and put directly onto the field. He agreed to wait for his injury profile to catch up with him and that then he could return home. His mother at home is quite worried for him and also
It’s been two years since I was sent to Agape. Ironic it should be named that, there is no love in this city. Here I am surrounded by the regret of others, cesspools of addicts, and gangs made up of those who’ve committed the same crimes. Agape is the city of redemption so they say, but no one tries to redeem themselves. Not really. Some people can’t. Being born a bastard isn’t something you can change. The way one chooses to present, blurring the lines between men and women, preferring men or women
Technical Theater During the Restoration Lighting and Scenic Design England 1660-1800 The Restoration in England was an era ripe for the development of new ideas in the arts. The return of the Stuart monarchy under Charles II marked the end of eighteen years of almost dictatorial control by Oliver Cromwell and his Puritan parliament. Cromwell had campaigned actively to halt all theatrical activity. In the end, however, his laws were actually responsible for helping move England forward in theatrical
to merge art and theater into real life, while highlighting the shortcomings of drama and art in imitating life. Four elements are used within the play: the Characters themselves, the lines spoken by the Characters, the play structure pertaining to acts and scenes, and the stage directions within the play. The first main area of art and reality colliding in the play is the existence of characters who are referred to as Characters. Pirandello stretches the bounds of meta-theater by having actors
A Theater of My Own My grandmother, Annie was a seanchai, an Irish storyteller. She was the only great actor I have known intimately. Her stage was the kitchen of her cottage in the West of Ireland and her stories were about her friends and neighbors. She recreated their trials and triumphs and with her talent for mimicry accorded each a speaking part. Her one woman show held me spellbound. She commanded my tears and fits of laughter depending on the content of her story or dictated by a whim
Important Formative Experience I have had many theater-related experiences. Every chapter that I have read in my theater book has allowed me to make a connection to my past experiences with theater performances. I have also seen many plays and could relate to things an audience sees by reading the book. My first theater experience ever is when I was in the Nutcracker. We did a ballet performance for this play. I was very young when I did this, but I remember my instructor always saying that we must
How Cinema and Theater Convey Pleasure in the Acts of Search and Lust In her essay, “Visual Pleasure and Narrative Cinema”, British film maker Laura Mulvey attempts to demystify how pleasure can be fulfilled in film. Contending that a pleasure in looking (scopohilia) and a pleasure in possessing the female as what to be looked at (voyeurism) fufills the audience’s desires, Mulvey suggests how filmmakers use this knowledge to create film that panders to our innate desires. In “Meshes of the Afternoon”
A Funny Thing Happened On the Way to the Theater September 5, 2000: First Audition Less than a week ago, I had never auditioned for anything. Tonight, I was on stage with forty or so actors, most of whom had several plays to their credit. As I had neither a major, nor past plays to back me up, I was nervous. I survived it all anyway, and had fun despite the scary scary evaluative process. September 7, 2000: Callbacks The hyper-talkative freshman girl in my French class looked at the callback
Family as Theater in Eudora Welty's Why I Live at the P.O. The outspoken narrator of Eudora Welty's "Why I Live at the P.O.," known to us only as "Sister," intends to convince us--the world at large--that her family has "turned against" her, led on by her sister, itella-Rondo. To escape her family, she explains, she has left home and now lives at the P.O., where she is postmistress. As she delivers her monologue, the narrator reveals more about herself than she intends. We see her as a
Subversive Power of the Theater Revealed in Hamlet and Othello Theatrical performance is vital not only to the presentation of Hamlet and Othello, but it is vital to each of the play's respective stories. Several key characters control, manipulate, or script a theatrical performance of their own. Through subtle suggestion and explicit or implicit storytelling, Shakespeare's use of theatrical performance within his own plays underscores the subversive power of the theater. It is no secret that
II. Structure of the Globe The theater that Cuthbert Burbage built for the Chamberlain's Men had a total capacity of between 2,000 and 3,000 spectators. Because there was no lighting, all performances at the Globe were conducted, weather permitting, during the day (probably most often in the mid-afternoon span between 2 P.M. and 5 P.M.). Because most of the Globe and all of its stage was open air, acoustics were poor and the actors were compelled by circumstances to shout their lines, stress their
Personal Narrative- My Dream I picture myself center stage in the most enormous and fantastically beautiful theater in the world. Its walls and ceilings are covered in impeccable Victorian paintings of angels in the sky. A single ray of light shines down upon my face, shining through the still, silent darkness, and all attention is on me and me alone. The theater is a packed house; however, my audience is not that of human beings, but rather the angels from the paintings on the walls come alive
Lights, Camera, Action...Going for My Dream For as long as I can recollect, I have always wanted to act. When I was younger, I would watch the Disney channel and wondering why I wasn't on one of the shows. My desire to act was strong, only my parents made it clear to me they didn't want me to get engrossed in the entertainment industry until I was older. Each year I reminded my parents that I was getting older in hope that they would get me agent, but they insisted that I wait until
hidden meaning behind it? We go to sleep, than dream, than wake up and not even remembering the slightest parts of our dreams. After a while we just seem to accept it as a normal thing and not look deeper into it any further. Dreams can be mysterious even frightening because it can change suddenly with unusual elements, but understanding the meaning of our dreams can be very insightful. Like the famous psychologist, Sigmund Freud stated that dreams are a representation of unconscious desires, thoughts
Fantasy is a truly an otherworldly place, capable of building the most exquisite worlds that exist only in our minds, as realistic as the most intricate of dreams. If the dreams were a good book it would be nearly possible to reach out and grab the words directly off the page and toss them into the world. Growing up I spent most of my time drifting off and day-dreaming about places I’d read about in novels, comics, and explored in games and movies. There was something that kept drawing me back to
Much like the underneath of your childhood bed, dreams are chaotic and need to be cleaned out. If not those peanut butter sandwiches forgotten under the mattress of the unconscious tend to mold quickly. Soon those repressions that were forgotten start to stink and cause the dreamer agitation in their waking hours. Freud believed heavily in the use of interpretation to unpack dream’s latent content and often spoke of interpretation playing a key role in his understandings of psychoanalysis. However
Death of a Salesman is probably one of Arthur Miller's greatest achievements. This play describes the sixty-three-year-old protagonist Willy Loman, a rounded and psychologically motivated individual. Willy is also a familiar American Philistine and even a universal type. He embodies the stupidity, immorality, self-delusion, and failure of middle-class values Miller portrays as being sterile and vicious. At the same time Willy's love of his delinquent sons, however harmful and wrongly expressed has
When your dreams are set aside, delayed or deferred you can experience a number of different emotions. You might feel frustration or angst, angry at the obstacles that might be holding you back from pursuing your dream and worried that you may never be able to reach your goals. You may feel stuck or defeated, if you think that your dream has no sustenance to keep it alive. You could feel defensive if those who you would expect to support you in your pursuit of happiness are instead turning against
clings to her lost youthfulness. Tom retreats into movie theaters and into his dream of joining the merchant seamen and some day becoming a published poet. Laura resorts to her Victrola and collection of glass ornaments to help sustain her world of fantasy. Finally, Jim is only able to find some relief in his glorified old memories. This essay will examine how Amanda, Tom, Laura and Jim attempt to escape from the real world through their dreams. Amanda was abandoned by her husband and now must take
Elizabethan Theater Drama changed literature and theater into what it is today. I. History of Elizabethan Theater a. forming of theater 1. medieval church 2. mystery and morality b. actors 1. rogues and thieves 2. acting guilds II. Influences and people a. commanding actors 1. Shakespeare 2. Burbage b. other 1. wars of the roses (other historical influences) 2. laws restricting theater III. The theaters a. prices 1. seating 2. stage b. the theater and the globe 1. locations and characteristics 2