Donna Dubinsky was an impressive woman. She received an undergraduate degree from Yale and a masters from Harvard. Although she had a background in Commerical banking she set her sights and future aspirations on working for Apple in the early 1980’s. She pushed her way into the company and started in 1981 as a customer support liaison. Due to her hard work and success she quickly moved up the ladder receiving numberous promotions. In December of 1984 she became the Director of Distribution and
Vision Jeff Hawkins a graduate of Cornell Universityis best known as “the inventor who, in 1994, took blocks of mahogany and plywood into his garage and emerged with a prototype for the PalmPilot” (PC Magazine, 2000). Joining forces with friend Donna Dubinsky, Jeff “pulled off one of the most successful new-product launches in consumer electronics history, selling 400,000 units when they debuted in 1996. Now Palm Computing owns 80% of the handheld market” (PC Magazine, 2000). Mr. Hawkins vision combined
Handspring SWOT Analysis Strengths 1. Strong Board of Directors. Jeff Harkins, Donna Dubinsky, and Ed Colligan are considered industry leaders. In fact they had been credited with reviving the handheld computing industry. The Palm Pilot which they developed was the most successful product launch in computing history. 2. Good brand identity, strong reputation. By the summer of 2000, Handspring had a 40% market share. There was a four month backlog in orders when Handspring first entered
that "To Hell With Dying" was completely fiction, evidence from the story and other sources suggest otherwise. The love the narrator feels towards Mr. Sweet parallels with actual events that took place in Alice Walker’s life. In the preface of Donna Haisty Winchell’s book Alice Walker, it is revealed that Alice Walker was "blinded in one eye at age eight by a careless shot from a brother’s BB gun" (ix). The shot left a scar that bothered Walker immensely. Winchell also writes that because of the
masculine role. Judith Halberstam describes this in-between-ness as being one of the primary characteristics of the Gothic monster--being in a space that's not easily classified or categorized, and therefore being rendered unintelligible and monstrous. Donna J. Haraway posits that the post-modern science fiction cyborg occupies a similar in-between space, or, perhaps, a non-space. Similarly, Cathy Griggs argues that the post-modern lesbian is linked to this notion of the cyborg. The lesbian is rendered
submissive to men. In a world dominated by patriarchy, with men exercising authority over women and children, the Internet has capitalized by evolving from a million dollar business for a few to a multi-billion dollar business for many predators. Donna M. Hughes, a writer for the Technology and Society Magazine, explains the influence the Internet has with promoting women’s exploitation: The sex industry is among the top five groups buying state-of-the-art computer equipment. Sex industry businesses
words throughout the opera are ore often than not a literal translation of Shakespeare’s work. All of this information is fine and gives us a general understanding of who wrote the opera and when, but what I want to focus on in this paper is the Prima Donna of the opera by Verdi: Lady Macbeth. Although she is an integral part to both the play also and since the opera is so closely related to the play, I will focus on the opera by Verdi. Through a character analysis, evidence on how Verdi saw his Lady
Analysis of Li-Young Lee’s Persimmons The speaker in Li-Young Lee’s poem “Persimmons” has been clearly raised in a bi-lingual, bi-cultural atmosphere. His experiences, although not entirely positive, have helped him grow into the man he is today. By using sensory imagery and “precise” diction along with the informal stanza structure, the speaker shows the reader that, despite his bi-cultural past, he now has realized, thanks to his experiences, that some of the most important things are not
An Analysis of John Updike's A&P In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions
numerous categories under it such as grand theft auto, etc… The following story is the true account of a young female named Donna. This story tells of Donna's rape and then her murder by a man named McCorquodale and his friend Leroy. The author is telling this story in order to create the mental picture of what murder and rape really are. "…The appellant, after telling Donna how pretty she was, raised his fist and hit her across the face. When she stood up, he grabbed her by her blouse, ripping
sunburns right across under the eyes, and a chin that was too long . . . and then the third one, that wasn’t quite so tall. She was the queen . . . She didn’t look around, not this queen, she just walked straight on slowly, on these long white prima-donna legs . . . She had on a kind of dirty pink – beige maybe, I don’t know – bathing suit with a little nubble all over it and, what got me, the straps were down . . . all around the top of the cloth there was this shining rim . . . She had sort of oaky
another. However, I feel as though reading a book by someone with Autism will give me some insight. The book I chose to read is titled Nobody Nowhere by Donna Williams. This was the first book that
The story no longer stands as merely a naturalistic depiction of nature's monumental indifference or as simply an existential affirmation of fife's absurdity. Instead, we have slowly come to realize a new level of the text, one that, according to Donna Gerstenberger, explores "man's limited capacities for knowing reality" (557). Gerstenberger's conclusion that the tale "may be best viewed as a story with an epistemological emphasis, one which constantly reminds its reader of the impossibility of
experience with another woman,” and “the sharing of a rich inner life, the bonding against male tyranny, the giving and receiving of practical and political support” (51). The question remains: where does Leapor belong on this continuum? Critic Donna Landry places Leapor in the realm of replacing heterosexual union with something closer to homosexual tendencies, while Richard Greene offers a far more platonic view of things. In applying Rich’s tenets of a range, it is possible to read Leapor as
others that we are different and not only by physical appearance. Below are my ratings of each ethical style. Duty-Based In the two scenarios there are instances of a strong duty-based ethics. I rated myself a three in this area. In scenario one, Donna is a very controlling person; I do not see myself as controlling. I do like structure; however, I know that in society you have to give a little in your views to make progress towards the group goal. Stephanie, in scenario two does not like to lie
correctly. The word propaganda is defined in a few different ways, But in the most general usage, it varies from bad to good persuasion of our minds. It is used during election time to our daily lives on television to our newspaper stands. According to Donna Cross’s essay, “Propaganda: How Not to Be Bamboozled,” there are thirteen different types of propaganda; this paper will discuss six varieties. George W. Bush and Dick Cheney used primarily every sort of propaganda to influence the citizens; therefore
will be left behind. The LVMH business portfolio began to take shape in 1987 with the merger between Louis Vuitton and Moet Hennessy which was a four billion dollar merger. Over the course of time, LVMH has acquired over 50 luxury brands, such as Donna Karen, Fendi, and Sephora. They called it, “a collection of star brands and rising stars.” LVMH found this industry to be timeless and modern, highly profitable, and very rapid growing. Despite all of the above mentioned, LVMH did experience some
who will be taking Anderton’s place when he retires and also possibly his wife, Lisa. Anderton goes on somewhat of a quest to find out who is behind all of this. Through his quest he discovers that the strongest precog, which is the female named Donna, sometimes has different visions than the other two male precogs. These are called minority reports, and Anderton finds that he does not have one. He finally finds who is behind his setup, and it is Kaplan, a retired Army General and the man he is
assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status initially, and to which Sammy rigidly adheres despite no real evidence of its accuracy. From the description of her "prima donna" legs, to his imagining of ... ... middle of paper ... ...gel's suggestion that he relent and keep his job, Sammy is actually saying "no" to his parents and their attempt to put him on the road to middle-class respectability. In the final
the basist. Bill Kreutzmann played drums at first but was followed by Micky Heart in 1967 as a seccond drummer. When Pigpin died at the tender age of 27 of liver failure, Keith Godchaux joined on as the new keyboardist, with him he brought his wife Donna Jean to help with backup vocals. When the couple left the band in 1979 they were replaced by Brent Mayland. Mayland played with the band until his death in 1990, making him the third Keyboardist to die while in the Grateful Dead. He was quickly replaced